Showing posts with label Roman Catholic. Show all posts
Showing posts with label Roman Catholic. Show all posts
Sunday, July 2, 2017
Remains of Saxon Church Discovered on Viking Raided Lindisfarne Island
Ancient Origins
A team of archaeologists have recently excavated the remains of a church on Lindisfarne (Holy Island) in Northumberland. Experts describe the newly discovered church as one of the most significant archaeological finds in the history of the Holy Island.
Extremely Important Archaeological Find
For the first time in over a thousand years, a service was held on Tuesday, June 27, within the boundaries of a recently discovered church on Holy Island in Northumberland as Chronicle Live reports. Peter Ryder, an expert when it comes to historic buildings, has described the newly found church as “probably the most significant archaeology find ever on Holy Island.”
The excavations, directed by Richard Carlton of The Archaeological Practice and Newcastle University, were launched two weeks ago and are expected to finish at the end of this week. “It is a very exciting and hugely significant find,” Mr. Carlton tells Chronicle Live, which also notes that the community archaeology project is part of the Peregrini Lindisfarne Landscape Partnership project, which is sponsored by the Heritage Lottery Fund.
The newly-excavated church remains on Holy Island (Photo Source: ChronicleLive)
New Church Adds Another Chapter to the Holy Island’s Rich Legacy
The dig has unearthed immense sandstone blocks used in the building of the church on The Heugh, a ridge on Holy Island which provides its guests amazing views of the Farne Islands and Bamburgh, which used to be a royal capital of the kingdom of Northumbria. The newly discovered Lindisfarne church is dated prior to the Norman Conquest, with archaeologists estimating that it could possibly date from 630 to 1050 AD, although some of them think that it could be even earlier.
Mr. Carlton tells Chronicle Live, “There are not many churches of potentially the Seventh or Eighth Centuries known in medieval Northumbria, which stretched from the Humber to the Forth. [However], what is in favor of the argument for an early church is that on the ridge it would have been entirely visible from Bamburgh, the seat of political power at the time, and in turn would have had great views of Bamburgh…It adds another chapter to the history of Holy Island.
Lindisfarne Priory, Holy Island (CC BY NC 2.0)
According to the history of the island, St. Aidan initially constructed a wooden church on Lindisfarne in 635 AD. Historians believe that the church was renovated later, even though some suggest that the foundations of the newly unearthed church in Lindisfarne have been placed over the remains of St. Aidan’s original church. Peter Ryder’s theory suggests that the new church could have been built in order to honor and commemorate where St Aidan’s wooden church once stood.
Statue of St.Aidan of Lindisfarne at Lindisfarne Priory (CC BY SA 2.0)
The Viking Element at the Site
According to the scholar, Alcuin of York, the Vikings attacked Lindisfarne in 793 AD. As Inquisitr reports, the vicious attack of the Vikings is described in a letter Alcuin of York wrote to the king of Northumbria, which at the same time happens to be the earliest recorded Viking raid in Britain. The letter mentions, “Pagans have desecrated God’s sanctuary, shed the blood of saints around the altar, laid waste the house of our hope and trampled the bodies of saints like dung in the streets.”
Additionally, The Anglo Saxon Chronicle also recorded the Viking attack on Lindisfarne, in this way marking the Viking invasion to Medieval Europe,
“In this year fierce, foreboding omens came over the land of the Northumbrians, and the wretched people shook; there were excessive whirlwinds, lightning, and fiery dragons were seen flying in the sky. These signs were followed by great famine, and a little after those, that same year on 6th ides of January, the ravaging of wretched heathen men destroyed God’s church at Lindisfarne.”
And while it is a historical fact that the Vikings attacked Lindisfarne, historians are not sure if the newly found church was the one that got sacked by the Vikings, as the island had several churches at that time.
Top image: Lindisfarne Castle on Holy island (CC BY 2.0)
By Theodoros Karasavvas
Friday, March 17, 2017
HISTORY OF ST. PATRICK’S DAY
History.com
St. Patrick’s Day is celebrated on March 17, the saint’s religious feast day and the anniversary of his death in the fifth century. The Irish have observed this day as a religious holiday for over 1,000 years. On St. Patrick’s Day, which falls during the Christian season of Lent, Irish families would traditionally attend church in the morning and celebrate in the afternoon. Lenten prohibitions against the consumption of meat were waived and people would dance, drink and feast–on the traditional meal of Irish bacon and cabbage.
ST. PATRICK AND THE FIRST ST. PATRICK’S DAY PARADE
Saint Patrick, who lived during the fifth century, is the patron saint and national apostle of Ireland. Born in Roman Britain, he was kidnapped and brought to Ireland as a slave at the age of 16. He later escaped, but returned to Ireland and was credited with bringing Christianity to its people. In the centuries following Patrick’s death (believed to have been on March 17, 461), the mythology surrounding his life became ever more ingrained in the Irish culture: Perhaps the most well known legend is that he explained the Holy Trinity (Father, Son and Holy Spirit) using the three leaves of a native Irish clover, the shamrock.
Since around the ninth or 10th century, people in Ireland have been observing the Roman Catholic feast day of St. Patrick on March 17. Interestingly, however, the first parade held to honor St. Patrick’s Day took place not in Ireland but in the United States. On March 17, 1762, Irish soldiers serving in the English military marched through New York City. Along with their music, the parade helped the soldiers reconnect with their Irish roots, as well as with fellow Irishmen serving in the English army.
GROWTH OF ST. PATRICK’S DAY CELEBRATIONS
Over the next 35 years, Irish patriotism among American immigrants flourished, prompting the rise of so-called “Irish Aid” societies like the Friendly Sons of Saint Patrick and the Hibernian Society. Each group would hold annual parades featuring bagpipes (which actually first became popular in the Scottish and British armies) and drums.
In 1848, several New York Irish Aid societies decided to unite their parades to form one official New York City St. Patrick’s Day Parade. Today, that parade is the world ‘s oldest civilian parade and the largest in the United States, with over 150,000 participants. Each year, nearly 3 million people line the 1.5-mile parade route to watch the procession, which takes more than five hours. Boston, Chicago, Philadelphia and Savannah also celebrate the day with parades involving between 10,000 and 20,000 participants each.
ST. PATRICK’S DAY, NO IRISH NEED APPLY AND THE “GREEN MACHINE” Up until the mid-19th century, most Irish immigrants in America were members of the Protestant middle class. When the Great Potato Famine hit Ireland in 1845, close to 1 million poor and uneducated Irish Catholics began pouring into America to escape starvation. Despised for their alien religious beliefs and unfamiliar accents by the American Protestant majority, the immigrants had trouble finding even menial jobs. When Irish Americans in the country’s cities took to the streets on St. Patrick’s Day to celebrate their heritage, newspapers portrayed them in cartoons as drunk, violent monkeys.
The American Irish soon began to realize, however, that their large and growing numbers endowed them with a political power that had yet to be exploited. They started to organize, and their voting block, known as the “green machine,” became an important swing vote for political hopefuls. Suddenly, annual St. Patrick’s Day parades became a show of strength for Irish Americans, as well as a must-attend event for a slew of political candidates. In 1948, President Harry S. Truman attended New York City ‘s St. Patrick’s Day parade, a proud moment for the many Irish Americans whose ancestors had to fight stereotypes and racial prejudice to find acceptance in the New World.
THE CHICAGO RIVER ON ST. PATRICK’S DAY As Irish immigrants spread out over the United States, other cities developed their own traditions. One of these is Chicago’s annual dyeing of the Chicago River green. The practice started in 1962, when city pollution-control workers used dyes to trace illegal sewage discharges and realized that the green dye might provide a unique way to celebrate the holiday. That year, they released 100 pounds of green vegetable dye into the river–enough to keep it green for a week! Today, in order to minimize environmental damage, only 40 pounds of dye are used, and the river turns green for only several hours.
Although Chicago historians claim their city’s idea for a river of green was original, some natives of Savannah, Georgia (whose St. Patrick’s Day parade, the oldest in the nation, dates back to 1813) believe the idea originated in their town. They point out that, in 1961, a hotel restaurant manager named Tom Woolley convinced city officials to dye Savannah’s river green. The experiment didn’t exactly work as planned, and the water only took on a slight greenish hue. Savannah never attempted to dye its river again, but Woolley maintains (though others refute the claim) that he personally suggested the idea to Chicago’s Mayor Richard J. Daley.
