Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Monday, September 15, 2025

Book Spotlight: The Price of Loyalty by Malve von Hassell

 

In a time of kingdoms and crusades, one man's heart is the battlefield.

Cerdic, a Saxon knight, serves Count Stephen-Henry of Blois with unwavering loyalty-yet his soul remains divided. Haunted by memories of England, the land of his childhood, and bound by duty to King William, the conqueror who once showed him mercy, Cerdic walks a dangerous line between past and present, longing and loyalty.

At the center of his turmoil stands Adela-daughter of a king, wife of a count, and the first to offer him friendship in a foreign land. But when a political marriage binds him to the spirited and determined Giselle, Cerdic's world turns again. Giselle, fiercely in love with her stoic husband, follows him across sea and sand to the holy land, hoping to win the heart that still lingers elsewhere.

As the clash of empires looms and a crusade threatens to tear everything apart, Cerdic must confront the deepest truth of all-where does his loyalty lie, and whom does his heart truly belong to?

Buy Link:

 Universal Buy Link: https://books2read.com/u/bpo2vg



Malve von Hassell is a freelance writer, researcher, and translator. She holds a Ph.D. in anthropology from the New School for Social Research. Working as an independent scholar, she published The Struggle for Eden: Community Gardens in New York City (Bergin & Garvey 2002) and Homesteading in New York City 1978-1993: The Divided Heart of Loisaida (Bergin & Garvey 1996). She has also edited her grandfather Ulrich von Hassell's memoirs written in prison in 1944, Der Kreis schließt sich - Aufzeichnungen aus der Haft 1944 (Propylaen Verlag 1994).

Malve has taught at Queens College, Baruch College, Pace University, and Suffolk County Community College, while continuing her work as a translator and writer. She has published two children’s picture books, Tooth Fairy (Amazon KDP 2012 / 2020), and Turtle Crossing (Amazon KDP 2023), and her translation and annotation of a German children’s classic by Tamara Ramsay, Rennefarre: Dott’s Wonderful Travels and Adventures (Two Harbors Press, 2012).

The Falconer’s Apprentice (namelos, 2015 / KDP 2024) was her first historical fiction novel for young adults. She has published Alina: A Song for the Telling (BHC Press, 2020), set in Jerusalem in the time of the crusades, and The Amber Crane (Odyssey Books, 2021), set in Germany in 1645 and 1945, as well as a biographical work about a woman coming of age in Nazi Germany, Tapestry of My Mother’s Life: Stories, Fragments, and Silences (Next Chapter Publishing, 2021), also available in German, Bildteppich Eines Lebens: Erzählungen Meiner Mutter, Fragmente Und Schweigen (Next Chapter Publishing, 2022).

Her latest publication is the historical fiction novel, The Price of Loyalty: Serving Adela of Blois (Historium Press, 2025).

Author Links:

Website: https://www.malvevonhassell.com/

Twitter / X: https://x.com/MvonHassell

Facebook: https://www.facebook.com/malvevonhassellauthor/

Instagram: https://www.instagram.com/mvonhassell/

Bluesky: https://bsky.app/profile/malvevonhassell.bsky.social

Book Bub: https://www.bookbub.com/authors/malve-von-hassell

Amazon Author Page: https://www.amazon.com/stores/Malve-von-Hassell/author/B0CTGLDQ7P/

Goodreads: https://www.goodreads.com/author/show/471746.Malve_von_Hassell

  


Monday, January 10, 2022

Spotlight on Kerry Chaput, author of Daughter of the King (Defying the Crown, Book 1)

 

La Rochelle France, 1661. Fierce Protestant Isabelle is desperate to escape persecution by the Catholic King. Isabelle is tortured and harassed, her people forced to convert to the religion that rules the land. She risks her life by helping her fellow Protestants, which is forbidden by the powers of France. She accepts her fate — until she meets a handsome Catholic soldier who makes her question everything.

She fights off an attack by a nobleman, and the only way to save herself is to flee to the colony of Canada as a Daughter of the King. She can have money, protection, and a new life — if she adopts the religion she’s spent a lifetime fighting. She must leave her homeland and the promises of her past. In the wild land of Canada, Isabelle finds that her search for love and faith has just begun.

Based on the incredible true story of the French orphans who settled Canada, Daughter of the King is a sweeping tale of one young woman’s fight for true freedom. Kerry Chaput brings the past to life, expertly weaving a gripping saga with vivid historical details. Jump back in time on a thrilling adventure with an unforgettable heroine.

Trigger Warnings:

Violence, sexual assault


Buy Links

 Universal Buy Link

Read for free with #KindleUnlimited subscription.

Promotional price - 0.99 - January 10, 2022

  ¸.•*´¨) ¸.•*¨)  ( ¸.•´

 Kerry Chaput

Fun Facts
(Stuff you may or may not already know!)

¸.•*´¨) ¸.•*¨) ( ¸.•´

Where are my introverts at? I am physically quite lazy. I love to be alone and read and stay cozy, but my mind is moving a hundred miles a minute. I force myself to workout consistently but really, I just want to be under a blanket somewhere. My eyes open at 5am and without a second thought, I’m up and working on a project with coffee in hand. My mind races with ideas until I crash on the pillow at night. Also, sleeping is my superpower and I think it’s because I’ve run my poor mind to the point of exhaustion…

¸.•*´¨) ¸.•*¨) ( ¸.•´

I’ve earned my Doctorate degree and run a marathon. Both things less than 2% of the population has done. And I would do the graduate program twice over before I would ever run another 26.2 miles! Checked it off the bucket list with no need to do that ever again.

¸.•*´¨) ¸.•*¨) ( ¸.•´

I was raised by a very outspoken high school history teacher. He hosted his honor’s US history class in our living room every Thursday night. I would hide behind the wall or the couch and listen to them debate. History literally came alive all around me. I think this is where my love for historical fiction started.

¸.•*´¨) ¸.•*¨) ( ¸.•´

I have an obsession with coffee. And it isn’t about the caffeine. There is something about the aroma, the warm mug, and the hot milky coffee that settles my anxious nature. My first thought every morning is “Yes… coffee time.” I can drink a double espresso at 9:00 at night and not miss one wink of sleep.

¸.•*´¨) ¸.•*¨) ( ¸.•´

I’m a bit of a gypsy soul. I love surprises and travel and new experiences. Change always feels exciting for me. As I don’t really get attached to material things like houses and furniture, my life feels like one big possibility. When my kids were one and three, we sold everything we owned and left California for snowy Montana, having never visited. I had seen snow only a handful of times in my life! It was a pure fresh start, and I loved every second of that adventure.  

