Ancient Origins
Today marks Saint Patrick’s Day, or the Feast of Saint Patrick, a cultural and religious holiday celebrated every year on 17th March in Ireland and by Irish communities around the world. The celebration marks the anniversary of Saint Patrick’s death in the fifth century and represents the arrival of Christianity in the country. The Irish have observed this day as a holiday for over 1,000 years, and while the festival began as a religious feast day for the patron saint of Ireland, today it has become an international celebration of Irish culture.
Over the centuries, the mythology surround the life of Saint Patrick has become ever more ingrained in the Irish culture. Patrick, the patron saint of Ireland, is credited with expelling all the snakes from Ireland, and today, not a single snake can be found there. But the true meaning of the casting away of all snakes runs much deeper.
Saint Patrick was born in Roman Britain in the 4th century AD, into a wealthy family. According to the Declaration, he was kidnapped by Irish raiders at the age of sixteen and taken as a slave to Gaelic Ireland. There he spent six years working as a shepherd and during this time he “found God”. The Declaration says that God told Patrick to flee to the coast, where a ship would be waiting to take him home. After making his way home, Patrick went on to become a priest.
According to tradition, Patrick returned to Ireland to convert the pagan Irish to Christianity. The Declaration, a Latin letter which is generally accepted to have been written by St Patrick, says that he spent many years preaching in the northern half of Ireland and converted "thousands". Tradition holds that he died on 17 March and was buried at Downpatrick. Over the following centuries, many legends grew up around Patrick and he became Ireland's foremost saint. While his true name was Maewyn Succat, he later became known as St Patrick, named after his place of burial.
The symbol of the shamrock
On St Patrick's Day it is customary to wear shamrocks and green clothing. St Patrick is said to have used the shamrock, a three-leaf clover, to explain the Holy Trinity to the pagan Irish. This story first appears in writing in 1726, though it may be older. In pagan Ireland, three was a significant number and the Irish had many triple deities. The triple spiral symbol, or Triskelion, appears at many ancient megalithic and Neolithic sites in Ireland. It is carved into the rock of a stone lozenge near the main entrance of the prehistoric Newgrange monument in County Meath, Ireland. Newgrange, which was built around 3200 BC, predated the Celtic arrival in Ireland but has long since been incorporated into Celtic culture.
An Irish shamrock on the left, and the triple spiral symbol on the right.
St Patrick banishes the snakes from Ireland
The absence of snakes in Ireland gave rise to the legend that they had all been banished by St. Patrick chasing them into the sea after they attacked him during a 40-day fast he was undertaking on top of a hill. However, all evidence suggests that post-glacial Ireland never had snakes. Water has surrounded Ireland since the end of the last glacial period, preventing snakes from slithering over; before that, it was blanketed in ice and too chilly for the cold-blooded creatures. Scholars believe the snake story is an allegory for St Patrick’s eradication of pagan ideology.
The snake was the symbol of the Celts and their spiritual elite, the Druids - who inhabited the island of Ireland long before the arrival of Christianity in the 5th century AD. When Patrick arrived, the only “pesky and dangerous creatures” that St Patrick wished to cast away were the native Celts.
Since snakes often represent evil in literature, "when Patrick drives the snakes out of Ireland, it is symbolically saying he drove the old, evil, pagan ways out of Ireland [and] brought in a new age," said classics professor Philip Freeman of Luther College in Iowa.
An Image depicting St Patrick casting the snakes into the sea. Image source
St Patrick features in many stories in the Irish oral tradition and there are many customs connected with his feast day. Over the centuries, these traditions have been given new layers of meaning – the symbolic resonance of the St Patrick figure stretches from that of Christianity’s arrival in Ireland to an identity that encompasses everything Irish.
Today, St Patrick is a patriotic symbol along with the colour green and the shamrock. St. Patrick's Day celebrations include many traditions that are known to be relatively recent historically, but have endured through time because of their association either with religious or national identity.
Modern-day celebrations of St Patrick’s Day
Featured image: St Patrick banishes the snakes. Image source.
By April Holloway
Showing posts with label Irish. Show all posts
Showing posts with label Irish. Show all posts
Saturday, March 17, 2018
Tuesday, November 14, 2017
Leprechauns: At the End of the Rainbow Lies Richness for Irish Folklore
Ancient Origins
Those little men all dressed in green, obsessed with rainbows and treasure, trickery, and of course shoe-making. These are all common perceptions today regarding the famous characters from Irish folklore: Leprechauns. The characteristics of these mythical creatures has transformed over the years and much of what made the little people special in the original tales has been forgotten.