ST. PATRICK’S DAY AROUND THE WORLD Today, people of all backgrounds celebrate St. Patrick’s Day, especially throughout the United States, Canada and Australia. Although North America is home to the largest productions, St. Patrick’s Day is celebrated in many other locations far from Ireland, including Japan, Singapore and Russia.
In modern-day Ireland, St. Patrick’s Day was traditionally been a religious occasion. In fact, up until the 1970s, Irish laws mandated that pubs be closed on March 17. Beginning in 1995, however, the Irish government began a national campaign to use interest in St. Patrick’s Day to drive tourism and showcase Ireland and Irish culture to the rest of the world. Today, approximately 1 million people annually take part in Ireland ‘s St. Patrick’s Festival in Dublin, a multi-day celebration featuring parades, concerts, outdoor theater productions and fireworks shows.
St. Patrick’s Day is celebrated on March 17, the saint’s religious feast day and the anniversary of his death in the fifth century. The Irish have observed this day as a religious holiday for over 1,000 years. On St. Patrick’s Day, which falls during the Christian season of Lent, Irish families would traditionally attend church in the morning and celebrate in the afternoon. Lenten prohibitions against the consumption of meat were waived and people would dance, drink and feast–on the traditional meal of Irish bacon and cabbage.
ST. PATRICK AND THE FIRST ST. PATRICK’S DAY PARADE
Saint Patrick, who lived during the fifth century, is the patron saint and national apostle of Ireland. Born in Roman Britain, he was kidnapped and brought to Ireland as a slave at the age of 16. He later escaped, but returned to Ireland and was credited with bringing Christianity to its people. In the centuries following Patrick’s death (believed to have been on March 17, 461), the mythology surrounding his life became ever more ingrained in the Irish culture: Perhaps the most well known legend is that he explained the Holy Trinity (Father, Son and Holy Spirit) using the three leaves of a native Irish clover, the shamrock.
Since around the ninth or 10th century, people in Ireland have been observing the Roman Catholic feast day of St. Patrick on March 17. Interestingly, however, the first parade held to honor St. Patrick’s Day took place not in Ireland but in the United States. On March 17, 1762, Irish soldiers serving in the English military marched through New York City. Along with their music, the parade helped the soldiers reconnect with their Irish roots, as well as with fellow Irishmen serving in the English army.
GROWTH OF ST. PATRICK’S DAY CELEBRATIONS
Over the next 35 years, Irish patriotism among American immigrants flourished, prompting the rise of so-called “Irish Aid” societies like the Friendly Sons of Saint Patrick and the Hibernian Society. Each group would hold annual parades featuring bagpipes (which actually first became popular in the Scottish and British armies) and drums.
In 1848, several New York Irish Aid societies decided to unite their parades to form one official New York City St. Patrick’s Day Parade. Today, that parade is the world ‘s oldest civilian parade and the largest in the United States, with over 150,000 participants. Each year, nearly 3 million people line the 1.5-mile parade route to watch the procession, which takes more than five hours. Boston, Chicago, Philadelphia and Savannah also celebrate the day with parades involving between 10,000 and 20,000 participants each.
ST. PATRICK’S DAY, NO IRISH NEED APPLY AND THE “GREEN MACHINE” Up until the mid-19th century, most Irish immigrants in America were members of the Protestant middle class. When the Great Potato Famine hit Ireland in 1845, close to 1 million poor and uneducated Irish Catholics began pouring into America to escape starvation. Despised for their alien religious beliefs and unfamiliar accents by the American Protestant majority, the immigrants had trouble finding even menial jobs. When Irish Americans in the country’s cities took to the streets on St. Patrick’s Day to celebrate their heritage, newspapers portrayed them in cartoons as drunk, violent monkeys.
The American Irish soon began to realize, however, that their large and growing numbers endowed them with a political power that had yet to be exploited. They started to organize, and their voting block, known as the “green machine,” became an important swing vote for political hopefuls. Suddenly, annual St. Patrick’s Day parades became a show of strength for Irish Americans, as well as a must-attend event for a slew of political candidates. In 1948, President Harry S. Truman attended New York City ‘s St. Patrick’s Day parade, a proud moment for the many Irish Americans whose ancestors had to fight stereotypes and racial prejudice to find acceptance in the New World.
THE CHICAGO RIVER ON ST. PATRICK’S DAY As Irish immigrants spread out over the United States, other cities developed their own traditions. One of these is Chicago’s annual dyeing of the Chicago River green. The practice started in 1962, when city pollution-control workers used dyes to trace illegal sewage discharges and realized that the green dye might provide a unique way to celebrate the holiday. That year, they released 100 pounds of green vegetable dye into the river–enough to keep it green for a week! Today, in order to minimize environmental damage, only 40 pounds of dye are used, and the river turns green for only several hours.
Although Chicago historians claim their city’s idea for a river of green was original, some natives of Savannah, Georgia (whose St. Patrick’s Day parade, the oldest in the nation, dates back to 1813) believe the idea originated in their town. They point out that, in 1961, a hotel restaurant manager named Tom Woolley convinced city officials to dye Savannah’s river green. The experiment didn’t exactly work as planned, and the water only took on a slight greenish hue. Savannah never attempted to dye its river again, but Woolley maintains (though others refute the claim) that he personally suggested the idea to Chicago’s Mayor Richard J. Daley.
ST. PATRICK’S DAY AROUND THE WORLD Today, people of all backgrounds celebrate St. Patrick’s Day, especially throughout the United States, Canada and Australia. Although North America is home to the largest productions, St. Patrick’s Day is celebrated in many other locations far from Ireland, including Japan, Singapore and Russia.
In modern-day Ireland, St. Patrick’s Day was traditionally been a religious occasion. In fact, up until the 1970s, Irish laws mandated that pubs be closed on March 17. Beginning in 1995, however, the Irish government began a national campaign to use interest in St. Patrick’s Day to drive tourism and showcase Ireland and Irish culture to the rest of the world. Today, approximately 1 million people annually take part in Ireland ‘s St. Patrick’s Festival in Dublin, a multi-day celebration featuring parades, concerts, outdoor theater productions and fireworks shows.
Friday, February 3, 2017
Scientists Unravel Secrets of a Hidden Room Within a Hidden Room in English Tudor Mansion
Ancient Origins
A team of scientists provided with 3D laser scanners have disclosed the secrets of a hidden room, known as a "priest hole," in the tower of an English Tudor mansion linked to the failed "Gunpowder Plot" to assassinate King James I in 1605.
New Study Reveals Secrets of the “Priest Holes”
The secrets of a hidden room in Coughton Court, a Tudor mansion associated with the plot to assassinate King James I in 1605, have been revealed in a new study. The double room was a hiding place for priests during the anti-Catholic persecutions of the 16th and 17th centuries and was leased by Sir Everard Digby, one of the leading conspirators of the plot. According to Christopher King, an assistant professor in the Department of Archaeology at the University of Nottingham in the United Kingdom, and one of the lead researchers of the study, the “hidden” priest holes were originally built inside walls and between floors, as places where a priest could hide from their prosecutors, while the family of the house pretended to supposedly live an ordinary life. King told Live Science "We know that priests were hiding in these spaces for up to three days while people were searching the properties. Some of them are really very small, where the priest would be in quite an enclosed box-like space."
Coughton Court, Warwickshire ( CC by SA 3.0 )
A Little History Behind That Dark Era for Catholicism
During the 16th century, Europe was under the religious leadership of the Roman Catholic Church. However, over time, protests against the Catholic Church and its influence eventually led to the formation of the Protestant movement. The separation of the Church of England from Rome under Henry VIII in 1537 brought England alongside this broad Reformation movement. Under the reign of Queen Elizabeth I of England , which began in 1558, Catholics were persecuted by law and priests were imprisoned, tortured, and frequently executed. As a result of this oppression, wealthy Catholic families began building secret chambers and passages in their homes called ‘priest holes’ in order to hide priests when the ‘priest hunters’ came searching. Priest hunters took their job very seriously, sometimes searching a house for days or even weeks. They would move furniture, lift floorboards, bang the walls for sounds of a hollow cavity, and plunge their swords between cracks and crevices. They counted windows from the outside and inside, and measured the height of ceilings and the length of walls, in the hope of detecting hidden chambers. Clearly, the priest holes had to be very cleverly constructed to evade such extensive searches.