 Kerry Chaput

Born in California wine country, Kerry Chaput began writing shortly after earning her Doctorate degree. Her love of storytelling began with a food blog and developed over the years to writing historical fiction novels. Raised by a teacher of US history, she has always been fascinated by tales from our past and is forever intrigued by the untold stories of brave women. She lives in beautiful Bend, Oregon with her husband, two daughters, and two rescue pups. She can often be found on hiking trails or in coffee shops.

 Social Media Links

 Website   Twitter    Facebook   Instagram    Book Bub    Amazon Author Page   Goodreads


 


Friday, May 4, 2018

5 Bayeux Tapestry facts: what is it, why was it made and what story does it tell?

History Extra


The French president Emmanuel Macron recently announced that the Bayeux Tapestry is to go on display in the UK. But what exactly is the tapestry, how old is it, and why is it important?

 David Musgrove, publisher of BBC History Magazine, brings you five need-to-know facts about the Bayeux Tapestry…

 1 What is the Bayeux Tapestry and what story does it tell?
The Bayeux Tapestry tells one of the most famous stories in British history – that of the Norman Conquest of England in 1066, particularly the battle of Hastings, which took place on 14 October 1066.

The Bayeux Tapestry is not a tapestry at all, but rather an embroidery. A tapestry is something that’s woven on a loom, whereas an embroidery is thread stitched onto a cloth background. The tapestry is some 68m long and is composed of several panels that were produced separately and then eventually sewn together to form one long whole. In one case the joining of the panels is inexpertly done, as the marginal lines don’t match up precisely.

The tapestry tells the story of the Norman Conquest of England in 1066. The action actually starts a couple of years before the set-piece battle of Hastings, with a discussion between England’s King Edward, the Confessor, and his leading noble (who was also his brother-in-law), Harold Godwinson. The upshot of that conversation is that Harold sets off on a ship to France. He is shipwrecked and captured by a local nobleman there, and then is transferred into the hands of the powerful Duke William of Normandy. Curiously, they then head off together on a military adventure in Brittany, which Harold seems to enthusiastically take part in.

Harold’s time in Normandy ends with him making an oath to William on holy relics. The tapestry does not explain precisely what the nature of the oath is, but other Norman-inclined sources tell us that Harold was swearing to be William’s man in England and to uphold his bid to be king on Edward’s death.

Harold then goes back to England and has another meeting with Edward the Confessor. We don’t know what they talk about, but it’s presumably discussing his stay in Normandy. Then Edward dies, and Harold is declared king by the English nobles. A comet shoots through the sky, which is deemed to be a bad omen for Harold.

Then the action swings back to Normandy. William hears of Harold’s accession and immediately starts building a fleet. The ships cross the Channel and the Norman army establishes itself on English soil. They are shown pillaging, feasting and fortifying their position. Then we get to the battle of Hastings itself, which is portrayed in considerable detail. The upshot of course is that King Harold is slain, with the defeated Englishmen being shown fleeing the field in the last scene of the tapestry.

The ending is abrupt and many people have pondered on whether the tapestry was not actually finished, or has lost its final frames at some point over the centuries. If so, the end panels might have shown William being crowned king of England, as that was the ultimate consequence of the Conquest.

2 Who was the Bayeux Tapestry made for?
This is a question that has been much discussed by historians over the years. Given the fact that the tapestry broadly celebrates and sanctions William’s Conquest of England, for a long time it was considered to have been the work of his Queen Matilda, and the ladies of her court. That view is out of favour now, and the majority of historians would agree that the most likely patron was Odo of Bayeux, the half-brother of Duke William. Odo was a key supporter of the duke and a substantial landowner in both England and Normandy after 1066, as well as being the bishop of Bayeux.

The biggest pointer towards Odo’s likely patronage of the tapestry is that he has a disproportionally large role in the events portrayed, compared to his appearance in other historical accounts of the Conquest. It seems that the designers are going out of their way to stress the importance of Odo in the narrative. On top of that, the key oath scene in which Harold swears to William is depicted in the tapestry as having taken place in Bayeux (Odo’s bishopric), which conflicts with other documents that say the event happened elsewhere in Normandy. Plus, aside from the main historical figures, there is the curious mention of several otherwise insignificant characters in the tapestry, and their names match those of men we know to have been Odo’s retainers.

Other candidates are also in the frame, though: Edward the Confessor’s widow, Queen Edith, has been suggested. She also features in the tapestry and would have had cause to want to show herself in a good light to William after the Conquest, so what better way than commissioning a tapestry that supports his claim to the throne?

Alternatively, it might have been made on the orders of William himself. Clearly he would have been keen to have a permanent record of his victory and his right to have claimed the throne.

Whoever ordered the creation of the tapestry, the follow-up question is – who actually made it? There are a lot of indications to suggest that it was most likely produced in England by English embroiderers. The Latin textual inscriptions above the story-boards use Old English letter forms, and stylistically the work has parallels in Anglo-Saxon illuminated manuscripts. Plus, some of the vignettes in the tapestry appear to be based on designs that we know were found in manuscripts held in the library of a monastery in Canterbury, so there are those who argue that it was actually made not just in England, but more precisely in Canterbury.


The battle scenes in the Bayeux Tapestry have taught military historians about fighting techniques in the 11th century. (Photo by Walter Rawlings/Robert Harding/Getty Images)

3 When was the Bayeux Tapestry created and why is it important?
We do not have a precise date for when the Bayeux Tapestry was created but the academic consensus is that it must have been produced very soon after the events it depicts. This means that it is a key primary source for students of the Conquest period. The tapestry contains a considerable amount of information not only about the political events surrounding the Conquest story, but also about other aspects of military, social and cultural history. Historians of clothing have gleaned much about Anglo-Saxon and Anglo-Norman garment styles and fashions from the depictions shown in the tapestry, while academics interested in early medieval ship-building, sailing and carpentry have likewise learnt much from the sections dealing with the construction and voyage of William’s invasion fleet.

Military historians have studied the arms and armour shown in the tapestry and analysed the battle scenes to learn more about military techniques and practice at the time. Architectural experts have also been able to interrogate the tapestry for information about building types and materials in the 11th-century from the portrayals of the various structures shown in the story.

So the tapestry is a rich source of information on many aspects of Anglo-Norman life, society, culture and history. But more than that, it’s an astounding and amazing survival of a work of art that is almost 1,000 years old. Its significance derives as much from that as from what it tells us when we study it.

