Showing posts with label Tom Durwood. Show all posts
Showing posts with label Tom Durwood. Show all posts

Monday, February 6, 2023

Book Spotlight and Excerpt:The Adventures of Ruby Pi and the Geometry Girls by Tom Durwood

 


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Young adult fiction featuring gambling, bandits, swordplay, probability and Bayes’ Theorem. An English teacher hopes to engage students with colorful STEM adventures.

“In this outstanding collection, Tom addresses the chronic problem of our young women dropping out of STEM studies. His stories lend adventure to scientific thinking.”

(~ Tanzeela Siddique, Math Instructor)


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 .•*´¨) ¸.•*¨) ( ¸.•´

A PLEASANT MORNING AT THE MONASTERY

Mathematics reveals its secrets only to those
who approach it with pure love, for its own beauty. 
-- Archimedes

“What are these?” asked the pretty girl in the candy stripes, Madeline. “These rows of numbers? They’re weird-- ”

“Stop it!!” replied the boy in the green-wool uniform. “That’s the signal notebook -- ”

“But the numbers don’t make any sense!” pouted Madeline.

“Yes! Maybe that’s because they’re in code!” The soldier added a brief oath.

“Shouldn’t you be on your rounds anyway -- ”

The pair had been flirting most of the morning.

“No need,” replied pretty Madeline. “Simone is doing quite well on her own.”

“Hey Simone!” Madeline called across the infirmary. “Fatso! We have volleyball this afternoon. Remember what happened last time -- ”

“Hey, give it a rest,” said one of the other boys.

Four schoolgirls, student nurse volunteers, in their candy-stripe uniforms and delicate white hats and clean white aprons, tended the wounded soldiers along the neat rows of cots. 

France was at war with Germany.

Her soldiers needed mending.

The lovely, forested grounds of the medieval Cloisters north of the village Montcornet were ideal for recuperation. Pleasant sounds of water running in a brook and birds trilling filled the open first floor of the nunnery.

Simone moved among the patients’ beds, offering hope, pouring water, parsing out medications.

Et ta gueule,” replied Simone. “Jump in any time.”

“Simone, you can see, even through your eyeglasses,” said Charlotte, cruelest of the three. “We’re busy conferring with the Security officer s,” meaning the boys at the radios.

“Oh! Graisse cherie!” Rennie, the small one, chimed in. “You missed a spot! There!”

In the Spring of 1940, France needed all of her resources, all of her people and all of her history, to fend off the overwhelming force of the Third Reich’s blitzkrieg. Hitler’s Seventh Panzer Division dwarfed all opposition. The Seventh Panzer Division did not distinguish between combatant and schoolchildren, nor did it care to take civilian prisoners.

Suddenly the radio crackled, sharp and loud and grating.

One of the young soldiers pushed Charlotte off his lap as he reached for the radio dials.

The makeshift hospital in the Medieval nunnery also served as one of Montcornet’s communications stations.    

“What’s that?” asked Madeline suddenly. “That sound -- ”  

Everyone stopped to listen to something new.

A deep, guttural, reverberating boom rose, overtaking the radio’s thin squawking. It was like thunder rumbling from the basements.

It was a radical, foreign sound, infinitely threatening and sharply out of place in that pastoral, meditative setting. 

A machine sound --           

Now they heard the snap of crunching branches.      

“JESUS!”

Ilyn, the highest-ranking of the teenaged soldiers, pointed down the road which led to the monastery’s front drive and portico.

He raised his binoculars.

A monster had suddenly appeared in the road,

It had somehow burst through the hedgerows.

It was now shambling directly towards them no more than a quarter-mile away.

Ilyn cranked the radio generator.  

“Hello! Ready One! Ready One! HEY!” he shouted. 

“A NAZI TANK just pulled up – ”

The creature’s rolling treads smashed over the low stone walls that neatly divided the road from the orchards.   

“But what are we supposed to do?”

A jarring BOOM! sound --

An explosive concussion blew them out of their seats and sent a shower of stone shards across the infirmary.  

“Where did that come from-- ”    

Bewildered, blinking, the soldiers and nurses sat where they had fallen.   

The artillery had struck above them.

Now they heard bursts of rapid machine-gun fire -- 

Two bodies fell from the second-story balcony onto the lawn in front of the portico.    

“NO! No!” screamed Madeline. “CHARLOTTE. Char, nonono --”

Charlotte was not moving. She lay slumped unnaturally against the wall. Deep stains of blood scarred her nurse’s uniform. The blow had been terrible and violent --     

“HEY!  HEY!” Ilyn screamed into the radio microphone. “HELP! HELP US!”

Rennie cowered beneath a doctors’ examination table, streaks of blood in her hair --     

One of the boys at the radio started crying.

Madeline moaned in fear, clinging to Ilyn’s leg.

What do you mean?” screamed the desperate Ilyn into the receiver. A steady stream of chatter poured out of the speaker. 

“How would I know what type of tank it is -- ”

Königstiger,” shouted Simone from across a row of beds that had been knocked over. “It’s a Royal Tiger. Can’t you see -- ?”

She lifted a patient back into one of the cots.

“DUCK!” screamed Ilyn –

THOOM!

The bellow of a second artillery round struck the back wall with tremendous ‘thunk!’ and detonated on contact.

The stone floors shook with the impact.  The system of masonry and archways supporting the Cloisters trembled.  