The consequences if a priest were captured. Engraving by Gaspar Bouttats. ( Wikipedia)
Priest holes and were frequently built into fireplaces, attics, and staircases. Sometimes, a network of passages led to the final hiding place, at other times the priest hole was hidden inside another chamber, making it more difficult to find. However, more often than not the priest holes were tiny with no room to stand or move. Priests sometimes had to stay for days at a time with little to no food and water, and no sanitation. Sometimes, they would die of starvation or suffocation if the priest hunts went on for too long.
The Importance of the 3D Laser Scanning Equipment
The priest hole in Coughton Court was first discovered in the 1850s, but more details have now been revealed than ever before thanks to 3D laser scanners. In order to understand better how the priest hole was constructed and hidden from searchers, King and his colleagues used 3D laser scanning equipment to accurately spot the secret chambers and determine their location in relation to the rest of the building and its grounds.
The priest hole (in color) was built in a closed-off space in a tower of Coughton Court, as a place for Catholic priests to hide from search parties. Credit: University of Nottingham
The compound images and 3D computer models generated from the laser scans show the chamber's "double-blind" construction, which was constructed this way to deceive priest hunters into thinking they had found an empty priest hole, King told Live Science . “When they're searching, they think they've found the priest hole but it's empty, but actually the priest is hidden in the more concealed space beyond." And continues, "And that's what happens at Coughton: there's one chamber under the floor in the turret of the tower, and then there is another trap door that goes through into a second space, which we assume is where the priest was actually hiding." Ultimately, King’s colleague Dr. Lukasz Bonenberg of Nottingham University, emphasized on the significant help modern technology contributed to this project, “Terrestrial laser scanning is an important new technology for recording ancient monuments as they capture a huge amount of data very quickly and this is the first time that TLS has been used for the purpose of visualising hidden spaces inside Tudor houses. Digital visualizations of historic buildings are vital tools for helping the public to picture the past,” said as Daily Mail reports.
Top image: The priest hole at Coughton Court, England ( CC by SA 3.0 )
By Theodoros Karasavvas
A team of scientists provided with 3D laser scanners have disclosed the secrets of a hidden room, known as a "priest hole," in the tower of an English Tudor mansion linked to the failed "Gunpowder Plot" to assassinate King James I in 1605.
New Study Reveals Secrets of the “Priest Holes”
The secrets of a hidden room in Coughton Court, a Tudor mansion associated with the plot to assassinate King James I in 1605, have been revealed in a new study. The double room was a hiding place for priests during the anti-Catholic persecutions of the 16th and 17th centuries and was leased by Sir Everard Digby, one of the leading conspirators of the plot. According to Christopher King, an assistant professor in the Department of Archaeology at the University of Nottingham in the United Kingdom, and one of the lead researchers of the study, the “hidden” priest holes were originally built inside walls and between floors, as places where a priest could hide from their prosecutors, while the family of the house pretended to supposedly live an ordinary life. King told Live Science "We know that priests were hiding in these spaces for up to three days while people were searching the properties. Some of them are really very small, where the priest would be in quite an enclosed box-like space."
Coughton Court, Warwickshire ( CC by SA 3.0 )
A Little History Behind That Dark Era for Catholicism
During the 16th century, Europe was under the religious leadership of the Roman Catholic Church. However, over time, protests against the Catholic Church and its influence eventually led to the formation of the Protestant movement. The separation of the Church of England from Rome under Henry VIII in 1537 brought England alongside this broad Reformation movement. Under the reign of Queen Elizabeth I of England , which began in 1558, Catholics were persecuted by law and priests were imprisoned, tortured, and frequently executed. As a result of this oppression, wealthy Catholic families began building secret chambers and passages in their homes called ‘priest holes’ in order to hide priests when the ‘priest hunters’ came searching. Priest hunters took their job very seriously, sometimes searching a house for days or even weeks. They would move furniture, lift floorboards, bang the walls for sounds of a hollow cavity, and plunge their swords between cracks and crevices. They counted windows from the outside and inside, and measured the height of ceilings and the length of walls, in the hope of detecting hidden chambers. Clearly, the priest holes had to be very cleverly constructed to evade such extensive searches.
The consequences if a priest were captured. Engraving by Gaspar Bouttats. ( Wikipedia)
Priest holes and were frequently built into fireplaces, attics, and staircases. Sometimes, a network of passages led to the final hiding place, at other times the priest hole was hidden inside another chamber, making it more difficult to find. However, more often than not the priest holes were tiny with no room to stand or move. Priests sometimes had to stay for days at a time with little to no food and water, and no sanitation. Sometimes, they would die of starvation or suffocation if the priest hunts went on for too long.
The Importance of the 3D Laser Scanning Equipment
The priest hole in Coughton Court was first discovered in the 1850s, but more details have now been revealed than ever before thanks to 3D laser scanners. In order to understand better how the priest hole was constructed and hidden from searchers, King and his colleagues used 3D laser scanning equipment to accurately spot the secret chambers and determine their location in relation to the rest of the building and its grounds.
The priest hole (in color) was built in a closed-off space in a tower of Coughton Court, as a place for Catholic priests to hide from search parties. Credit: University of Nottingham
The compound images and 3D computer models generated from the laser scans show the chamber's "double-blind" construction, which was constructed this way to deceive priest hunters into thinking they had found an empty priest hole, King told Live Science . “When they're searching, they think they've found the priest hole but it's empty, but actually the priest is hidden in the more concealed space beyond." And continues, "And that's what happens at Coughton: there's one chamber under the floor in the turret of the tower, and then there is another trap door that goes through into a second space, which we assume is where the priest was actually hiding." Ultimately, King’s colleague Dr. Lukasz Bonenberg of Nottingham University, emphasized on the significant help modern technology contributed to this project, “Terrestrial laser scanning is an important new technology for recording ancient monuments as they capture a huge amount of data very quickly and this is the first time that TLS has been used for the purpose of visualising hidden spaces inside Tudor houses. Digital visualizations of historic buildings are vital tools for helping the public to picture the past,” said as Daily Mail reports.
Top image: The priest hole at Coughton Court, England ( CC by SA 3.0 )
By Theodoros Karasavvas
Tuesday, May 3, 2016
History Trivia - Gregory V consecrated as Pope
May 3
996 Gregory V was consecrated as pope. The pontificate of Gregory was brief and turbulent, and was interrupted by the installation of John XVI as antipope.
996 Gregory V was consecrated as pope. The pontificate of Gregory was brief and turbulent, and was interrupted by the installation of John XVI as antipope.
Sunday, February 14, 2016
History Trivia - Thomas Cranmer declared a heretic
February 14
1556 Thomas Cranmer, leader of the English Reformation and Archbishop of Canterbury during the reigns of Henry VIII and Edward VI, was declared a heretic when staunch Catholic Mary I became Queen.
1556 Thomas Cranmer, leader of the English Reformation and Archbishop of Canterbury during the reigns of Henry VIII and Edward VI, was declared a heretic when staunch Catholic Mary I became Queen.
Sunday, December 6, 2015
The quest for the Holy Grail
History Extra
The Last Supper and first Eucharist, during which Jesus serves wine in the Holy Chalice. © Corbis
In the most popular version of the story, the Holy Grail is a chalice used by Jesus during the Last Supper, which was later employed as a vial for his blood. It was seemingly smuggled across the Holy Land and Europe to Britain. Despite a series of mysterious Grail guardians, including the Fisher King and the Knights Templar, at some point the chalice disappeared.
The sacred silverware became spliced with other legends, invested with mythical powers, and hijacked by conspiracy theorists and demagogues. Pat Kinsella separates the few facts from the profuse fictions that continue to evolve around this elusive relic…
The enduring obsession with the Holy Grail is fuelled by the fact that its form, location and very existence remain a complete enigma. It’s popularly believed to be a goblet used during the Last Supper and then employed by Joseph of Arimathea to catch Christ’s blood when his side was pierced with a spear during his crucifixion. However, some depictions have it as a bowl or a serving plate, or even as the womb of Mary Magdalene – in a scenario where she bears Jesus’s offspring.
The Holy Chalice from the Last Supper is referenced in the Gospels of Matthew, Mark and Luke (which historians believe were written c80-100 AD), but it was 1,000 years later that the tale of the Grail became popular, when the medieval romantics began to pen poems about it, entwining the yarn with Arthurian sagas.
The first-known reference to the Grail was made by French poet Chrétien de Troyes in Perceval, le Conte du Graal (which translates as ‘Percival, the Story of the Grail’), an unfinished poem written sometime between 1181 and 1190. Chrétien credits a source book, but the original work remains a mystery.