Etymology for the Word Leprechaun
Many scholars believe that the origin of the word leprechaun is the old Irish Lú Chorpain meaning small body. Another definition has linked the modern name to luchorpán (a word from the 8th century AD) which is defined as sprite or pygmy. Finally, the word leprechaun has been connected to leath bhrógan (shoe maker). This definition is also a possibility as many stories about leprechauns have shown their profession to be the cobblers of the fairy world.
The word lubrican, another word associated with leprechaun, first was written in English in 1604 in the play The Honest Whore by Thomas Middleton and Thomas Dekker. The line from the play states: "as for your Irish lubrican, that spirit whom by preposterous charms thy lust hath rais'd in a wrong circle…"
The Ancient Leprechauns
Leprechauns are thought to have been one of the many types of inhabitants of the fairy forts or fairy rings in ancient Ireland. It has been suggested that the merry tricksters of today may even be a modern incarnation of the Euro-Celtic god Lugh (pronounced “Luck”). Lugh was said to be the sun god, patron of arts and crafts and leader of the Tuatha Dé Danann ("peoples of the goddess Danu"
Altar depicting a tricephalic god identified as Lugus (Lugh), discovered in Reims. (Wikipedia)
Medieval Irish manuscripts (12th -15th Centuries) believed to be associated with leprechauns suggest that leprechauns were originally beings that lived underwater and, contrary to today’s depiction, they weren’t all male. They were depicted as warriors with voracious appetites and the female leprechauns were especially engrossed with luring away human men for secret adventures. These characteristics seemed to continue at least until the aforementioned writing in 1604.
Early leprechauns were described as sly old men that wore red suits and were often found working on a solitary shoe. The word solitary was also applied to the social preferences of leprechauns who seemed to prefer time alone to interacting with other faerie creatures, or even other leprechauns. There friendless nature perhaps was also partly due to others avoiding them – early leprechauns were also thought to be particularly mischievous house-haunting drunkards. These characteristics were later passed on to the leprechaun “cousins” the clobhair-ceann or clurichaun, an Irish fairy that is always drunk and rude. The clurichaun got the blame for noisy nights and messy homes (especially wine cellars).
An illustration of a clurichaun, cousin of the leprechauns. (1862) T.C. Croker (Wikimedia Commons)
Changes in Leprechaun Traits: Now a Wealthy Shoemaker
By 1825, the leprechaun population was limited to only males. T. Crofton Croker's Fairy Traditions and Legends of the South of Ireland provided more insight on traits of these mythical creatures: “They are often described as bearded old men dressed in green and wearing buckled shoes. Sometimes they wear a pointed cap or hat and may smoke a pipe.”
The Leprechauns of the time were thought to be particularly stylish. Both Samuel Lover, writing in 1831, and William Butler Yeats (in 1888) made mention of the importance leprechauns placed in their appearance.
Lover wrote that a leprechaun was:
“…quite a beau in his dress, notwithstanding, for he wears a red square-cut coat, richly laced with gold, waistcoat and inexpressible of the same, cocked hat, shoes and buckles.”
Following that, Yeats later added:
“He is something of a dandy, and dresses in a red coat with seven rows of buttons, seven buttons on each row, and wears a cocked-hat, upon whose pointed end he is wont in the north-eastern counties, according to McAnally, to spin like a top when the fit seizes him.”
The 18th Century poem by William Allingham entitled The Lepracaun; Or, Fairy Shoemaker further promoted the idea that in the fairy realm occupations are chosen by group, and leprechauns were in charge of keeping the rest of the community’s feet happy. He also provided a hint to people searching for leprechauns (more on why soon) – the presence of leprechauns can be noted by their tapping sounds as they work:
"Lay your ear close to the hill.
Do you not catch the tiny clamor,
Busy click of an elfin hammer,
Voice of the Lepracaun singing shrill
As he merrily plies his trade?"
‘Elves and the Shoemaker’, originally from ‘The Book of Fables and Folk Stories’, by Horace E. Scudder. Illustration by George Cruikshank (Wikipedia)
Allingham is often credited as the creator of the “modern leprechaun”: a short man with a red beard, a green hat in which a golden four-leaf clover (symbol of good luck) is tucked, and a green suit with a large buckle on its belt.
