"View of Scheveningen Sands," before and after conservators uncovered a beached whale in the painting.|
Credit: Fitzwilliam Museum
When art conservators in the United Kingdom were cleaning a 17th-century Dutch seascape, they found a surprise: an image of a beached whale that had been hidden for at least 150 years.
Until recently, the painting — "View of Scheveningen Sands," created by Hendrick van Anthonissen around 1641 — simply showed groups of people gathered on a beach in The Hague in the Netherlands.
"It seemed a very unassuming painting depicting a very calm beach scene set in winter," Shan Kuang, a conservation at the University of Cambridge's Fitzwilliam Museum, said in a new video explaining the strange find. "There were clusters of people gathered. I was unclear why they were there, but it didn't seem too out of normal."
Kuang was tasked with removing a coat of varnish, which is typically found on oil paintings, but unfortunately yellows over time. When she began cleaning, a figure emerged on the horizon of the ocean next to a shape that looked like a sail. This was "extremely peculiar and unexpected," Kuang said. But further cleaning with a scalpel and revealed the floating figure was actually standing on top of a whale, and what at first appeared to be a sail was actually the whale's fin.
At the time the painting was created, there was a surge of in whales, researchers at the museum said, noting that historical records a number of whale strandings on the coastline of the Netherlands in the beginning of the 17th century.
The Fitzwilliam Museum acquired "View of Scheveningen Sands" in 1873 when a donor handed over several Dutch landscape paintings. There is no indication that anyone at that time knew the van Anthonissen painting originally featured a beached whale. It's not clear when or why someone decided the whale had to go, but an analysis of the used to cover up the animal suggests the alteration took place in the 18th or 19th century before the painting was donated.
"Today, we treat works of art as entities, but in the previous centuries, paintings were often elements of interior that were adapted to fit certain spaces — or adjusted to suit changing tastes," Kuang explained in a statement. "It's possible that the whale was removed because the presence of a dead animal was considered offensive — or perhaps without the whale the picture was more marketable."
The painting is on permanent display in the Fitzwilliam Museum's gallery of Dutch Golden Age painting.