His fantastical yarn sees Percival – one of King Arthur’s knights – visit the realm of the Fisher King (the last in a line of men entrusted with the keeping of the Grail). There, he beholds several revered items, including a graal (‘grail’) – an elaborate bowl from which the King eats a communion wafer. Although the Grail is more prop than main player in this poem, it inspired other writers to develop the concept.
In Joseph d’Arimathie, written between 1191 and 1202, fellow Frenchman Robert de Boron fused the Holy Chalice used at the Last Supper, and the Holy Grail, a vessel containing Jesus’s blood. Joseph of Arimathea is cast as the protector of the Grail, the first of a long line of guardians that will include Percival.
In the early 13th century, German poet Wolfram von Eschenbach developed the story in Parzival, (‘Percival’), an epic poem in which the hero embarks on a quest to recover the Grail. The Welsh romance Peredur continued the theme, but the story really took form in the Vulgate Cycle, a series of Arthurian legends written anonymously in the 13th century.
Two centuries later, Sir Thomas Malory translated these legends into English in Le Morte D’Arthur and the sagas – especially the quest for the Grail – have enjoyed waves of popularity ever since, being retold by a colourful collection of raconteurs from Wagner and Tennyson through to Monty Python, Spielberg and Dan Brown. But is there any fact amongst all the fantasy?
Over 200 churches and locations around the globe have laid claim to having current or historic possession of either or both the Holy Chalice and the Holy Grail – with some stretching the realm of credibility much further than others. Having a semi-plausible relic or a good miracle story can generate a boom in tourism for otherwise out-of-the-way destinations. As the public’s obsession with the Grail tale shows little sign of abating, it’s become big business, right around the world…
Basilica of San Isidoro in León, Spain
Home to the Chalice of Doña Urraca, a jewel-encrusted onyx goblet identified as the Holy Grail by author-researchers Margarita Torres and José Ortega del Rio in their 2014 book, The Kings of the Grail. The chalice has been in the Basilica since the 11th century, after apparently being transported to Cairo by Muslim travellers. It was later given to an emir on the Spanish coast who’d helped famine victims in Egypt, and passed to King Ferdinand I of Leon as a peace offering by an Andalusian ruler. Carbon dating suggests the chalice was made between 200 BC and AD 100.
Cattedrale di San Lorenzo, Italy
House of the Genoa Chalice, once thought to be made from pure emerald and a hot contender for the Holy Grail, until it was transported to Paris after Napoleon conquered Italy and came back broken – revealing the ‘emerald’ was, in fact, green glass. This news would have come as a disappointment to the Genoese soldiers, who named it as their chief target when they defeated the Moors and sacked AlmerÃa in a ferocious conflict in 1147.

The Cathedral of Genoa, where a glassy Grail contender resides. © Alamy
Metropolitan Museum of Art, New York City, US
Current home of the Antioch Chalice, a silver-and-gold double-cup design ornament, touted as the Holy Chalice when it was recovered in Antioch, Turkey, just before World War I. The museum has always described this claim as ‘ambitious’ and the relic was recently outed as a standing lamp, not a chalice, believed to have been made in the sixth century AD.
Catedrale de Valencia, Spain
The Valencia Chalice is housed in its very own consecrated chapel. The agate cup was reportedly taken by Saint Peter to Rome in the first century AD, and then to Huesca in Spain by Saint Lawrence in the third century. Some Spanish archaeologists say the cup was produced in a Palestinian or Egyptian workshop between the fourth century BC and the first century AD.
The Jerusalem Chalice, Israel
In the seventh century AD, a Gaulish monk named Arculf recorded seeing a vessel he believed to be the Holy Chalice contained within a reliquary in a chapel near Jerusalem, between the basilica of Golgotha and the Martyrium. This is the earliest known first-hand report of the Grail after the crucifixion, and the only known mention of the Grail being seen in the Holy Land. The fate of the chalice he described is unknown. It has also been claimed that the Grail is hidden with other holy relics in the vast underground sewer complex of Jerusalem, beneath the legendary Solomon’s Temple.

Beneath Temple Mount in Jerusalem some believe there could be a whole host of holy relics. © iStock
According to legends that have been doing the rounds for at least the last 800 years, the keeper of the Grail, Joseph of Arimathea, arrived in England in the first century AD. He crossed the Somerset Levels (then flooded) by boat to arrive at the foot of Glastonbury Tor on an island known in Arthurian mythology as Avalon.
At the foot of Wearyall Hill, just beneath the Tor, the tired missionary thrust his staff into the ground, and rested. In the morning, so the story goes, his staff had taken root and grown into an oriental thorn bush now known as the Glastonbury Thorn.
Joseph then went on to found Glastonbury Abbey, and set about converting the locals to Christianity – with a staggering success rate. By 600 AD, England had a Christian king: Ethelbert. Meanwhile the Grail – which, according to some stories, was buried at the entrance to the underworld in Glastonbury – became firmly interwoven into myths about King Arthur and the knights of the Round Table.
Contemporary records mention none of this, though, and the story only became popular after the publication of Robert de Boron’s fanciful poem Joseph d’Arimathie at the end of the 12th century. The area may have been a significant site for pre-Christian communities, but Glastonbury Abbey was almost certainly established by Britons in the early seventh century.
However, stories connecting the dots between the site, Arthurian legend, the presence of the Holy Grail and miracles performed by ‘blood relatives’ of Jesus were all excellent marketing for the pilgrimage trade at Glastonbury. The local monks wholeheartedly endorsed the fables, right up until the Abbey was dissolved in 1539, during the English Reformation.
An early example of this can be seen when, in 1184, a fire destroyed most of the monastic buildings at Glastonbury. A few years later, around the time Joseph d’Arimathie was published, King Arthur and Queen Guinevere’s tomb was miraculously discovered in the cemetery. There was a spike in pilgrimage traffic and the funds needed to rebuild the Abbey.

According to myth, King Arthur’s wizard Merlin still roams Glastonbury Tor. © Alamy
Amateur historians and professional authors have gone off on wild tangents, generating countless pseudo-historical books masquerading as seriously researched non-fiction. Indeed, a vast amount of flimsy and fantastical evidence has been reported as fact to support questionable theories. As a result, the Grail story has assumed a life of its own – one that constantly plays out on the pages of books and websites, and on TV and cinema screens – and each generation consumes a new version of it.
Back in the limelight: Victorian revivalism
During the deeply religious fervour of the Victorian era, medievalism was the all the rage and yarns from the Middle Ages, such as Malory’s Le Morte D’Arthur, were constantly being reprinted and consumed by a public hungry for tales of chivalry and salvation.
The quest for the Holy Grail was a recurring theme across the arts throughout the age, but everything was based on the medieval myth, rather than known facts and historical events.
Painters began to depict scenes from Arthurian legends, especially members of the ever-earnest Pre-Raphaelite Brotherhood. When commissioned to decorate Oxford University’s new union building, founder of the Brotherhood Dante Gabriel Rossetti used the Holy Grail as his central theme – thus seeding an awareness and interest in the subject in the fertile minds of future generations of scholars. It was a theme that Rossetti would return to numerous times in his watercolour paintings.
Over several decades, the pre-eminent poet of the era, Alfred Lord Tennyson (Poet Laureate for 40 years during Victoria’s reign), published the epic Idylls of the King, a cycle of twelve narrative poems that retell the legend of King Arthur and his knights – including, of course, the quest for the Grail. These immensely popular poems were dedicated to the late Prince Albert.
William Morris, one of the most significant cultural figures of the era whose talents spanned everything from poetry to interior design, was also acutely interested in the sagas. He wrote verses about the Holy Chalice, and collaborated with Pre-Raphaelite artist Edward Burne-Jones to produce vast tapestries depicting the quest for the Grail, which were hung on the walls of the wealthiest businessmen of the industrial age.

This vast Victorian tapestry, named ‘The Achievement of the Grail’ measures 2.4 metres high by nearly 7 metres long. It is currently on display in the Birmingham Museum and Art Gallery. © BAL
20th-century style: The quest on screen
The Grail has been quested after on big and little screens since technology made it possible, but most people will recall the story from at least one of three successful cinematic renditions…
Excalibur (1981), was directed by John Boorman and starred Nigel Terry, Helen Mirren, Patrick Stewart and Liam Neeson, among many others. An action-packed adventure fantasy, it follows the story of King Arthur, from the moment he pulls the sword from the stone, to the quest for the Grail (via Guinevere and Lancelot’s affair). The film, in contrast to most of the medieval literature, has Percival retrieve the Grail for an ailing Arthur, who sips from it and is restored to health.