A modern stereotype of a leprechaun. (Wikimedia Commons)
The Moral behind Leprechauns
By the 1800s the perception of leprechauns as wealthy, clever folks was a common notion. Thus the old “wee” (small) fellows were depicted in stories with a strong interest in protecting their gold from the greedy humans that sought it out. Leprechauns are supposed to offer bribes to humans if caught in order to regain their freedom.
Engraving of a Leprechaun counting his gold, 1900 (Wikimedia Commons)
The legends about leprechauns not surprisingly focus mostly on a human catching a leprechaun then trying to attain their wealth. The most common story involves a boy or farmer who finds a leprechaun and forces him to tell where he has hidden his gold. The leprechaun is obliged to show him to the spot, which is below a tree or plant. As the human is without a shovel he ties a red cloth around the nearby tree/plant and makes the leprechaun swear he will not remove the indicator. When the person returns with the shovel he finds that there are now many red cloths and the leprechaun has vanished. Thus the leprechaun has managed to trick the human and maintains possession of his gold.
Another similar story tells of a girl who catches the leprechaun and makes him lead her to his treasure, but along the way hears a noise to which the leprechaun tells her there are bees chasing her. When she turns around to look, the leprechaun disappears.
Also according to some legends a leprechaun carries two leather pouches. He has a silver shilling in one which returns to his pouch whenever it has been given. The other pouch has a gold coin which is said to turn into leaves or ashes once the leprechaun is set free.
Another widespread interpretation of events after humans find and catch leprechauns is the offering of three wishes to which the capturer goes insane or is tricked as his wishes backfire. A popular story of this sort is that of Seamus. Seamus was a man from County Mayo who caught a leprechaun and was offered wishes. He chose to be the richest man on a tropical island. His wish was said to have come true, but there was a catch – there were no pubs, shops or other people on the island. Seamus got bored and eventually wished to be back in Ireland.
All of these stories present the same morals: getting rich quick doesn’t work out in the long run, stealing is wrong, and don’t mess with the Irish faerie folk.
The Fascination Leprechauns Continue to Hold
Leprechauns are now understood to be the fairy tales of the past and fanciful stories to tell when one sees a rainbow. However there is still a hold these little folk have on modern society. In Dublin there is even a Leprechaun museum which provides tours and detailed information on leprechauns and Irish folklore throughout the ages. Some Irish-themed sites also provide readers with tips and tricks on how to catch a leprechaun (and what to do when you have).
Leprechaun, Wax Museum Plus, Ireland (Wikimedia Commons)
On the other side of the pond, General Mills cereal’s Lucky Charms has “Lucky” the leprechaun to keep children entertained while they consume the sugar-filled product for which he is the mascot. There are also horror/comedy movies that are focused on a monstrous trickster of a leprechaun to torment adults.
Leprechauns may not really provide us a treasure of gold and silver, but they certainly have provided richness to Irish folklore.
Featured Image: A Leprechaun’s hat. (Albund | Dreamstime.com)
By Alicia McDermott
Those little men all dressed in green, obsessed with rainbows and treasure, trickery, and of course shoe-making. These are all common perceptions today regarding the famous characters from Irish folklore: Leprechauns. The characteristics of these mythical creatures has transformed over the years and much of what made the little people special in the original tales has been forgotten.
Etymology for the Word Leprechaun
Many scholars believe that the origin of the word leprechaun is the old Irish Lú Chorpain meaning small body. Another definition has linked the modern name to luchorpán (a word from the 8th century AD) which is defined as sprite or pygmy. Finally, the word leprechaun has been connected to leath bhrógan (shoe maker). This definition is also a possibility as many stories about leprechauns have shown their profession to be the cobblers of the fairy world.
The word lubrican, another word associated with leprechaun, first was written in English in 1604 in the play The Honest Whore by Thomas Middleton and Thomas Dekker. The line from the play states: "as for your Irish lubrican, that spirit whom by preposterous charms thy lust hath rais'd in a wrong circle…"
The Ancient Leprechauns
Leprechauns are thought to have been one of the many types of inhabitants of the fairy forts or fairy rings in ancient Ireland. It has been suggested that the merry tricksters of today may even be a modern incarnation of the Euro-Celtic god Lugh (pronounced “Luck”). Lugh was said to be the sun god, patron of arts and crafts and leader of the Tuatha Dé Danann ("peoples of the goddess Danu"
Altar depicting a tricephalic god identified as Lugus (Lugh), discovered in Reims. (Wikipedia)
Medieval Irish manuscripts (12th -15th Centuries) believed to be associated with leprechauns suggest that leprechauns were originally beings that lived underwater and, contrary to today’s depiction, they weren’t all male. They were depicted as warriors with voracious appetites and the female leprechauns were especially engrossed with luring away human men for secret adventures. These characteristics seemed to continue at least until the aforementioned writing in 1604.