4 Is the Bayeux Tapestry a reliable source of information?
 Is any historical primary source of information entirely reliable? No – unless you understand the context of the time in which it was produced, and the motives of those producing it. That’s why the question of who had the tapestry made is critical in helping us to interpret what it tells us. As discussed above, the most likely candidate as the patron of the tapestry is the Norman nobleman Odo of Bayeux, half-brother of William the Conqueror. However, layered on top of that is the likely fact that the actual design and embroidery work was probably done in England, by English hands.

So, although the tapestry is on the face of it a work of art designed to celebrate and legitimise William’s conquest of England, there is also an undercurrent of sympathy to the defeated Anglo-Saxon cause running beneath it. In some ways, the tapestry appears to agree with the Norman narrative of events, as described in the work of writers such as William of Jumieges and William of Poitiers. However, it is also surprisingly respectful of William’s enemy, King Harold II, who is shown as a great and brave lord, rather than just a deceitful usurper.

What’s important to note is that as a source of information on the political events to the Conquest period, the tapestry actually offers very limited definitive evidence. The Latin inscriptions that run above the pictorial narrative are terse and limited in number. This ambiguity means we do not know, for instance, what Edward the Confessor and Harold are discussing in the first scene of the story. Nothing is said other than ‘King Edward’ above the frame, so we are entirely in the dark about the meeting and must infer from other sources as to what the designers are trying to tell us. That is a problem that persists throughout the tapestry, where we are constantly invited to infer what is happening from the pictures, rather than being told what is happening with words.


Maritime historians have learnt much about ship-building from the scenes in the Bayeux Tapestry depicting William’s fleet under construction. (Photo by DEA/M. Seamuller/Getty Images)

5. What was the Bayeux Tapestry used for?
This is a difficult question to answer, if we are focusing on the immediate post-Conquest period, because we have no evidence whatsoever to call upon. Assuming that the patron of the tapestry was, as is widely accepted today, Bishop Odo of Bayeux, then it may have been used to decorate the cathedral that he had constructed in Bayeux during his lifetime. It may even have been designed as an ornament for the consecration of that building in 1077, though some historians dispute that.

Presumably whoever did have the tapestry made would have wanted others to come view it and share in the story it tells, as well as be impressed by the magnificence of both the patron (for being the benefactor of such a great work), and of Duke William himself for orchestrating his victory. How that would have happened is not clear – if it was displayed in a cathedral, illumination would have been dim to say the least.

The tapestry could perhaps instead have been displayed in a secular building, or it could have been displayed temporarily and then stored away, maybe being brought out for particular gatherings, when there was someone on hand to tell the story in person as well.

What we do know is that from at least 1476 onwards, the tapestry was held in Bayeux Cathedral (we don’t know where it was prior to that) because it’s detailed in an inventory of that date. It was traditionally brought out for display in the cathedral at a certain point in the year, and then stored away. This helps to explain why the tapestry survived at all – it wasn’t on permanent view and thus not subject to the risks of being regularly exposed to the elements.

As we move forward into more recent times, the tapestry has continued to have a propaganda purpose. Napoleon considered it important when he was readying his plans to invade Britain at the start of the 19th century and had it brought to Paris for display. In the Second World War it was again deemed a useful tool by the Nazis, where it was studied as part of a research project to demonstrate the Germanic origins of European culture (and moved to Paris for safe-keeping).

David Musgrove is the publisher and former editor of BBC History Magazine.

Monday, December 4, 2017

Medieval Treasure Unearthed at the Abbey of Cluny


Ancient Origins


In mid-September, a large treasure was unearthed during a dig at the Abbey of Cluny, in the French department of Saône-et-Loire: 2,200 silver deniers and oboles, 21 Islamic gold dinars, a signet ring, and other objects made of gold. Never before has such a large cache of silver deniers been discovered. Nor have gold coins from Arab lands, silver deniers, and a signet ring ever been found hoarded together within a single, enclosed complex.

Anne Baud, an academic at the Université Lumière Lyon 2, and Anne Flammin, a CNRS engineer - both from the Laboratoire Archéologie et Archéométrie (CNRS / Université Lumière Lyon 2 / Claude Bernard Lyon 1 University) -- led the archaeological investigation, in collaboration with a team of 9 students from the Université Lumière Lyon 2 and researchers from the Maison de l'Orient et de la Méditerranée Jean Pouilloux (CNRS / Université Lumière Lyon 2).


Gold dinars were found. (Credit: Alexis Grattier-Université Lumière Lyon 2)

The excavation campaign, authorized by the Bourgogne-Franche-Comté Regional Department of Cultural Affairs (DRAC), began in mid-September and ended in late October. It is part of a vast research program focused on the Abbey of Cluny. Students in the Master of Archaeology and Archaeological Science program at the Université Lumière Lyon 2 have been participating in archaeological digs at the Abbey of Cluny since 2015. This experience in the field complements their academic training and gives them an insight into professional archaeology.


Cluny Abbey (or Cluni, or Clugny) is a Benedictine monastery in Cluny, Saône-et-Loire, built in Romanesque style (CC BY 2.0)

At the site, the team led by Anne Baud et Anne Flammin, including the students from the Université Lumière Lyon 2, discovered a treasure consisting of:

more than 2,200 silver deniers and oboles - mostly minted by the Abbey of Cluny and probably dating to the first half of the 12th century - in a cloth bag, traces of which remain on some of the coins. A tanned hide bundle, found among the silver coins, fastened with a knot, and enclosing 21 Islamic gold dinars struck between 1121 and 1131 in Spain and Morocco, under the reign of Ali ibn Yusuf (1106-1143), who belonged to the Berber Almoravid dynasty. a gold signet ring with a red intaglio depicting the bust of a god and an inscription possibly dating the ring back to the first half of the 12th century a folded sheet of gold foil weighing 24 g and stored in a case a small circular object made of gold


The gold dinars were found in a tanned hide bundle. (Credit: Alexis Grattier-Université Lumière Lyon 2)

Vincent Borrel, a PhD student at the Archaeology and Philology of East and West (CNRS / ENS) research unit - AOROC for short - is currently studying the treasure in more detail to identify and date the various pieces with greater precision.


In 1790 during the French Revolution, the abbey was sacked and mostly destroyed. (CC BY 2.0)

 A Precious Find
 This is an exceptional find for a monastic setting and especially that of Cluny, which was one of the largest abbeys of Western Europe during the Middle Ages. The treasure was buried in fill where it seems to have stayed for 850 years.