Monty Python and the Holy Grail (1975), was the Python posse’s first foray into full-length feature films and it is a gloriously ridiculous romp through the Arthurian sagas, with Graham Chapman in the lead role. As the hapless knights search for the Holy Grail they face various challenges and dangers, not least a killer rabbit.

A shot from Monty Python and the Holy Grail. © Kobal
Indiana Jones and the Last Crusade (1989), the third of Steven Spielberg’s successful series of movies starring Harrison Ford as a swashbuckling archaeologist, sees Indy in action trying to rescue his father (Sean Connery). He then needs to find the Holy Grail before the Nazis get hold of it and use it to achieve world domination. Sound stupid? You might be surprised how close some of the plot elements are to the truth...
The sacred silverware became spliced with other legends, invested with mythical powers, and hijacked by conspiracy theorists and demagogues. Pat Kinsella separates the few facts from the profuse fictions that continue to evolve around this elusive relic…
Birth of a legend: Where did the Holy Grail come from? And what might it be?
Holy relics purporting to originate from the earthly life of Jesus are common currency across the Catholic world – with various churches claiming to hold everything from the Holy Prepuce (Jesus’s foreskin) through to nails used during his crucifixion. The most iconic and sought-after souvenir of all, however, is the ever-elusive Holy Grail.The enduring obsession with the Holy Grail is fuelled by the fact that its form, location and very existence remain a complete enigma. It’s popularly believed to be a goblet used during the Last Supper and then employed by Joseph of Arimathea to catch Christ’s blood when his side was pierced with a spear during his crucifixion. However, some depictions have it as a bowl or a serving plate, or even as the womb of Mary Magdalene – in a scenario where she bears Jesus’s offspring.
The Holy Chalice from the Last Supper is referenced in the Gospels of Matthew, Mark and Luke (which historians believe were written c80-100 AD), but it was 1,000 years later that the tale of the Grail became popular, when the medieval romantics began to pen poems about it, entwining the yarn with Arthurian sagas.
The first-known reference to the Grail was made by French poet Chrétien de Troyes in Perceval, le Conte du Graal (which translates as ‘Percival, the Story of the Grail’), an unfinished poem written sometime between 1181 and 1190. Chrétien credits a source book, but the original work remains a mystery.
His fantastical yarn sees Percival – one of King Arthur’s knights – visit the realm of the Fisher King (the last in a line of men entrusted with the keeping of the Grail). There, he beholds several revered items, including a graal (‘grail’) – an elaborate bowl from which the King eats a communion wafer. Although the Grail is more prop than main player in this poem, it inspired other writers to develop the concept.
In Joseph d’Arimathie, written between 1191 and 1202, fellow Frenchman Robert de Boron fused the Holy Chalice used at the Last Supper, and the Holy Grail, a vessel containing Jesus’s blood. Joseph of Arimathea is cast as the protector of the Grail, the first of a long line of guardians that will include Percival.
In the early 13th century, German poet Wolfram von Eschenbach developed the story in Parzival, (‘Percival’), an epic poem in which the hero embarks on a quest to recover the Grail. The Welsh romance Peredur continued the theme, but the story really took form in the Vulgate Cycle, a series of Arthurian legends written anonymously in the 13th century.
Two centuries later, Sir Thomas Malory translated these legends into English in Le Morte D’Arthur and the sagas – especially the quest for the Grail – have enjoyed waves of popularity ever since, being retold by a colourful collection of raconteurs from Wagner and Tennyson through to Monty Python, Spielberg and Dan Brown. But is there any fact amongst all the fantasy?
The Grail trail: For centuries, explorers have chased the Grail’s shadow all over the planet
Although most popular versions of the story ultimately point towards the chalice being transported to England, committed Grail hunters have chased the holy relic all over the world. Every perceived clue from ancient texts has been painstakingly pursued, while long-shot leads and far-fetched theories have led their followers to some fairly unlikely corners.Over 200 churches and locations around the globe have laid claim to having current or historic possession of either or both the Holy Chalice and the Holy Grail – with some stretching the realm of credibility much further than others. Having a semi-plausible relic or a good miracle story can generate a boom in tourism for otherwise out-of-the-way destinations. As the public’s obsession with the Grail tale shows little sign of abating, it’s become big business, right around the world…
Basilica of San Isidoro in León, Spain
Home to the Chalice of Doña Urraca, a jewel-encrusted onyx goblet identified as the Holy Grail by author-researchers Margarita Torres and José Ortega del Rio in their 2014 book, The Kings of the Grail. The chalice has been in the Basilica since the 11th century, after apparently being transported to Cairo by Muslim travellers. It was later given to an emir on the Spanish coast who’d helped famine victims in Egypt, and passed to King Ferdinand I of Leon as a peace offering by an Andalusian ruler. Carbon dating suggests the chalice was made between 200 BC and AD 100.
Cattedrale di San Lorenzo, Italy
House of the Genoa Chalice, once thought to be made from pure emerald and a hot contender for the Holy Grail, until it was transported to Paris after Napoleon conquered Italy and came back broken – revealing the ‘emerald’ was, in fact, green glass. This news would have come as a disappointment to the Genoese soldiers, who named it as their chief target when they defeated the Moors and sacked AlmerÃa in a ferocious conflict in 1147.
The Cathedral of Genoa, where a glassy Grail contender resides. © Alamy
Metropolitan Museum of Art, New York City, US
Current home of the Antioch Chalice, a silver-and-gold double-cup design ornament, touted as the Holy Chalice when it was recovered in Antioch, Turkey, just before World War I. The museum has always described this claim as ‘ambitious’ and the relic was recently outed as a standing lamp, not a chalice, believed to have been made in the sixth century AD.
Catedrale de Valencia, Spain
The Valencia Chalice is housed in its very own consecrated chapel. The agate cup was reportedly taken by Saint Peter to Rome in the first century AD, and then to Huesca in Spain by Saint Lawrence in the third century. Some Spanish archaeologists say the cup was produced in a Palestinian or Egyptian workshop between the fourth century BC and the first century AD.
The Jerusalem Chalice, Israel
In the seventh century AD, a Gaulish monk named Arculf recorded seeing a vessel he believed to be the Holy Chalice contained within a reliquary in a chapel near Jerusalem, between the basilica of Golgotha and the Martyrium. This is the earliest known first-hand report of the Grail after the crucifixion, and the only known mention of the Grail being seen in the Holy Land. The fate of the chalice he described is unknown. It has also been claimed that the Grail is hidden with other holy relics in the vast underground sewer complex of Jerusalem, beneath the legendary Solomon’s Temple.
Beneath Temple Mount in Jerusalem some believe there could be a whole host of holy relics. © iStock
Over to Albion: The Grail myths are as much entwined with British folklore as international history…
After the crucifixion of Jesus, for reasons that remain unclear (and which may well owe more to poetic license and political and economic expediency than historical fact), the story of the Holy Grail is quickly transplanted from the Holy Land to the green and pleasant land of England.According to legends that have been doing the rounds for at least the last 800 years, the keeper of the Grail, Joseph of Arimathea, arrived in England in the first century AD. He crossed the Somerset Levels (then flooded) by boat to arrive at the foot of Glastonbury Tor on an island known in Arthurian mythology as Avalon.
At the foot of Wearyall Hill, just beneath the Tor, the tired missionary thrust his staff into the ground, and rested. In the morning, so the story goes, his staff had taken root and grown into an oriental thorn bush now known as the Glastonbury Thorn.
Joseph then went on to found Glastonbury Abbey, and set about converting the locals to Christianity – with a staggering success rate. By 600 AD, England had a Christian king: Ethelbert. Meanwhile the Grail – which, according to some stories, was buried at the entrance to the underworld in Glastonbury – became firmly interwoven into myths about King Arthur and the knights of the Round Table.
Contemporary records mention none of this, though, and the story only became popular after the publication of Robert de Boron’s fanciful poem Joseph d’Arimathie at the end of the 12th century. The area may have been a significant site for pre-Christian communities, but Glastonbury Abbey was almost certainly established by Britons in the early seventh century.
However, stories connecting the dots between the site, Arthurian legend, the presence of the Holy Grail and miracles performed by ‘blood relatives’ of Jesus were all excellent marketing for the pilgrimage trade at Glastonbury. The local monks wholeheartedly endorsed the fables, right up until the Abbey was dissolved in 1539, during the English Reformation.
