Showing posts with label Babylon. Show all posts
Showing posts with label Babylon. Show all posts
Sunday, October 29, 2017
Who or what killed Alexander the Great?
Ancient Origins
In June 323 BC, Alexander the Great died in Babylon aged 32, having conquered an empire stretching from modern Albania to eastern Pakistan. The question of what, or who, killed the Macedonian king has never been answered successfully. However, new research may have finally solved the 2,000-year-old mystery.
Alexander III of Macedon, also known as Alexander the Great, was born in Pella in 356 BC and was mentored by Aristotle until the age of 16. He became king of Macedon, a state in northern ancient Greece, and by the age of 30 had created one of the largest empires of the ancient world, stretching from the Ionian Sea to the Himalayas. Alexander is considered one of history's most successful commanders. He conquered the whole of the Persian Empire but being an ambitious warrior, seeking to reach the 'ends of the world,' he invaded India in 326 BC but later turned back. He is credited with founding some 20 cities that bore his name, including Alexandria in ancient Egypt, and spread Greece's culture east. However, before completing his plans to invade Arabia, Alexander the Great died of a mysterious death, following 12 days of suffering.
What is known from historical records is that Alexander was holding a memorial feast to honour the death of a close personal friend. But around mid-evening, he was seized with intense pain and collapsed. He was taken to his bedchamber where, after days of agony, high fever, convulsions and delirium, he fell into a coma and died.
His initial systems were agitation, tremors, stiffness in the neck, and sharp pain in the area of the stomach. He then collapsed and suffered acute and excruciating agony wherever he was touched. He experienced an intense thirst, fever and delirium, and throughout the night he experienced convulsions and hallucinations, followed by periods of calm. In the final stages of the condition he could not talk, although he could still move his head and arms. Ultimately, his breathing became difficult and he died.
Alexander the Great on his deathbed. Image source.
The four most popular theories concerning his death are: Malaria, typhoid, alcohol poisoning, or being intentionally poisoned by a rival. Three can probably be discounted. Malaria is carried by mosquitoes that live in jungle and tropical locations, but not in desert regions such as central Iraq where Alexander died. Typhoid is transmitted by food or water contaminated by bacteria which causes epidemics and not just single, individual cases. There is nothing in any of the historical accounts to suggest such outbreak in Babylon at the time Alexander died. The main effect of alcohol poisoning is continual vomiting, but not once do any of the historical sources mention vomiting or even nausea as one of Alexander’s symptoms.
So what did kill Alexander? According to the historical accounts, Alexander’s body failed to show any signs of decay for six days after death, even though it was kept in a hot, sultry place. One explanation is a lethal dose of a toxic substance that pervaded the corpse and slowed the rate of decomposition. This suggests that Alexander the Great was poisoned, but by what?
Recent research conducted by Dr Leo Schep from the National Poisons Centre in New Zealand suggests that Alexander died from drinking poisonous wine from an innocuous-looking plant that, when fermented, is incredibly deadly.
Dr Schep, who has been researching the toxicological evidence for a decade, said some of the other poisoning theories - including arsenic and strychnine - were not plausible as death would have come far too fast, not over 12 days as the records suggest. The same applies to other poisons such as hemlock, aconite, wormwood, henbane and autumn crocus.
However, Dr Schep’s research, co-authored by Otago University classics expert Dr Pat Wheatley and published in the medical journal Clinical Toxicology, found the most plausible culprit was Veratrum album, known as white hellebore. The white-flowered plant, which can be fermented into a poisonous wine, was well-known to the Greeks as a herbal treatment.
Dr Schep's theory was that Veratrum album could have been fermented as a wine that was given to the leader. It would have tasted 'very bitter' but it could have been sweetened - and Alexander was likely to have been very drunk at the banquet. The symptoms caused by consuming the plant also fit with the description of what Alexander experienced over the 12 days before he died.
However, even if Alexander were poisoned, there's no proof that he was murdered by conspiring generals. There have been documented cases of people accidentally poisoning themselves with Veratum album. In 2010, Clinical Toxicology published a paper about four people in Central Europe who thought they were eating wild garlic. In about 30 minutes they were throwing up, in pain, partially blind, and confused. Unlike, perhaps, Alexander, they all survived.