Early leprechauns were described as sly old men that wore red suits and were often found working on a solitary shoe. The word solitary was also applied to the social preferences of leprechauns who seemed to prefer time alone to interacting with other faerie creatures, or even other leprechauns. There friendless nature perhaps was also partly due to others avoiding them – early leprechauns were also thought to be particularly mischievous house-haunting drunkards. These characteristics were later passed on to the leprechaun “cousins” the clobhair-ceann or clurichaun, an Irish fairy that is always drunk and rude. The clurichaun got the blame for noisy nights and messy homes (especially wine cellars).
An illustration of a clurichaun, cousin of the leprechauns. (1862) T.C. Croker (Wikimedia Commons)
Changes in Leprechaun Traits: Now a Wealthy Shoemaker
By 1825, the leprechaun population was limited to only males. T. Crofton Croker's Fairy Traditions and Legends of the South of Ireland provided more insight on traits of these mythical creatures: “They are often described as bearded old men dressed in green and wearing buckled shoes. Sometimes they wear a pointed cap or hat and may smoke a pipe.”
The Leprechauns of the time were thought to be particularly stylish. Both Samuel Lover, writing in 1831, and William Butler Yeats (in 1888) made mention of the importance leprechauns placed in their appearance.
Lover wrote that a leprechaun was:
“…quite a beau in his dress, notwithstanding, for he wears a red square-cut coat, richly laced with gold, waistcoat and inexpressible of the same, cocked hat, shoes and buckles.”
Following that, Yeats later added:
“He is something of a dandy, and dresses in a red coat with seven rows of buttons, seven buttons on each row, and wears a cocked-hat, upon whose pointed end he is wont in the north-eastern counties, according to McAnally, to spin like a top when the fit seizes him.”
The 18th Century poem by William Allingham entitled The Lepracaun; Or, Fairy Shoemaker further promoted the idea that in the fairy realm occupations are chosen by group, and leprechauns were in charge of keeping the rest of the community’s feet happy. He also provided a hint to people searching for leprechauns (more on why soon) – the presence of leprechauns can be noted by their tapping sounds as they work:
"Lay your ear close to the hill.
Do you not catch the tiny clamor,
Busy click of an elfin hammer,
Voice of the Lepracaun singing shrill
As he merrily plies his trade?"
‘Elves and the Shoemaker’, originally from ‘The Book of Fables and Folk Stories’, by Horace E. Scudder. Illustration by George Cruikshank (Wikipedia)
Allingham is often credited as the creator of the “modern leprechaun”: a short man with a red beard, a green hat in which a golden four-leaf clover (symbol of good luck) is tucked, and a green suit with a large buckle on its belt.
A modern stereotype of a leprechaun. (Wikimedia Commons)
The Moral behind Leprechauns
By the 1800s the perception of leprechauns as wealthy, clever folks was a common notion. Thus the old “wee” (small) fellows were depicted in stories with a strong interest in protecting their gold from the greedy humans that sought it out. Leprechauns are supposed to offer bribes to humans if caught in order to regain their freedom.
Engraving of a Leprechaun counting his gold, 1900 (Wikimedia Commons)
The legends about leprechauns not surprisingly focus mostly on a human catching a leprechaun then trying to attain their wealth. The most common story involves a boy or farmer who finds a leprechaun and forces him to tell where he has hidden his gold. The leprechaun is obliged to show him to the spot, which is below a tree or plant. As the human is without a shovel he ties a red cloth around the nearby tree/plant and makes the leprechaun swear he will not remove the indicator. When the person returns with the shovel he finds that there are now many red cloths and the leprechaun has vanished. Thus the leprechaun has managed to trick the human and maintains possession of his gold.
Another similar story tells of a girl who catches the leprechaun and makes him lead her to his treasure, but along the way hears a noise to which the leprechaun tells her there are bees chasing her. When she turns around to look, the leprechaun disappears.
Also according to some legends a leprechaun carries two leather pouches. He has a silver shilling in one which returns to his pouch whenever it has been given. The other pouch has a gold coin which is said to turn into leaves or ashes once the leprechaun is set free.