An early example of this can be seen when, in 1184, a fire destroyed most of the monastic buildings at Glastonbury. A few years later, around the time Joseph d’Arimathie was published, King Arthur and Queen Guinevere’s tomb was miraculously discovered in the cemetery. There was a spike in pilgrimage traffic and the funds needed to rebuild the Abbey.
According to myth, King Arthur’s wizard Merlin still roams Glastonbury Tor. © Alamy
A good story: From medieval poems to modern action movies, the Grail has provided centuries of entertainment
For two millennia, the legend of the Holy Grail has been reported and contorted by imaginative poets, painters, writers, comedians and filmmakers – to such an extent that the small number of known facts have become increasingly hard to sift from an overwhelming mountain of speculative or purely artistic ideas.Amateur historians and professional authors have gone off on wild tangents, generating countless pseudo-historical books masquerading as seriously researched non-fiction. Indeed, a vast amount of flimsy and fantastical evidence has been reported as fact to support questionable theories. As a result, the Grail story has assumed a life of its own – one that constantly plays out on the pages of books and websites, and on TV and cinema screens – and each generation consumes a new version of it.
Back in the limelight: Victorian revivalism
During the deeply religious fervour of the Victorian era, medievalism was the all the rage and yarns from the Middle Ages, such as Malory’s Le Morte D’Arthur, were constantly being reprinted and consumed by a public hungry for tales of chivalry and salvation.
The quest for the Holy Grail was a recurring theme across the arts throughout the age, but everything was based on the medieval myth, rather than known facts and historical events.
Painters began to depict scenes from Arthurian legends, especially members of the ever-earnest Pre-Raphaelite Brotherhood. When commissioned to decorate Oxford University’s new union building, founder of the Brotherhood Dante Gabriel Rossetti used the Holy Grail as his central theme – thus seeding an awareness and interest in the subject in the fertile minds of future generations of scholars. It was a theme that Rossetti would return to numerous times in his watercolour paintings.
Over several decades, the pre-eminent poet of the era, Alfred Lord Tennyson (Poet Laureate for 40 years during Victoria’s reign), published the epic Idylls of the King, a cycle of twelve narrative poems that retell the legend of King Arthur and his knights – including, of course, the quest for the Grail. These immensely popular poems were dedicated to the late Prince Albert.
William Morris, one of the most significant cultural figures of the era whose talents spanned everything from poetry to interior design, was also acutely interested in the sagas. He wrote verses about the Holy Chalice, and collaborated with Pre-Raphaelite artist Edward Burne-Jones to produce vast tapestries depicting the quest for the Grail, which were hung on the walls of the wealthiest businessmen of the industrial age.
This vast Victorian tapestry, named ‘The Achievement of the Grail’ measures 2.4 metres high by nearly 7 metres long. It is currently on display in the Birmingham Museum and Art Gallery. © BAL
20th-century style: The quest on screen
The Grail has been quested after on big and little screens since technology made it possible, but most people will recall the story from at least one of three successful cinematic renditions…
Excalibur (1981), was directed by John Boorman and starred Nigel Terry, Helen Mirren, Patrick Stewart and Liam Neeson, among many others. An action-packed adventure fantasy, it follows the story of King Arthur, from the moment he pulls the sword from the stone, to the quest for the Grail (via Guinevere and Lancelot’s affair). The film, in contrast to most of the medieval literature, has Percival retrieve the Grail for an ailing Arthur, who sips from it and is restored to health.
Monty Python and the Holy Grail (1975), was the Python posse’s first foray into full-length feature films and it is a gloriously ridiculous romp through the Arthurian sagas, with Graham Chapman in the lead role. As the hapless knights search for the Holy Grail they face various challenges and dangers, not least a killer rabbit.
A shot from Monty Python and the Holy Grail. © Kobal
Indiana Jones and the Last Crusade (1989), the third of Steven Spielberg’s successful series of movies starring Harrison Ford as a swashbuckling archaeologist, sees Indy in action trying to rescue his father (Sean Connery). He then needs to find the Holy Grail before the Nazis get hold of it and use it to achieve world domination. Sound stupid? You might be surprised how close some of the plot elements are to the truth...
Monday, August 10, 2015
Medieval tourism: pilgrimages and tourist destinations
Jacob’s Journey, manuscript illumination, c1411. Hospitals and monastic houses would spring up alongside popular travel routes. (Credit: AKG Images)
History Extra
Recent research suggests medieval tourism was widespread, writes Paul Oldfield, and existed in a world of pilgrimage and classical curiosities.
One enduring perception of medieval Europe is of a static, confined world in which most people rarely travelled beyond their immediate locality, and when they did, movement was undertaken primarily for pragmatic reasons. Research in recent decades has significantly revised this picture – high numbers of people regularly travelled both short and long distances, and, more interestingly, some of this movement was driven by motivations which we might today associate with the modern-day tourist. If we readjust our modern understanding of tourism, and place it into a medieval context, we can soon see that many medieval people travelled for renewal, for leisure, and for thrill-seeking, and that an abundance of medieval ‘tourist’ services catered for these activities.
Southern Italy and Sicily, in the 11th and 12th centuries, offers a particularly vivid illustration of this phenomenon. Due to its position in the central Mediterranean, the region has always been pivotal to wider currents of movement and travel. And from the later 11th century it began to attract even more European visitors for three main reasons. Firstly, southern Italy and Sicily was conquered by bands of Normans who unified a region which had previously been politically fragmented and host to a patchwork of Greek Christians, Latin Christians, Jews and Muslims. Indeed, by 1130 the Normans had created a powerful new monarchy in the middle of the Mediterranean which had for centuries been dominated by Muslim sea-power. The Normans, therefore, enabled Christian shipping and travellers to move more securely and freely.
Secondly, various factors converged to boost the popularity of international pilgrimage, and after the beginning of the crusading movement in 1095 Europe experienced its golden era of devotional travel, much of which moved through southern Italy and Sicily en-route to Jerusalem.
Thirdly, in the 12th century, Europe underwent a cultural renaissance; learned individuals travelled further afield to seek knowledge, to uncover classical traditions, and to encounter alternative experiences. Southern Italy and Sicily, steeped in classical history and with a Greek and Islamic past,attracted visitors avid to imbibe both ancient and eastern learning. The result of these three combined strands saw an influx of visitors to the region, who were not migrants, conquerors, or traders, but travellers in their own right, what we might identify as tourists.
Scenes from the Life of Saint Stephen: Pilgrims at the Saint’s Tomb by Bernardo Daddi (c1290–1350). (Credit: Scala)
Pilgrimage offers perhaps the most apparent medieval equivalent of the tourist trade. Some pilgrims travelled not solely for pious motivations – a pilgrimage might cloak political and economic agendas, or be imposed as a judicial punishment. But whatever the incentive, adopting the pilgrim’s staff conferred a theoretical and universal status in which the individual acquired a new identity forged in the act of the journey to a particular shrine.
Between the pilgrimage’s start and end points, while the pilgrim was traversing alien territories, he was encouraged to imitate Christ, to experience challenge and hardship and to consider his own salvation. Indeed, at many shrines along their way, pilgrims practised an act known as incubation, in which they stayed and slept near the holy tomb, sometimes for days, in order to receive cures or divine revelations. In this sense, the pilgrim in his fundamentals was comparable to many modern-day travellers: an experiential traveller, absorbed in the act of journeying, partaking in a detox – not merely of the body as at a luxury spa, but also of the soul – like a modern meditative retreat achieved while on the move.
As international pilgrimage expanded dramatically in the central Middle Ages, southern Italy took on a key role in the pilgrim’s journey; it acted as a bridge to salvation by connecting two of the greatest shrine centres of the Christian world: Rome and Jerusalem.
This ‘bridge’ was a geographic reality. Southern Italy possessed one of medieval Europe’s more sophisticated travel infrastructures. Being so close to the heart of the former Roman empire, it still boasted several functioning Roman roads – the motorways of the Middle Ages – which linked into the Via Francigena, the main route that brought travellers from western Europe across the Alps to Rome. Roads such as the Via Appia and Via Traiana enabled travellers to move across the south Italian Apennines to the coastal ports of Apulia, while the Via Popillia wound through Calabria and directed visitors to the bustling Sicilian port of Messina. Thanks also to the Norman conquest, the region equally offered relatively safe maritime travel.
South Italian ports hosted fleets of well-informed local ships as well as those of the emergent commercial powers of Genoa, Pisa and Venice that traded in them.