By April Holloway
Saturday, October 3, 2015
Lost 'Epic of Gilgamesh' Verse Depicts Cacophonous Abode of Gods
Live Science
A serendipitous deal between a history museum and a smuggler has provided new insight
into one of the most famous stories ever told: "The Epic of Gilgamesh."
The new finding, a clay tablet, reveals a previously unknown "chapter" of the epic poem from ancient Mesopotamia. This new section brings both noise and color to a forest for the gods that was thought to be a quiet place in the work of literature. The newfound verse also reveals details about the inner conflict the poem's heroes endured.
In 2011, the Sulaymaniyah Museum in Slemani, in the Kurdistan region of Iraq, purchased a set of 80 to 90 clay tablets
from a known smuggler. The museum has been engaging in these backroom dealings as a way to regain valuable artifacts that disappeared from Iraqi historical sites and museums since the start of the American-led invasion of that country, according to the online nonprofit publication Ancient History Et Cetera.
Among the various tablets purchased, one stood out to Farouk Al-Rawi, a professor in the Department of Languages and Cultures of the Near and Middle East at the School
of Oriental and African Studies (SOAS) at the University of London. The large block of clay, etched with cuneiform writing, was still caked in mud when Al-Rawi advised the Sulaymaniyah Museum to purchase artifact for the agreed upon $800. [In Photos: See the Treasures of Mesopotamia]
With the help of Andrew George, associate dean of languages and culture at SOAS and translator of "The Epic of Gilgamesh: A New Translation" (Penguin Classics, 2000), Al-Rawi translated the tablet in just five days. The clay artifact could date as far back to the old-Babylonian period (2003-1595 B.C.), according to the Sulaymaniyah Museum. However, Al-Rawi and George said they believe it's a bit younger and was inscribed in the neo-Babylonian period (626-539 B.C.).
Al-Rawi and George soon discovered that the stolen tablet told a familiar story: the story of Gilgamesh, the protagonist of the ancient Babylonian tale, "The Epic of Gilgamesh," which is widely regarded as the first-ever epic poem and the first great work of literature ever created. Because of the time period when the story was written, the tale was likely inscribed on "tablets," with each tablet telling a different part of the story (kind of like modern chapters or verses).
What Al-Rawi and George translated is a formerly unknown portion of the fifth tablet, which tells the story of Gilgamesh, king of Uruk, and Enkidu (the wild man created by the gods to keep Gilgamesh in line) as they travel to the Cedar Forest (home of the gods) to defeat the ogre Humbaba.
The new tablet adds 20 previously unknown lines to the epic story, filling in some of the details about how the forest looked and sounded.
"The new tablet continues where other sources break off, and we learn that the Cedar Forest is no place of serene and quiet glades. It is full of noisy birds and cicadas, and monkeys scream and yell in the trees," George told Live Science in an email
.
In a parody of courtly life, the monstrous Humbaba treats the cacophony of jungle noises as a kind of entertainment, "like King Louie in 'The Jungle Book,'" George said. Such a vivid description of the natural landscapes is "very rare" in Babylonian narrative poetry, he added
Other newfound lines of the poem confirm details that are alluded to in other parts of the work. For example, it shows that Enkidu and Humbaba were childhood buddies and that, after killing the ogre, the story's heroes feel a bit remorseful, at least for destroying the lovely forest.
"Gilgamesh and Enkidu cut down the cedar to take home to Babylonia, and the new text carries a line that seems to express Enkidu's recognition that reducing the forest to a wasteland is a bad thing to have done, and will upset the gods," George said. Like the description of the forest, this kind of ecological awareness is very rare in ancient poetry, he added.
The tablet, now mud-free and fully translated, is currently on display at the Sulaymaniyah Museum. A paper outlining Al-Rawi and George's findings was published in 2014 in the Journal of Cuneiform Studies.
Follow Elizabeth Palermo @techEpalermo. Follow Live Science @livescience, Facebook & Google+. Original article on Live Science..
Listen to traveling bard Sebastian Lockwood's performance on SoundCloud
|
Credit: Farouk Al- |
A serendipitous deal between a history museum and a smuggler has provided new insight
The new finding, a clay tablet, reveals a previously unknown "chapter" of the epic poem from ancient Mesopotamia. This new section brings both noise and color to a forest for the gods that was thought to be a quiet place in the work of literature. The newfound verse also reveals details about the inner conflict the poem's heroes endured.