It includes items of remarkable value: 21 gold dinars and a signet ring, a very expensive piece of jewelry that few could own during the Middle Ages. The use of signet rings during the Middle Ages is frequently attested. They served various domestic functions, being used to seal coffers, money pouches, and correspondence.


Signet ring found at Cluny Abbey (Credit: Alexis Grattier-Université Lumière Lyon 2)

At that time, Western currency was mostly dominated by the silver denier. Gold coins were reserved for rare transactions. The 2,200 or so silver deniers, struck at Cluny or nearby, would have been for everyday purchases. This is the largest stash of such coins ever found.

The fact that Arab currency, silver deniers, and a signet ring were enclosed together makes this discovery all the more interesting.

New avenues of research into the history of the Abbey of Cluny
This discovery will breathe new life into research delving into the past of the abbey, a historic site open to the public and managed by the Centre des Monuments Nationaux (CMN). It also raises new questions worth answering:

Who owned the treasure? Was it a monk, a church dignitary, or a rich layman? What can the coins teach us? Where were the silver deniers of Cluny struck? Where did they circulate? How did Islamic dinars minted in Spain and Morocco end up at Cluny? Why was the treasure buried? What building lay above the treasure when it was hidden? Was it a building, now in ruins, that we know little about?

Top image: (1) Knotted tanned hide bundle before extraction of contents; (2) & (4) gold dinars; (3) signet ring with intaglio; (5) contents of knotted tanned hide bundle.

Credit: © Alexis Grattier— Université Lumière Lyon 2 Source: CNRS. "Archaeology: Medieval treasure unearthed at the Abbey of Cluny." ScienceDaily. ScienceDaily, 14 November 2017. www.sciencedaily.com/releases/2017/11/171114091950.htm

Sunday, September 3, 2017

How the Longbow Revolutionised Warfare in the Middle Ages

Made from History


A medieval illustration of longbowmen in battle from Froissart’s Chronicle.

 BY TOM CROPPER

 The English Longbow was one of the defining weapons of the middle ages. It helped England challenge the might of the French and enabled ordinary peasants to defeat wealthy knights.

 Origins
The longbow is generally considered to be an invention of the middle ages, but in truth it has been around since the Stone Age. It was the Welsh, however, who perfected the art, using it to great effect. The first documented occasion of a long bow being used in battle was in 633 in a battle between the Welsh and the Mercians.

 It also impressed Edward I during his campaigns against the Welsh. It is said that he incorporated Welsh conscript archers in his later battles in Scotland. He even banned all sports on a Sunday except archery so his archers could hone their skills.

 How the Longbow Was Made
The genius of the longbow was its simplicity. It was a length of wood – normally willow or Yew – about the height of a man. Each one was tailor made to its owner and could produce enough power to pierce even the toughest armour of the time.

 Using a longbow was not easy. Each bow was heavy and required considerable strength to use. The skeletons of medieval archers appear noticeably deformed with enlarged left arms and often bone spurs on the wrists. Using one effectively was another matter altogether. The weapon had to be used quickly and accurately with the best archers managing a firing rate of one ever five seconds, which in turn gave them a crucial advantage over the crossbows, which not only took longer to fire, but also had a shorter range.



A 15th century miniature showing longbowmen from the Battle of Agincourt 25 October 1415.

 Success in War
 It was in the Hundred Years War that the longbow came into its own. At the battle of Crecy, English archers were instrumental in defeating a much larger and better equipped French force. At the time warfare had been dominated by the power of the knight, clad in expensive armour and riding an even more expensive war horse. Battles were fought on the principles of chivalry with captured knights being treated with all due respect and returned on receipt of a ransom.

 At Crecy Edward III changed the rules. In one battle the flower of French chivalry was cut down in its prime. Two thousand French knights and soldiers were killed by the English arrows, while only around 50 archers were killed. It sent shock waves throughout France. Not only was there the disaster of the defeat to be accounted for, but also the shocking fact that highly trained knights had been killed by low born archers.

 English archers would continue to be influential in later battles in The 100 Years War, particularly in Agincourt where English bowmen again defeated a much better equipped army of French knights.

 Legacy
Over time the longbow was replaced by gunpowder, but it continues to hold a special place in English psyche. It was even deployed during World War II, when an English soldier used one to bring down a German infantryman. That was the last time it’s been known to have been used in war, but it continues to be used in sport and by archers trained in the medieval skill.


The longbow continues to be used for sport and exhibitions to this day.

Tuesday, August 15, 2017

Little Pompeii’ Unearthed in France is Most Exceptional Roman Site Found in Half a Century


Ancient Origins


In an extensive excavation of a complete Roman neighborhood found near the outskirts of the city of Vienne in the south-east of France, archaeologists have uncovered the remains of affluent houses and public buildings, including extravagant and beautiful mosaics. The huge site, which dates back to the 1st century AD, is exceptionally well preserved and has been described by Benjamin Clement, the lead archaeologist at the dig as, ‘undoubtedly the most exceptional excavation of a Roman site in 40 or 50 years’ reports The Guardian.

 The Pompeii Comparison
Vienne is situated on the Rhône River near Lyon, and is already well-known for its Roman history due to a Roman theater and temple in the city. The current excavations in the Sainte-Colombe area began in April and are opening up a huge Roman landscape of 7000 square meters (75,000 sq ft). The site is remarkable not only due to its size but both the diversity of finds and the excellent condition they have been found in. Despite the perhaps merciful lack of petrified corpses, there are similarities to the equally well preserved site in Pompeii, as the neighborhood was abandoned due to fires after 300 years of habitation. Although devastating to the citizens there, the fires will have aided its preservation.

One of the French archaeological team cleaning household artifacts at the site at Sainte-Colombe in Vienne, France (Credit: Jean-Philippe Ksiazek/AFP)

As Mr Clement commented according to the Telegraph, “It was the succession of fires that ended up helping to preserve the buildings and artifacts, although of course they drove the inhabitants out.” Although the devastation was not on the same scale or so rapid at that of Pompeii, the situation and site have similarities in that people deserted the place quickly leaving some of their belongings which were then preserved by ash from the fires. This is providing rich pickings for the archaeologists and hence justifying the moniker Clement attributes to the site of ‘a real little Pompeii in Vienne.’