Strong foundations
The pilgrim could therefore rely on secure, efficient and direct travel connections. At the same time new hospitals, inns, bridges and monastic houses emerged along southern Italy’s main pilgrim routes, or near shrines which foreign visitors would attend.The junctions at Capua, and Benevento, and the major Apulian and Sicilian ports (which often hosted pilgrim hospitals belonging to Holy Land military monastic orders – the Templars and Hospitallers), were full of such buildings offering shelter and sustenance to the traveller.
Unfortunately, as no reliable statistical data exists on how many travellers, pilgrims and crusaders (the three often indistinguishable) traversed these roads, and sailed to the Holy Land from these south Italian ports, we must rely on indirect evidence that suggests the region was one of the most frequented in the medieval world. This evidence can be found in the creation of all that travel infrastructure, and in contemporary accounts of the region’s ports teeming with travellers.
One commentator of the First Crusade noted that “many went to Brindisi, Otranto received others, while the waters of Bari welcomed more”. The Spanish Muslim traveller Ibn Jubayr, passing through Messina in 1184, described it as a frenetic port adapted to foreign travel; it was a “market of the merchant infidels [ie Christians], the focus of ships from the world over, and thronging always with companies of travellers by reason of the lowness of prices… Its markets are teeming, and it has ample commodities to ensure a luxurious life. Your days and nights in this town you will pass in full security.”
A 14th-century tin alloy pilgrim’s badge depicting the Madonna with child. (Credit: AKG Images)
Later, in the mid-13th century, the English chronicler Matthew Paris produced a superb illustrated strip-map showing a travel itinerary from London to the Holy Land in which he pinpointed Apulia and the port of Otranto as the best route, orientating the reader to Otranto pictorially through a series of symbols and the image of a boat.
The foreign visitors to the region were of diverse social status. Most of the surviving evidence focuses on elite travellers – kings, counts, bishops – primarily because their status and wealth drew comment. But travel, and pilgrimage in particular, was also undertaken by the very poorest. Monastic rules outlined their monks’ duty to offer free hospitality to travellers, and we have many instances of poor pilgrims visiting Christendom’s most far-flung shrines. One poverty-stricken man, for example, from southern Italy had been able to visit the Holy Sepulchre and the shrine of St Cataldus at Taranto primarily through the proceeds of begging. It was also good advertising for shrine centres to be seen to cater for all backgrounds. Indeed, attracting foreign visitors was, as it is today, desirable and lucrative – they spent money on local services and profitable tolls. Like today’s travel agents, the guardians of many of southern Italy’s shrine centres targeted, and competed for, travellers.
The iconography within some shrine complexes catered for the pilgrim’s transcendental mindset with images echoing the theme of salvation and depicting Christ as a pilgrim. Texts were also produced to show, for example at the shrine of St Nicholas the Pilgrim at Trani, that the saint entombed within had a particular penchant for saving pilgrims. The city of Benevento produced a treatise in c1100 which attempted to divert pilgrims to its own shrines and away from the popular one of St Nicholas’ at Bari by slandering the latter city’s hospitality towards foreign visitors; it claimed Bari was a “merciless land, without water, wine and bread”.
But many south Italian shrines did not need to produce such ‘travel brochures’, as they were already renowned across Europe. The likes of St Nicholas’ at Bari, St Matthew’s at Salerno, St Benedict’s at Montecassino and St Michael’s at Monte Gargano, received a vast influx of visitors, and provided vital spiritual release points as the pilgrim travelled to wherever his final destination may be.
Unsurprisingly, the Norman rulers of southern Italy were eager to portray themselves as protectors of pilgrims, and issued legislation to back this up. However, the need for protection also revealed the dangers of travel. The threat of robbery, shipwreck and disease was omnipresent. In the 1120s, the north Italian St William of Montevergine aborted his pilgrimage to Jerusalem after he had been mugged in Apulia; no wonder pilgrims often travelled in groups.
Many pilgrims suffered from debilitating conditions, and struggled to cope with the demands of medieval travel. Many died passing through southern Italy. One chronicler of the First Crusade saw the drowning of 400 pilgrims in Brindisi harbour. At least dying as a pilgrim brought the hope of salvation – the medieval equivalent of travel insurance.
Southern Italy also served not merely as a logistical bridge to salvation, but as a metaphorical one too. These potentially fatal outcomes were indeed part of the experience and attraction of travel that many pilgrims embraced. Redemption required suffering and this could certainly be found in the demanding setting of southern Italy and Sicily. In modern terms the region provided a superb outdoor adventure experience for the thrill seeker, a sinister landscape steeped in supernatural, classical and folkloric traditions which were channelled back to western Europe as travel increased in the central Middle Ages.
Southern Italy also served not merely as a logistical bridge to salvation, but as a metaphorical one too. These potentially fatal outcomes were indeed part of the experience and attraction of travel that many pilgrims embraced. Redemption required suffering and this could certainly be found in the demanding setting of southern Italy and Sicily. In modern terms the region provided a superb outdoor adventure experience for the thrill seeker, a sinister landscape steeped in supernatural, classical and folkloric traditions which were channelled back to western Europe as travel increased in the central Middle Ages.
Fearsome tides
Southern Italy’s landscape was characterised by features that elicited wonder and fear. Its surrounding seas could be treacherous, especially the busy Straits of Messina, full of whirlpools and tidal rips. The Muslim traveller Ibn Jubayr described the waters as boiling like a cauldron, and suffered a near-fatal shipwreck in the Straits in the 1180s.Unsurprisingly, it was here that classical legend located the two sea monsters named Charybdis and Scylla, a vortex and a giant multi-headed sea-dog respectively. Commentators like the Englishman Gervase of Tilbury attempted to de-bunk these legends in the 12th century (he believed the whirlpools were created by the release of winds trapped below the seabed) but in doing so showed that many believed them to be real and/or were avidly interested in such tales. Indeed, the famous Hereford Mappa Mundi, dating to the late 13th century, offers a particularly vivid portrayal of the two sea monsters lurking in Sicilian waters.
Boats on the Sea, 14th century. The treacherous waters around southern Italy gave rise to many myths and legends. (Credit: Bridgeman Art Library)
Southern Italy, as today, was also a hotspot for seismic activity. Several eruptions were attested in the Middle Ages at Vesuvius and Etna, while earthquakes were a regular feature: one which struck Sicily in 1169 was said to have killed 15,000 people at Catania. While some medieval commentators tried to analyse these events in a natural, scientific framework, many still viewed them as portentous signs, often indicating God’s disapproval.
The region’s volcanoes were endowed with even greater potency through a set of myths connecting them to the entrance to hell. Increased medieval interest in Virgil, the ancient poet and author of the Aeneid, led to renewed Vesuvius and the gateway to the Underworld; for it was there that Virgil’s hero Aeneas appears to have located it. Gervase of Tilbury noted the “spine-chilling cries of lamenting souls” heard in the vicinity of Vesuvius and who were apparently being purged in the Underworld.
Medieval commentators also spoke metaphorically of the “infernal torments” and “cauldrons” of Sicily. In the 12th century the diplomat Peter of Blois said that the island’s mountains “are the gates of death and hell, where men are swallowed by the earth and the living sink into hell”.
Land of legends
A strange and beguiling world materialised in 12th-century southern Italy, one that seemed to exist halfway between heaven and hell, and must have challenged the medieval visitor’s psychological landscape to its very core.The reviving 12th-century interest in the classical past also contributed to the aura of curiosity, danger and attraction which southern Italy exerted on visitors. Alongside those ongoing tales of Scylla and Charybdis, we find the revival of legends on Virgil and his supernatural protection of Naples (where he was allegedly buried).
Gervase of Tilbury recorded some of these in detail: Virgil’s protection of the city from snakes, an Englishman who found Virgil’s bones in the 1190s with a book of magic, and the city gate where Virgil bestowed good fortune on those passing through the correct side.
Dante and Virgil, the Dragon and the Sea Monster, from The Divine Comedy by Dante Alighieri. (Credit: Bridgeman Art Library)
In c1170 a Spanish Jewish traveller, Benjamin of Tudela, passed Pozzuoli near Naples and marvelled at the sight of an ancient city submerged just off the coast where “one can still see the markets and towers which stood in the midst of the city”. Benjamin also noted Pozzuoli’s famous hot spring baths which “all the afflicted of Lombardy visit [...] in the summertime” to benefit from the restorative properties of its waters. Indeed, many travellers also came to the region to access and benefit from cutting-edge medical knowledge, the fusion of Arabic and ancient Greek learning, available at the great medical school of Salerno.