In 2011, the Sulaymaniyah Museum in Slemani, in the Kurdistan region of Iraq, purchased a set of 80 to 90 clay tablets
Among the various tablets purchased, one stood out to Farouk Al-Rawi, a professor in the Department of Languages and Cultures of the Near and Middle East at the School
With the help of Andrew George, associate dean of languages and culture at SOAS and translator of "The Epic of Gilgamesh: A New Translation" (Penguin Classics, 2000), Al-Rawi translated the tablet in just five days. The clay artifact could date as far back to the old-Babylonian period (2003-1595 B.C.), according to the Sulaymaniyah Museum. However, Al-Rawi and George said they believe it's a bit younger and was inscribed in the neo-Babylonian period (626-539 B.C.).
Al-Rawi and George soon discovered that the stolen tablet told a familiar story: the story of Gilgamesh, the protagonist of the ancient Babylonian tale, "The Epic of Gilgamesh," which is widely regarded as the first-ever epic poem and the first great work of literature ever created. Because of the time period when the story was written, the tale was likely inscribed on "tablets," with each tablet telling a different part of the story (kind of like modern chapters or verses).
What Al-Rawi and George translated is a formerly unknown portion of the fifth tablet, which tells the story of Gilgamesh, king of Uruk, and Enkidu (the wild man created by the gods to keep Gilgamesh in line) as they travel to the Cedar Forest (home of the gods) to defeat the ogre Humbaba.
The new tablet adds 20 previously unknown lines to the epic story, filling in some of the details about how the forest looked and sounded.
"The new tablet continues where other sources break off, and we learn that the Cedar Forest is no place of serene and quiet glades. It is full of noisy birds and cicadas, and monkeys scream and yell in the trees," George told Live Science in an email
In a parody of courtly life, the monstrous Humbaba treats the cacophony of jungle noises as a kind of entertainment, "like King Louie in 'The Jungle Book,'" George said. Such a vivid description of the natural landscapes is "very rare" in Babylonian narrative poetry, he added
Other newfound lines of the poem confirm details that are alluded to in other parts of the work. For example, it shows that Enkidu and Humbaba were childhood buddies and that, after killing the ogre, the story's heroes feel a bit remorseful, at least for destroying the lovely forest.
"Gilgamesh and Enkidu cut down the cedar to take home to Babylonia, and the new text carries a line that seems to express Enkidu's recognition that reducing the forest to a wasteland is a bad thing to have done, and will upset the gods," George said. Like the description of the forest, this kind of ecological awareness is very rare in ancient poetry, he added.
The tablet, now mud-free and fully translated, is currently on display at the Sulaymaniyah Museum. A paper outlining Al-Rawi and George's findings was published in 2014 in the Journal of Cuneiform Studies.
Follow Elizabeth Palermo @techEpalermo. Follow Live Science @livescience, Facebook & Google+. Original article on Live Science..
Listen to traveling bard Sebastian Lockwood's performance on SoundCloud
Wednesday, January 15, 2014
History Trivia - Henry VIII declares himself head of English Church
January 15
588 BC Nebuchadnezzar II of Babylon lay siege to Jerusalem under Zedekiah's reign. The siege lasted until July 23, 586 BC
69 the Emperor Galba was murdered in the streets of Rome. Otho (Marcus Salvius Otho Caesar Augustus) seized power and proclaimed himself Emperor of Rome, but ruled for only three months before he committed suicide.
1535 Henry VIII declared himself head of English Church.
1559 Elizabeth I was crowned Queen of England in Westminster Abbey, London by Owen Oglethorpe, Bishop of Carlisle.
1759 British Museum opened in Montague House, London
588 BC Nebuchadnezzar II of Babylon lay siege to Jerusalem under Zedekiah's reign. The siege lasted until July 23, 586 BC
69 the Emperor Galba was murdered in the streets of Rome. Otho (Marcus Salvius Otho Caesar Augustus) seized power and proclaimed himself Emperor of Rome, but ruled for only three months before he committed suicide.
1535 Henry VIII declared himself head of English Church.
1559 Elizabeth I was crowned Queen of England in Westminster Abbey, London by Owen Oglethorpe, Bishop of Carlisle.
1759 British Museum opened in Montague House, London
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