Huge Area of Well Preserved Roman History
After around a century of contention with the Gallic inhabitants, the ancient city came under full rule of the Roman empire in about 47 BC under Julius Caesar and began to prosper. This neighborhood was diverse but has evidence of a great deal of wealth and included luxury homes, public buildings and communal spaces. One building believed to be the residence of a merchant has been dubbed by the team as ‘The House of Bacchanalia’ due to its floor mosaic scene of maenads (female followers of Bacchus, Roman god of wine) and satyrs. This building had marble tiling, its own water supply system and large gardens and despite being collapsed by the fire, the team believes it will be able to completely restore it, reports the Telegraph.


The site is extensive and covers a whole neighborhood. Image: JEAN-PHILIPPE KSIAZEK/AFP

 Another interesting mosaic that is undergoing restoration in another abode is of Thalia, the patron of comedy, with a bare derrière and being abducted by Pan the god of the satyrs. According to the Guardian report, the team plans to painstakingly remove the mosaics and reassemble them so that they will be available for everyone to enjoy at Vienne’s museum of Gallo-Roman civilization by 2019.

 As well as mosaics and household items, a large building with a fountain decorated by a statue of Hercules was uncovered which had been constructed on the site of a former market.

The Vienne of Rome


The Temple of Auguste and Livie lit up at night, Vienne, France (CC BY 3.0)

The position Vienne held on the mighty Rhône river was part of the major transport route that connected Lyon, the soon to be capital of Gaul to the north, with Gallia Narbonensis, a Roman settlement in the south. The colonized city made all its inhabitants citizens of Rome and it prospered under successive Caesars, evidence of which exists until this day. Perhaps the most impressive of this evidence is the Temple of Auguste and Livie, which is remarkably well preserved having later been used as a church. There also still exists a theater, the ‘Garden of Cybele’ (Cybele being known by the Romans as Magna Mater or Great Mother) and a pyramid shaped monument that was part of the Roman ‘circus’ or hippodrome


‘Pyramide de Vienne’ Roman era monument (CC BY 3.0)

The position of Vienne in the empire was not accepted by all and there were calls for its destruction by the people of nearby rival town, Lyon. The city lived on despite these troubles, however it suffered due to competing claim of Lyon to be the leading city in the area and by the 3rd century it had declined drastically as Lyon took the lead role in the region. A new city wall was built that was less than a third of the length of the existing 7-kilometer (4.35 miles) wall.

Modern Revelations
Being on the edges of modern Vienne and dated in the first three centuries AD, the current excavation is revealing further the story of a period when the city was at its ancient height of prosperity. It will add a depth of knowledge concerning the daily life and society at the time when the famous monuments - which have been known an admired in the city for two millennia - were erected.


The archaeological site of the Garden of Cybele, Vienne (CC BY SA 3.0)

The excavation of the Sainte-Colombe site will be ongoing until December.

Top image: A well-preserved mosaic on the archaeological site of Sainte-Colombe, Vienne. (Image: Jean-Philippe Ksiazek/AFP)

By Gary Manners

Sunday, July 30, 2017

Sam’s historical recipe corner: Chicken Marengo


History Extra


In every issue of BBC History Magazine, picture editor Sam Nott brings you a recipe from the past. In this article, Sam recreates a chicken recipe inspired by one of Napoleon’s famous battles. 

According to legend, Chicken Marengo was a dish hastily invented by Napoleon’s cook from whatever ingredients he could get hold of, following the French leader’s narrow victory at the battle of Marengo in 1800. It was more likely to have been invented in a French restaurant and named after the battle to add to its prestige. There are a number of variations on the recipe, but this one seemed like a relatively simple version.

 Ingredients
• 2 skinless chicken breast fillets, each cut into two or three pieces
 • 1 tbsp olive oil
 • 1 tbsp plain white flour
 • 1 medium onion, finely chopped
 • 100g mushrooms, sliced
 • 150ml dry white wine
 • 150ml stock
 • 2 garlic cloves, crushed
 • 3 tbsp tomato purée
 • 1 tsp parsley, finely chopped
 • 150g long-grain rice
 • 2 eggs

 Method

Heat a frying pan and add the oil. Dab the chicken pieces dry with a paper towel and coat thinly with flour. Sauté over a medium heat for five minutes.

 Transfer the chicken pieces to a medium-sized, lidded saucepan.

Add the onion and mushrooms to the frying pan and sauté these for around six minutes. Once tender, add to the saucepan. Take the frying pan off the heat and add the wine, before pouring this enriched wine into the saucepan. Add the stock, garlic and tomato purée to the saucepan and stir well. Bring it to the boil and then simmer, covered, for 30 minutes. Remove the lid and simmer for another 30 minutes or until the sauce is reduced. Meanwhile, cook the rice and fry the eggs.

 Serve the chicken and sauce on a bed of rice. Sprinkle with parsley and garnish with a fried egg.

 Difficulty: 3/10

 Time: 90 minutes

Friday, July 28, 2017

Race to Recover Elaborate Ancient Roman Mosaics Unearthed in France


Ancient Origins


A team of archaeologists has recently discovered the ruins of an opulent 5th-century Roman palace in Auch, a commune in southwestern France. The team claims to be eager to excavate the site as they battle against time.

 Landowner Discovers the Impressive Ruins Accidentally
As the Connexion reports, the newly found palace has been deserted for more than 1,600 years and it was located close to the center of the ancient Roman city of Augusta Auscorum – the capital of the province of Novempopulanie – near the center of the modern French town of Auch. It was discovered by the landowner who was digging foundations to construct a new house. He couldn’t imagine that only 50 cm below the surface he was digging he would discover the amazing 2-metre-deep ruins of an ancient aristocratic Roman palace, which possessed luxurious private baths and remarkable mosaics on the ground.


Excavation of Roman Imperial-era domus in Auch (Credit: © Jean-Louis Bellurget, INRAP)

Archaeologists Have to Race Against Time
 Soon after he notified the local archaeological authorities, l’Institut National de Recherches Archéologiques Préventives (INRAP) has been trying to unravel the huge aristocratic home’s history and background. Additionally, the team of archaeologists doesn’t have much time left for investigation as the land has to be returned to the owner no later than this September. Archaeologists estimate that the ruins date from the first to the fifth century AD, as the building was reconstructed many times. “In the beginning, it was a private habitat. At the time, it was a building with earth walls,” Pascal Lotti, archaeologist at Inrap and scientific leader of the excavation, told Connexion. And added, “In the second century, the cadastre (land registry document) was modified, and in the course of the third century, this great house was set up, which would undergo two major restructurings, as evidenced by the three levels identified by the researchers.”


