Showing posts with label Erotica. Show all posts
Showing posts with label Erotica. Show all posts

Tuesday, July 8, 2014

2,500-year-old erotic graffiti found in unlikely setting on Aegean island

Racy inscriptions and phalluses carved into Astypalaia's rocky peninsula shed light on very private lives of ancient Greece



Erotic graffiti on Aegean island of Astypalaia
The erotic graffiti on Astypalaia also highlighted the extent of literacy at a time when the Acropolis in Athens had yet to be built. Photograph: Helena Smith
Wild, windswept, rocky and remote, Astypalaia is not an obvious place for the unearthing of some of the world's earliest erotic graffiti.
Certainly, Dr Andreas Vlachopoulos, a specialist in prehistoric archaeology, didn't think so when he began fieldwork on the Aegean island four years ago. Until he chanced upon a couple of racy inscriptions and large phalluses carved into Astypalaia's rocky peninsula at Vathy. The inscriptions, both dating to the fifth and sixth centuries BC, were "so monumental in scale" – and so tantalisingly clear – he was left in no doubt of the motivation behind the artworks.
"They were what I would call triumphant inscriptions," said the Princeton-trained professor who found them while introducing students to the ancient island world of the Aegean. "They claimed their own space in large letters that not only expressed sexual desire but talked about the act of sex itself," he told the Guardian. "And that is very, very rare."
Chiselled into the outcrops of dolomite limestone that dot the cape, the inscriptions have provided invaluable insight into the private lives of those who inhabited archaic and classical Greece. One, believed to have been carved in the mid-sixth century BC, proclaimed: "Nikasitimos was here mounting Timiona (Νικασίτιμος οἶφε Τιμίονα).
"We know that in ancient Greece sexual desire between men was not a taboo," added Dr Vlachopoulos, who returned to the far-flung island last week to resume work with a team of topographers, photographers, conservationists and students. "But this graffiti … is not just among the earliest ever discovered. By using the verb in the past continuous [tense], it clearly says that these two men were making love over a long period of time, emphasising the sexual act in a way that is highly unusual in erotic artwork. "
Found at the highest point of the promontory overlooking the Bay of Vathy on the island's north-western tip, the inscription has led the archaeologist to believe that soldiers may once have been garrisoned there.
Two penises engraved into limestone beneath the name of Dion, and dating to the fifth century BC, were also discovered at lower heights of the cape. "They would seem to allude to similar behaviour on the part of Dion," said Vlachopoulos.
The epigrapher, Angelos Matthaiou, said the graffiti had not only shed light on the very personal lives of the ancients but highlighted the extent of literacy at a time when the Acropolis in Athens had yet to be built. "Whoever wrote the erotic inscription referring to Timiona was very well trained in writing," said Matthaiou, for more than 25 years the general secretary at the Greek Epigraphic Society. "The letters have been very skillfully inscribed on the face of the rock, evidence that it was not just philosophers, scholars and historians who were trained in the art of writing but ordinary people living on islands too."
Other rock art found at the site include carvings depicting oared ships, daggers and spirals – all still discernible despite exposure to the erosive effects of wind and sea.
As the best-known motif of early Cycladic art representing the waves of the sea, spirals symbolised perpetual motion as the driving force in the life and thought of island communities.
"We know that Greek islands were inhabited by the third millienium BC., but what we have found is evidence that, even then, people were using a coded language of symbols and imagery that was quite sophisticated," said Dr Vlachopoulos.
Unit recently, Astypalaia has been better known for its ancient cemeteries of mass graves containing the remains of newborn infants. Now erotica has to be added to that sorry tale.
"Few Greek islands have been properly explored or excavated and these findings are testimony to why it is so important that they are," said the archaeologist.
• This article was amended on 8 July 2014. The headline claimed it was the world's oldest erotic graffiti. As stated in the article, it is only some of the world's oldest such artwork. This has been corrected.
http://www.theguardian.com/science/2014/jul/06/worlds-earliest-erotic-graffiti-astypalaia-classical-greece
 
http://www.theguardian.com/science/2014/jul/06/worlds-earliest-erotic-graffiti-astypalaia-classical-greece

Saturday, March 30, 2013

About The Illustrated Woman by Mark Barry

About "The Illustrated Woman" by Mark Barry
Published by Green Wizard Publishing

The story takes place in the present tense and in June 2012. First person narrative from the point of view of the title character. It's a love story.

Emily is a twenty six year old unemployed lone parent living in a two bedroom flat on an estate in Bilborough. Her daughter is seven. All the story takes place in daylight while her daughter is at school, (Unemployed people live their lives in daylight.) 

Once a promising Cellist from a prosperous middle class Wollaton family, she dropped out of school after a disastrous first relationship with an amoral, predatory older man and a sneaky shoulder tattoo which angered her parents. They no longer speak and Emily is alone.

Every week, she charts her life through a developing tapestry of tattoos which cover the left half of her body, from a runic inscription on her foot, all the way to a single tear under her eye.

One half of her body is ice cream white, the other is covered with some of the most ornate tattoos you can imagine. 

In a health centre, she meets and falls in love with a depressed older man who suffers clinical interview anxiety and agoraphobia.

In a world where buses come two at once, she subsequently falls for his friend, a handsome young firebrand, a tall, brilliant, History graduate who, no matter how hard he tries, cannot get a job, even in a Poundshop. Thus, his bitterness transcends the feelings of all three of them. 

The two men spend their lives exchanging prescription drugs, betting on racehorses in town centre bookies, and sitting on park benches in the Arboretum, drinking Thor's Hammer cider and discussing alternative history. 

Emily is beautiful, corrupted, decadent, lost and fatally alluring to both men and each respond to her in different ways. As with all triangles like this, the story ends in a tragedy that affects everyone around them.

The story takes place against a backdrop of decay, broken dreams, mass unemployment, sexual and economic inequality, exploitation, personal despair, Prozac politics, benefit cuts, Tory triumphalism, the Great Olympic Robbery, cynicism, a country obsessed with celebrity, and the coming end of days.