Another 12th-century English author, Roger of Howden, also included within one of his chronicles a literary tourist guide highlighting sites in southern Italy associated with Pontius Pilate and Virgil. The great 13th-century preacher Jacques de Vitry railed against people travelling to witness the bizarre, and it is clear that many of the accounts we have mentioned were tailored for an inquisitive audience, a segment of which were more than likely to visit southern Italy.
It would seem therefore that medieval travellers displayed traits which reflect aspects of our modern understanding of tourist travel, and particularly the trend for travel which produced transformative and morally meaningful experiences. Of course, to avoid obvious anachronism, the parallels between medieval and modern must remain loose, and account for the multiple differences that developed in the intervening centuries.
Nevertheless, medieval people travelled regularly, and sometimes long distances, encountering lands that were unfamiliar and challenging. But these challenges and new experiences were actually often sought as ends in themselves. Southern Italy encapsulated these trends – and offered an experience for travellers in all their guises. It had developed travel and service infrastructures, it catered for those seeking spiritual detox, for those who were interested in the distant past and in intellectual nourishment, and for those who sought physical and psychological tests – its volcanoes, earthquakes, volatile seas, and entrances to the Underworld made the region akin to a modern-day theme park.
For the medieval traveller, salvation, life enrichment and damnation all sat together in southern Italy – helping to create an alluring travel hotspot.
Dr Paul Oldfield is a senior lecturer in medieval history at the University of Manchester.
For the medieval traveller, salvation, life enrichment and damnation all sat together in southern Italy – helping to create an alluring travel hotspot.
Sunday, May 4, 2014
Jesus Married? New Documentary Highlights Controversial Gospel
By Stephanie Pappas, Senior Writer
A controversial scrap of parchment no bigger than a business card seems to suggest that Jesus Christ was married. A new documentary gives the full story of this so-called "Gospel of Jesus's Wife."
Revealed in 2012, the papyrus, written in the ancient Egpytian language Coptic, includes a line that says, "Jesus said to them, 'My wife...'" Karen King, a professor of divinity at Harvard Divinity School, made the announcement; the owner of the papyrus remains anonymous.
However, a recent Live Science investigation traces the papyrus to its previous owner, a man named Hans-Ulrich Laukamp who supposedly bought the scrap along with five others in 1963 in East Germany. René Ernest, representative of Laukamp's estate after his death in 2002, told Live Science that Laukamp was not a collector of antiquities and that he lived in West Berlin in 1963, separated from East Germany by the Berlin Wall. Another acquaintance of Laukamp's confirmed that he was not an antiquities collector or dealer. [Religious Mysteries: 8 Alleged Relics of Jesus]
Forged fragment?
The authenticity of the scrap remains in dispute. Test results released in April 2014 suggest that the papyrus is not a recent forgery, but those tests have not convinced all critics. One cause for skepticism is the style of the message: There are mistakes in the Coptic that seem very unlikely to have been made by a native scribe, according to a 2013 article in the journal Harvard Theological Review. The controversial phrase "my wife" is also written in heavier letters than the surrounding text, which strikes some as suspicious.
"If the forger had used italics in addition, one might be in danger of losing one's composure," Brown University Egyptologist Leo Depuydt wrote drily in the Harvard Theological Review.
The new documentary, which premiers on the Smithsonian Channel on Monday (May 8) at 8 p.m. ET/PT, follows the story from the first email King received from an anonymous collector asking her to look at the papyrus to the ensuing media storm, which included disavowals of the papyrus from the Vatican.
History and the gospels
The documentary is careful to explain that by calling the fragment a "gospel," King and her colleagues don't intend to say the contents are true. Even if the text is authentic and refers to Jesus's wife, that doesn't mean it is accurate; instead, the text might reflect debates in the early Christian church about the role of women. Another segment of the text refers to the possibility of a female disciple.
The text also refers to a woman named Mary, which could refer to Mary Magdalene, a woman mentioned in the Bible in the story of Jesus' death and resurrection, though King warns that Mary was a very common name at the time. The implications for the church could be far-reaching, said the Rev. Robin Griffiths-Jones, an Anglican priest and theologon from the Temple Church in London. [Read Translation of Papyrus]
"If evidence were to be taken seriously that Jesus was married, vast branches of Christian thought and discipline and life and observance would just evaporate," Griffiths-Jones said in the new documentary.
The documentary delves into church history in explaining the potential importance of the tiny papyrus scrap. Other fragments of the scrap are also translated: The phrase "my mother," and later, "deny Mary is worthy." King sees the scraps as part of a larger story in which Jesus might be defending his female follower — who is perhaps also his wife.
Other texts showing Jesus as a husband may have been destroyed as the early Christian church took on celibacy as a requirement for priesthood, King said.
Still, a single documentary can't resolve the real burning question: Is the papyrus fake or not? Given the focus on King and her colleagues, viewers might come away from the Smithsonian's documentary feeling more confident in the fragment than some researchers would prefer. For now, however, the question of whether Jesus really had a wife remains a mystery.
http://www.livescience.com/45325-gospel-jesus-wife-documentary.html
A controversial scrap of parchment no bigger than a business card seems to suggest that Jesus Christ was married. A new documentary gives the full story of this so-called "Gospel of Jesus's Wife."
Revealed in 2012, the papyrus, written in the ancient Egpytian language Coptic, includes a line that says, "Jesus said to them, 'My wife...'" Karen King, a professor of divinity at Harvard Divinity School, made the announcement; the owner of the papyrus remains anonymous.
However, a recent Live Science investigation traces the papyrus to its previous owner, a man named Hans-Ulrich Laukamp who supposedly bought the scrap along with five others in 1963 in East Germany. René Ernest, representative of Laukamp's estate after his death in 2002, told Live Science that Laukamp was not a collector of antiquities and that he lived in West Berlin in 1963, separated from East Germany by the Berlin Wall. Another acquaintance of Laukamp's confirmed that he was not an antiquities collector or dealer. [Religious Mysteries: 8 Alleged Relics of Jesus]
Forged fragment?
The authenticity of the scrap remains in dispute. Test results released in April 2014 suggest that the papyrus is not a recent forgery, but those tests have not convinced all critics. One cause for skepticism is the style of the message: There are mistakes in the Coptic that seem very unlikely to have been made by a native scribe, according to a 2013 article in the journal Harvard Theological Review. The controversial phrase "my wife" is also written in heavier letters than the surrounding text, which strikes some as suspicious.
"If the forger had used italics in addition, one might be in danger of losing one's composure," Brown University Egyptologist Leo Depuydt wrote drily in the Harvard Theological Review.
The new documentary, which premiers on the Smithsonian Channel on Monday (May 8) at 8 p.m. ET/PT, follows the story from the first email King received from an anonymous collector asking her to look at the papyrus to the ensuing media storm, which included disavowals of the papyrus from the Vatican.
History and the gospels
The documentary is careful to explain that by calling the fragment a "gospel," King and her colleagues don't intend to say the contents are true. Even if the text is authentic and refers to Jesus's wife, that doesn't mean it is accurate; instead, the text might reflect debates in the early Christian church about the role of women. Another segment of the text refers to the possibility of a female disciple.
The text also refers to a woman named Mary, which could refer to Mary Magdalene, a woman mentioned in the Bible in the story of Jesus' death and resurrection, though King warns that Mary was a very common name at the time. The implications for the church could be far-reaching, said the Rev. Robin Griffiths-Jones, an Anglican priest and theologon from the Temple Church in London. [Read Translation of Papyrus]
"If evidence were to be taken seriously that Jesus was married, vast branches of Christian thought and discipline and life and observance would just evaporate," Griffiths-Jones said in the new documentary.
The documentary delves into church history in explaining the potential importance of the tiny papyrus scrap. Other fragments of the scrap are also translated: The phrase "my mother," and later, "deny Mary is worthy." King sees the scraps as part of a larger story in which Jesus might be defending his female follower — who is perhaps also his wife.
Other texts showing Jesus as a husband may have been destroyed as the early Christian church took on celibacy as a requirement for priesthood, King said.
Still, a single documentary can't resolve the real burning question: Is the papyrus fake or not? Given the focus on King and her colleagues, viewers might come away from the Smithsonian's documentary feeling more confident in the fragment than some researchers would prefer. For now, however, the question of whether Jesus really had a wife remains a mystery.
http://www.livescience.com/45325-gospel-jesus-wife-documentary.html
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