4th century mosaic floors excavated (Credit: © Jean-Louis Bellurget, INRAP)

Impressive Mosaics Amaze Archaeologists
The team of archaeologists has been particularly impressed by the large, prepossessing, colorful mosaics, which are expected to be removed during this month. The mosaics contain several geometric and floral motifs, leaves of ivy, laurel and acanthus; friezes with waves, others with egg-shaped patterns, separated by tridents; octagons with five-leafed flowers and squares separated by three-strand braids. An impressed Mr. Lotti couldn’t hide his excitement in his statements as Connexion reports, “It was not just a dwelling. It was also a place of representation, so it had to be fairly stunning,” he said. Mosaics were seen as a form of fine art by both the ancient Greeks and Romans, who assembled small pieces of colored glass, ceramic, stone, or other materials into an image. Mosaics became particularly popular art form during the time of the Roman Empire, although they were used both before and after this period.


A large-handled 'canthare' vase in the mosaic (Credit: © Jean-Louis Bellurget, INRAP)

Coin Reveals the Age of the Aristocratic Domus
Archaeologists didn’t have any particular difficulty in dating the palace’s age since the discovery of a coin portraying Emperor Constantine I (272-337 AD) helped them conclude that the domus came into existence after the year 330 AD. The luxurious residence also possessed two underfloor heating systems, a technique that was first used by the Minoans and was further developed later by the Romans. Just a step from the excavation, other mosaics were also found, most likely from an earlier stage of the house. Furthermore, at another even deeper level was spotted a third mosaic adorned with four black tesserae forming a cross.


There is a floral motif theme in many of the mosaics at the domus in Auch (Credit: © Jean-Louis Bellurget, INRAP)

The dig is ongoing, and according to INRAP, as we already mentioned the archaeologists don’t have much time in their hands as the land will have to be returned to its owner by September.

Top image: The site is being carefully excavated before the mosaics are removed. (Credit: © Jean-Louis Bellurget, INRAP)

By Theodoros Karasavvas

Friday, June 16, 2017

Celtic Prince or Princess? Researchers Have Finally Ascertained Who Owned an Opulent 2500-Year-Old Tomb in France

Ancient Origins


First unearthed in 2015, research on the stunning artifacts found in a rich tomb in Lavau, France are finally coming to light. Scholars have managed to solve the mystery of the tomb’s owner and have provided some other exciting pieces of information on the rich grave goods.

The 2,500-year-old human remains were first discovered in 2015 when archaeologists were exploring a site in preparation for construction of a new commercial center. The tumulus (burial mound) was surrounded by a ditch and palisade. The tomb was said to be larger than the cathedral of nearby Troyes.

 The body found in this huge burial mound was accompanied by a chariot, a vase depicting Dionysus, and a beautiful Mediterranean bronze cauldron adorned with castings of the Greek god Achelous and lions’ heads. These elaborate artifacts, along with a stunning gold necklace, bracelets, and finely worked amber beads adorning the skeleton, asserted the person's elite status.


Artifacts in the Celtic elite’s tomb in 2015. ( Denis Gliksman, Inrap )

The French archaeological agency INRAP said the treasures of the tomb are “fitting for one of the highest elite of the end of the first Iron Age,” and told the media it is one of the most remarkable finds of the Celtic Hallstatt period of 800 to 450 BC.

 Initially, the archaeologists were uncertain to whom the tomb pertained, first stating that a large knife found alongside the remains suggested it was made for a man, however, the rich golden jewelry opened the possibility that a Celtic princess may have been buried instead.

Now, IB Times reports the recent analysis of the shape of the pelvic bones has solved that mystery – it is today known as the ‘Lavau prince’s’ tomb.


The recent analysis of the shape of the pelvic bones has solved the mystery of the tomb’s owner – it was a Celtic ‘prince.’ (Denis Gliksman, Inrap )

 Furthermore, the recent INRAP analysis of the bronze cauldron has shown researchers that its creator(s) had mastered smelting and engraving techniques. By using X-ray radiography, the researchers have found that the prince’s belt is unique and has Celtic motifs formed with silver threads. An examination of a knife sheath showed fine bronze threads. The researchers also saw that a gold torc and several gold bangles have marks where they rubbed against the prince’s skin.

Finally, chemical analysis and 3-D photography show that a large jar that was used to pour wine combines Greek-style ceramic with golden Etruscan and silver Celtic designs. This is an important discovery for the researchers as it provides more evidence of a mix of cultural influences and supports the presence of economic and social interaction present amongst Celtic and Mediterranean people in the 5th century BC. As INRAP previously explained :

"The tomb contains mortuary deposits of sumptuousness worth that of the top Hallstatt elites. The period between the late 6th Century and the beginning of the 5th Century BC was characterized by the economic development of Greek and Etruscan city-states in the West, in particularly Marseilles. Mediterranean traders come into contact with the continental Celtic communities as they searched for slaves, metals and precious goods (including amber)."


Artifacts from the Celtic Lavau Prince’s tomb. ( Denis Gliksman, Inrap )

 The prince’s grave is considered one of the most important archaeological discoveries in France in recent decades and it has been compared to the 1953 unearthing of a grave for the 'Lady of Vix'.

INRAP reports that research concerning the prince’s tomb will continue until 2019, with hopes that more information will come to light.

Top Image: This bronze cauldron is one of the stunning artifacts which have been analyzed from the tomb of a Celtic elite found in Lavau, France. Source: Denis Gliksman, Inrap

 By Alicia McDermott

Saturday, February 11, 2017

Britons were eating frogs' legs 8,000 years before the French

History Extra


They’ve long been considered a French delicacy, but a new archeological dig in Wiltshire suggests frogs' legs may have been first enjoyed in Britain.

 Among evidence of life in the eighth millennia BC, found at the Blick Mead site at Amesbury, researchers from the University of Buckingham discovered the burnt leg bone of a toad.

 The team also found small bones of trout or salmon, and burnt Aurochs bones (the predecessor of cows).

 The finds date to between 6250BC and 7600BC, making the discovery the earliest evidence of a cooked toad or frog’s leg found in the world, and around eight millennia before the French.

 David Jacques, senior research fellow in archaeology at the University of Buckingham, said: “It would appear that thousands of years ago people were eating a Heston Blumenthal-style menu on this site, one and a quarter miles from Stonehenge, consisting of toads’ legs, aurochs, wild boar and red deer with hazelnuts for main, another course of salmon and trout, and finishing off with blackberries. 

“This is significant for our understanding of the way people were living around 5,000 years before the building of Stonehenge and it begs the question – where are the frogs now?”