Another widespread interpretation of events after humans find and catch leprechauns is the offering of three wishes to which the capturer goes insane or is tricked as his wishes backfire. A popular story of this sort is that of Seamus. Seamus was a man from County Mayo who caught a leprechaun and was offered wishes. He chose to be the richest man on a tropical island. His wish was said to have come true, but there was a catch – there were no pubs, shops or other people on the island. Seamus got bored and eventually wished to be back in Ireland.
All of these stories present the same morals: getting rich quick doesn’t work out in the long run, stealing is wrong, and don’t mess with the Irish faerie folk.
The Fascination Leprechauns Continue to Hold
Leprechauns are now understood to be the fairy tales of the past and fanciful stories to tell when one sees a rainbow. However there is still a hold these little folk have on modern society. In Dublin there is even a Leprechaun museum which provides tours and detailed information on leprechauns and Irish folklore throughout the ages. Some Irish-themed sites also provide readers with tips and tricks on how to catch a leprechaun (and what to do when you have).
Leprechaun, Wax Museum Plus, Ireland (Wikimedia Commons)
On the other side of the pond, General Mills cereal’s Lucky Charms has “Lucky” the leprechaun to keep children entertained while they consume the sugar-filled product for which he is the mascot. There are also horror/comedy movies that are focused on a monstrous trickster of a leprechaun to torment adults.
Leprechauns may not really provide us a treasure of gold and silver, but they certainly have provided richness to Irish folklore.
Featured Image: A Leprechaun’s hat. (Albund | Dreamstime.com)
By Alicia McDermott
Wednesday, May 3, 2017
Why was a Newly Discovered Irish Ringfort Surrounded by Bizarre Burials and Unfinished Jewelry?
Ancient Origins
A medieval ringfort that contained a jewelry workshop and substantial farming has been unearthed in an eye-opener archaeological discovery during a road project about a mile north of Roscommon town in Ireland. More importantly, however, 793 bodies were found during the excavation - and the archaeologists expect their analysis will reveal the whole tale of the ringfort.
The Majority of the Bodies are Intact
With no antecedent record of any occupancy on the site, it was only apparent that there were important archaeological features in the area after the testing results conducted by experienced geophysicists came back. Following an excavation that lasted for over a year and ended last October, the archaeologists exploring the site had a clearer picture of the settlement and concluded that it was inhabited between the 6th and 11th centuries. Experts are optimistic that the dating techniques that will be used during the detailed analysis of the 793 found bodies will reveal the exact period of occupation. Interestingly, nearly 75% of the bodies were completely undamaged, while the rest were obviously distorted.
An archaeologist examining a skeleton found at the ringfort at Ranelagh, Co. Roscommon, Ireland. (Irish Archaeological Consultancy)
More Ringforts are “Hiding” Not Far Away
The excavation, led by archaeologist Shane Delaney, has already showed that the site was not likely inhabited during its later period of use, but instead it served as an administrative and industrial center for the civilians who lived in the surrounding areas.
The earliest ringfort enclosure at the site was around 40 meters (131.23 ft.) in diameter, but there was no confirmation on any maps to propose any significance before the site was tested by archaeologists. According to Transport Infrastructure Ireland (TII) project archaeologist Martin Jones, supervising the excavation, there are at least three more ringforts within a 500-meter (1640.42 ft.) distance, “The working theory is that this was originally inhabited by a family that rose to some relative prominence in the area. They may have then constructed a number of other ringforts around this one, which became a centre for industrial activity,” he said, as Irish Examiner reports.
Aerial photograph of the Multivallate Ringfort at Rathrá, Co Roscommon, Ireland. (West Lothian Archaeological Trust (Jim Knowles, Frank Scott and John Wells)/CC BY SA 4.0)
A Large Amount of Unfinished Jewelry Was Found as Well as More Burials
A respectable amount of unfinished jewelry was found by the archaeologists, which indicates that they were designed in a workshop at the site, most likely for commercial purposes. The jewelry objects and fragments found, some of them associated with the burials, include amber and jet beads, a lignite bracelet, and a brooch panel with an enamel stud. A fragment of a copper alloy bracelet has been dated by its decoration to around 350 to 550 AD.
A few crouched burials were also found, with their knees pushed up to their chest, probably suggesting that these were strangers who were buried according to their own traditions. Some of the bodies have clear signs of punishment, including two in which feet and hands may have been bound, one of them buried face down. Additionally, two other buried bodies were decapitated, and several children, or adolescents, were positioned in the ground in embracing positions.