 The latest information is based on a report by fossil mammal specialist Simon Parfitt, of the Natural History Museum, who looked at the find.


The site already boasts one of the biggest collections of flints and cooked animal bones in northwestern Europe. It has resulted in 12,000 finds, all from the Mesolithic era, which fell between the Palaeolithic and the Neolithic.

 The team hopes to confirm Amesbury as the UK's oldest continuous settlement. The dig, which will run until 25 October, is being filmed and made into a documentary by the BBC, to be screened at a later date.

 Andy Rhind-Tutt, chairman of Amesbury Museum and Heritage Trust and co-ordinator of the community involvement on the dig, said the site at Blick Mead could help to explain why Stonehenge is where it is.

 “No one would have built Stonehenge without there being something unique and really special about the area,” he said.

 “There must have been something significant here beforehand and Blick Mead, with its constant temperature spring sitting alongside the river Avon, may well be it.

 “I believe that as we uncover more about the site over the coming days and weeks, we will discover it to be the greatest, oldest and most significant Mesolithic home base ever found in Britain.”

Thursday, December 22, 2016

Q&A: How did the Normans learn to build castles?

History Extra


The Great Tower at Chepstow Castle, one of the earliest Norman stone structures in the British Isles. (© Tosca Weijers/Dreamstime.com)

The Normans, as is widely appreciated, were originally Norsemen: Vikings who settled in the area around the Seine estuary in the late ninth and early 10th centuries. The traditional date for the founding of Normandy is AD 911, when the authority of the Norman leader, Rollo, was recognised by the king of France.

 Castles appeared somewhat later, with the earliest examples being constructed around the turn of the first millennium. They differed from earlier fortifications by being smaller and taller: the distinctive feature of early castle design was the great artificial mound of earth, or motte. Dating a mound of earth is difficult, since it relies on the discovery of datable ‘small finds’, and so establishing a precise chronology for mottes is impossible. Nor is it possible to say for certain how and why the design originated, other than to observe that the rise of castles seems to coincide with an intensification of lordship across northern France in the decades around the millennium. Evidently someone had the notion of building a great mound of earth to assert his power and the idea caught on fast.

 The Normans began ditching their Norse culture and adopting French customs almost from the minute of their arrival. During the 10th century, for example, they embraced Christianity, the French language and the habit of fighting on horseback. Learning how to build castles was therefore simply part of an ongoing process of acculturation. According to contemporary chroniclers, a great surge of castle-building took place during the troubled years of William the Conqueror’s boyhood in the 1030s and 1040s.

 “Lots of Normans, forgetful of their loyalties, built earthworks in many places,” wrote William of Jumièges, “and erected fortified strongholds for their own purposes.”

 Answered by Marc Morris, historian, author and broadcaster.

Wednesday, October 26, 2016

Occupation, resistance, subjugation: the bloody aftermath of 1066

History Extra


The Harrying of the North. Gouache on paper, by Patrick Nicolle (1907–95). Private collection. (© Look and Learn/Bridgeman Images)

For several years after the battle of Hastings, England was riven by conflict as the invaders fought to extend and consolidate their rule in the face of native resistance and incursions from outside the kingdom.
In the weeks immediately following the battle, William ravaged the southern shires before marching on London. Having secured the city’s submission that December, he was crowned king of the English on Christmas Day, ushering in a new French-speaking ruling dynasty.
Over the winter of 1069–70, the conflict reached its climax with brutal attacks on the civilian population of England – among the worst atrocities ever to take place on British soil. In a campaign that became known as the Harrying of the North, William’s knights comprehensively laid waste to Yorkshire and the neighbouring shires, razing entire villages and putting their inhabitants to the sword, slaughtering livestock and destroying stores of food.
This ‘scorched-earth’ operation was one of the defining episodes of the Conquest, not just from a military-political perspective but also because it shaped modern perceptions of the Normans as a tyrannical and merciless warrior class. But how had it reached the point that such brutal measures were considered necessary, and why was the north targeted?

Early difficulties

When William set sail from Normandy in 1066, he could not have dreamed of a more complete and decisive victory than that he won at Hastings. Harold lay dead, along with his brothers, Gyrth and Leofwine, and many other influential noblemen who might otherwise have helped continue the resistance struggle against William.
Yet in those early months of the Conquest, the invaders’ position was precarious. There may have been only 20,000 Normans in England – possibly fewer – attempting to control a country with a population of about two million. Outnumbered in a foreign land, it was perhaps to be anticipated that the conquerors’ paranoia should soon spill over into violence.
Some of this stemmed from misunderstanding. At William’s coronation, Norman guards stationed outside Westminster Abbey misconstrued the shouts of acclamation by Englishmen inside as hostile yells. Panicking, the guards set fire to neighbouring houses and called to those inside the church to flee to fight the flames. Only the clergy and William himself – trembling violently, we’re told – remained within to continue the ceremony.
The coronation of William the Conqueror in Westminster Abbey on Christmas Day 1066. Produced by a Flemish artist in the 15th century. From ‘The Island Race’, a 20th-century book that covers the history of the British Isles from the pre-Roman times to the Victorian era. Written by Sir Winston Churchill and abridged by Timothy Baker. (Photo by Universal History Archive/UIG via Getty Images)
It wasn’t long, however, before the first sparks of genuine insurrection flared. In the summer of 1067, while William was absent from England, a thegn named Eadric (known as se wilda – ‘the Wild’) joined forces with King Bleddyn of Gwynedd and King Rhiwallon of Powys to launch raids on the Normans in Herefordshire. Also that year the men of Kent, who had taken up arms against the invaders, joined forces with Eustace, count of Boulogne, who sailed across the Channel and attacked Dover but was swiftly repelled.
The unrest continued into the following year. In the early weeks of 1068 the citizens of Exeter – including Harold’s mother, Gytha – rose up, and sent letters to other towns in the south-west exhorting them to do the same. In response William laid siege to the city, which held out for just 18 days before surrendering. A few months later, Harold’s sons launched raids on Somerset, Devon and Cornwall with a fleet of 52 ships. They pillaged widely but failed to establish a foothold – if, indeed, that was ever their intention – and withdrew to Ireland with their plunder.

 

Co-ordinated resistance

Up to that point, the risings had been local in nature and were swiftly suppressed before any significant damage could be done. Concerted and widespread rebellion against Norman rule was slow to develop, perhaps due to a lack of clear leadership in the aftermath of Hastings. However, in the summer of 1068 at last a more cohesive resistance began to take shape.
The principal instigators were Edwin and Morcar, the titular earls of Mercia and Northumbria respectively, whose authority had been severely curbed since 1066. Under the new regime they exercised little real power, and William had handed over parts of their earldoms to his supporters.
Several Northumbrian nobles rallied to Edwin and Morcar’s cause, as did Bishop Æthelwine of Durham and King Bleddyn of Gwynedd. One of our principal sources for this period, Orderic Vitalis, wrote that the leading men of both England and Wales came together and sent out messengers across Britain to foment insurgency. “A general outcry arose against the injustice and tyranny which the Normans and their comrades-in-arms had inflicted on the English,” he wrote. “All were ready to conspire together to recover their former liberty.”
Despite such efforts, the rebellion proved to be short-lived; resistance quickly crumbled as William swept through the English Midlands. In an effort to impose control, the Conqueror established castles in major English towns: Warwick, Nottingham, York, Lincoln, Huntingdon and Cambridge.
Nevertheless, it was the first large-scale coordinated resistance the Normans had faced, and a sign of things to come. Even by early 1069, William’s hold on England was not assured; indeed, he was still not master of the entire kingdom – his authority extended no farther north than York. Beyond lay the vast and troublesome region of Northumbria, which had thus far resisted his attempts to bring it under his control – and it was from there that the greatest threat to his rule would emerge.
Warwick Castle. The first castle to appear on the site was a wooden motte and bailey constructed in 1068 at the command of William the Conqueror. (© David Steele/Dreamstime.com)

 

The crisis of 1069

William’s early attempts to assert control over the Northumbrians had seen him appoint native English earls – first Copsig, then Gospatric – to govern them. Both appointments had been dismal failures: Copsic was assassinated by a rival in 1067, while Gospatric defected in 1068 to support Edwin and Morcar. Finally, in January 1069, William sent one of his own men, Robert Cumin, at the head of an army to take the region by force – only for the Norman troops to be ambushed and slaughtered at Durham.
Worse was to come. In the summer of 1069 the Normans found themselves at the centre of a perfect storm as their many enemies all began marching at once. Foremost among those foes was a coalition of Northumbrian noblemen, including Gospatric but headed by Edgar Ætheling, grandson of the short-reigning King Edmund Ironside (r1016). Edgar, still only around 17 years old in 1069, Edgar had bid for the crown before: in 1066, after Harold’s death, he had been briefly acclaimed king by Archbishop Ealdred of York, backed by Edwin, Morcar and the men of London.
The Northumbrian threat was compounded in August when a Danish invasion fleet numbering some 240 or 300 ships (depending on which source we believe) arrived in the Humber, from where Vikings had previously launched several invasion attempts. The Northumbrians and Danes swiftly formed an alliance, and together attacked York.
Meanwhile there was further trouble on the Welsh border, where Eadric the Wild had once more allied himself with the Welsh kings, and also this time with the men of Chester. The men of Devon and Cornwall were in revolt at the same time, though it’s unlikely that these risings were all co-ordinated; rather, the impression given by the sources is that their timing was coincidental. Nonetheless, the crisis tested the Normans to the limit and marked a crucial turning point in the Conquest.
Leaving his deputies to tackle the insurrection in the south-west, William first confronted Eadric and his allies, crushing them at Stafford, before marching north. He reached York a little before Christmas only to find that, on hearing of his approach, the Northumbrians and their Danish allies had strategically withdrawn, the former to hiding places in the hills and woods, the latter to their ships on the Humber.
Frustrated by his failure to meet his principal enemies in battle, William was forced to adopt a new strategy. First, he secretly approached the Danes, promising them a vast amount of silver and gold if they would leave England in the spring, to which they readily agreed. William then turned his attention to the recalcitrant Northumbrians. Shortly after Christmas 1069 he divided his army into raiding parties, which he dispatched to carry out the now infamous Harrying of the North.

William the Conqueror. (Photo by Culture Club/Getty Images)

Shock and awe

The objective of the campaign was twofold. First, William sought to flush out and eliminate the Northumbrian rebels. More importantly, by comprehensively destroying the region’s resources, he sought to put an end to the cycle of rebellions in the north by ensuring that any future insurgents – or invading Viking armies – would lack the means to support themselves.
In a way, it was an admission that his previous policies regarding the northerners had failed. On two occasions he had installed one of their own to govern them – both times without success – and his single attempt to take the region by force had proved a costly disaster. In the end, William seems to have decided on a destructive strategy: if Northumbria could not be his, he would leave nothing there for his enemies.
The Harrying was as efficient as it was effective. William’s armies, we’re told, spread out over a territory that spanned 100 miles, reaching as far north even as the River Tyne. The 12th-century chronicler John of Worcester wrote that food was so scarce in the aftermath that people were reduced to eating not just horses, dogs and cats but also human flesh.
Orderic Vitalis, a contemporary of John, claims that as many as 100,000 people perished as a result of famine in the following months – a significant proportion of the total population of England. Though we might be rightly suspicious of Orderic’s round total, a figure somewhere in the tens of thousands is not hard to believe – which would make the death toll of the Harrying comparable in magnitude to that of the dropping of the atomic bomb on Hiroshima in 1945.
While Yorkshire and the north-east bore the brunt of William’s wrath, parts of Lincolnshire, Cheshire, Staffordshire and Shropshire also suffered. The resulting refugee crisis saw survivors fleeing as far south as Evesham Abbey in Worcestershire, where a camp was established by Abbot Æthelwig, who ensured that food was distributed to the survivors. The abbey’s chronicle relates, though, that many of those starving folk died not long after their arrival “through eating the food too ravenously”, and that the monks had to bury five or six people every day.
The affected region took a long time to recover. Symeon of Durham, another 12th-century author, wrote that for nine years after the Harrying no village between York and Durham was inhabited, and that the countryside remained empty and uncultivated. Even 16 years after the event, in 1086, when the great systematic survey of England known as Domesday Book was compiled, one-third of the available land in Yorkshire was still listed as vasta (waste).
Over the course of just a few weeks, then, William not only clearly demonstrated the punishment awaiting those who rose against him, but also snuffed out any remaining hopes the rebels might still have of someday driving out the invaders. It’s true that there were further risings in the years to come, but William never again faced a crisis of the same magnitude as he did in 1069.
What Hastings had heralded, the Harrying confirmed. The Normans were here to stay.
James Aitcheson studied history at Emmanuel College, Cambridge. He is the author of four novels set during the Norman conquest; the latest, The Harrowing (Heron, 2016), follows five English refugees fleeing the Normans during the Harrying of the North.
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