With the excavation work now finished, the analysis of the artifacts and DNA testing of the human remains will provide a clearer picture of the site’s history. Some tests which are scheduled to launch soon will use the latest techniques in order to provide further evidence, such as the diets of the people buried at Ranelagh, and their geographical origins. “When we have the results of radiocarbon dating and all the other analysis, we will have a huge amount of additional information. That’s when the real detective work begins,” Mr. Jones told Irish Examiner, implying that there’s much more work to do before they can make any solid conclusions about the ringfort’s background.
Aerial view of excavations at the site of a medieval ringfort found at Ranelagh in Ireland. (Irish Archaeological Consultancy Ltd.)
Top Image: Reconstruction of a ringfort at Curraheen, Co Cork, Ireland - the kind of enclosure that would have been built first at the ringfort in Ranelagh, Co Roscommon. Source: Transport Infrastructure Ireland
By Theodoros Karasavvas
A medieval ringfort that contained a jewelry workshop and substantial farming has been unearthed in an eye-opener archaeological discovery during a road project about a mile north of Roscommon town in Ireland. More importantly, however, 793 bodies were found during the excavation - and the archaeologists expect their analysis will reveal the whole tale of the ringfort.
The Majority of the Bodies are Intact
With no antecedent record of any occupancy on the site, it was only apparent that there were important archaeological features in the area after the testing results conducted by experienced geophysicists came back. Following an excavation that lasted for over a year and ended last October, the archaeologists exploring the site had a clearer picture of the settlement and concluded that it was inhabited between the 6th and 11th centuries. Experts are optimistic that the dating techniques that will be used during the detailed analysis of the 793 found bodies will reveal the exact period of occupation. Interestingly, nearly 75% of the bodies were completely undamaged, while the rest were obviously distorted.
An archaeologist examining a skeleton found at the ringfort at Ranelagh, Co. Roscommon, Ireland. (Irish Archaeological Consultancy)
More Ringforts are “Hiding” Not Far Away
The excavation, led by archaeologist Shane Delaney, has already showed that the site was not likely inhabited during its later period of use, but instead it served as an administrative and industrial center for the civilians who lived in the surrounding areas.
The earliest ringfort enclosure at the site was around 40 meters (131.23 ft.) in diameter, but there was no confirmation on any maps to propose any significance before the site was tested by archaeologists. According to Transport Infrastructure Ireland (TII) project archaeologist Martin Jones, supervising the excavation, there are at least three more ringforts within a 500-meter (1640.42 ft.) distance, “The working theory is that this was originally inhabited by a family that rose to some relative prominence in the area. They may have then constructed a number of other ringforts around this one, which became a centre for industrial activity,” he said, as Irish Examiner reports.
Aerial photograph of the Multivallate Ringfort at Rathrá, Co Roscommon, Ireland. (West Lothian Archaeological Trust (Jim Knowles, Frank Scott and John Wells)/CC BY SA 4.0)
A Large Amount of Unfinished Jewelry Was Found as Well as More Burials
A respectable amount of unfinished jewelry was found by the archaeologists, which indicates that they were designed in a workshop at the site, most likely for commercial purposes. The jewelry objects and fragments found, some of them associated with the burials, include amber and jet beads, a lignite bracelet, and a brooch panel with an enamel stud. A fragment of a copper alloy bracelet has been dated by its decoration to around 350 to 550 AD.
A few crouched burials were also found, with their knees pushed up to their chest, probably suggesting that these were strangers who were buried according to their own traditions. Some of the bodies have clear signs of punishment, including two in which feet and hands may have been bound, one of them buried face down. Additionally, two other buried bodies were decapitated, and several children, or adolescents, were positioned in the ground in embracing positions.
With the excavation work now finished, the analysis of the artifacts and DNA testing of the human remains will provide a clearer picture of the site’s history. Some tests which are scheduled to launch soon will use the latest techniques in order to provide further evidence, such as the diets of the people buried at Ranelagh, and their geographical origins. “When we have the results of radiocarbon dating and all the other analysis, we will have a huge amount of additional information. That’s when the real detective work begins,” Mr. Jones told Irish Examiner, implying that there’s much more work to do before they can make any solid conclusions about the ringfort’s background.
Aerial view of excavations at the site of a medieval ringfort found at Ranelagh in Ireland. (Irish Archaeological Consultancy Ltd.)
Top Image: Reconstruction of a ringfort at Curraheen, Co Cork, Ireland - the kind of enclosure that would have been built first at the ringfort in Ranelagh, Co Roscommon. Source: Transport Infrastructure Ireland
By Theodoros Karasavvas
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