Outside, steel treads on the gravel road signaled that the death machine was rolling inexorably towards them.

At seventy-five tons, the Konigstiger was the heaviest tank in all the Third Reich. The Royal Tiger, most destructive tank ever built, led the Panzer corps. Its long-barreled, high velocity KwK 43 88-millimeter cannon could penetrate five inches of armor at a range of two kilometers. It could kill you up close with two 7.92 MG34 machine guns. Driven by a 16-cylinder, 700-horsepower engine, the Royal Tiger could chase down a flock of Jeeps. Its metal skin of green and brown and charcoal gray marked its source, for surely this death-dealer had risen from the caves of the nether-regions, like its beastly brethren, the bloody-jawed Teuton serpent  Jörmungandr. the undead draugr, who single-handedly slew Nerthus and plagued the armies of Nidhogg, and thrice-cursed Grendel, murderous denizen of the mead halls of Heorot.

“HELP US!  HELP!” Ilyn repeated into the radio microphone.

The telegraph clacked in response.  

The tank shifted gears. Its motors whined and revved, turret adjusting as its guns took fresh aim. 

Ilyn stopped to listen to the earphones. He scribbled frantically in his notebook --

Metal cranked. An orange-gold flame flashed --     

BOOM!   Another round struck with a harpie-like shriek and a rain of heavy fragments and shrapnel.

“My eardrums!” screamed Rennie. Blood seeped through her fingers as she tried to cover her ears.   

Ilyn fell to the floor, cut almost in two, his body blackened –

Madeline redoubled her screaming at the sight of Ilyn’s bloody corpse.      

She slammed into the medicine cupboards in her hysterical effort to get away.

Death stormed the Cloisters.

Simone pushed Ilyn’s body off the chair.

She pulled trembling Rennie to her feet.

She leaned over the transmitter and telegraph.

She found Ilyn’s notebook and scanned through its pages. She stopped to look hard at one page in particular.

Here is what she saw written there

10  4  24  23  12  10  /  1  2  12  14  10  4  22  17 

6  12  22  10  12  24 /  24  12  4  24

“What, Simone?” cried Rennie, buoyed by the sight of her friend taking action. “Can’t we go?”

She wrung her hands to try and keep them from shaking so hard.

“What’s it say?”

Simone scribbled on a piece of paper.

The furious Konigstiger entered the courtyard with an angry, guttural Rrrrrrrr  --  

Simone swept up a MAS-36 carbine that was leaning against the radio desk. She whacked hard and broke the lock on the weapons closet with the rifle butt. She swung the doors open.

“Come on Rennie! Help me carry this -- ”

With effort, Simone plucked one of the big rocket launchers from its rack.

The American- made M1A1 shoulder cannon was a metal tube with attachments and dials stuck onto its shaft, five feet long and fifty pounds heavy.

“Here!” Simone grunted and bade her friend carry the back end of the bazooka.

Rennie hesitated.

In the courtyard, the terrible machine sounds came closer.

It’s just us,” said Simone. “Either we stop this thing, or everybody dies.”

Rennie looked hard at her companion.

“All right.”

Brave Rennie wiped her nose.

“I understand. Simone, I understand.”


Tom Durwood

Tom Durwood is a teacher, writer and editor with an interest in history. Tom most recently taught English Composition and Empire and Literature at Valley Forge Military College, where he won the Teacher of the Year Award five times. Tom has taught Public Speaking and Basic Communications as guest lecturer for the Naval Special Warfare Development Group at the Dam’s Neck Annex of the Naval War College.

Tom’s ebook Empire and Literature matches global works of film and fiction to specific quadrants of empire, finding surprising parallels. Literature, film, art and architecture are viewed against the rise and fall of empire. In a foreword to Empire and Literature, postcolonial scholar Dipesh Chakrabarty of the University of Chicago calls it “imaginative and innovative.” Prof. Chakrabarty writes that “Durwood has given us a thought-provoking introduction to the humanities.” His subsequent book “Kid Lit: An Introduction to Literary Criticism” has been well-reviewed. “My favorite nonfiction book of the year,” writes The Literary Apothecary (Goodreads).

Early reader response to Tom’s historical fiction adventures has been promising. “A true pleasure … the richness of the layers of Tom’s novel is compelling,” writes Fatima Sharrafedine in her foreword to “The Illustrated Boatman’s Daughter.” The Midwest Book Review calls that same adventure “uniformly gripping and educational … pairing action and adventure with social issues.” Adds Prairie Review, “A deeply intriguing, ambitious historical fiction series.”

Tom briefly ran his own children’s book imprint, Calico Books (Contemporary Books, Chicago). Tom’s newspaper column “Shelter” appeared in the North County Times for seven years. Tom earned a Masters in English Literature in San Diego, where he also served as Executive Director of San Diego Habitat for Humanity.

Two of Tom’s books, “Kid Lit” and “The Illustrated Boatman’s Daughter,” were selected “Best of the New” by Julie Sara Porter’s Bookworm  Book Alert

Social Media Links:

 Website   Newsletter   Twitter   Facebook   Linked-in   Pinterest   

Amazon Author Page   Goodreads




 

Monday, January 30, 2023

Book Spotlight and Excerpt: The Adventures of Ruby Pi and the Math Girls by Tom Durwood

 


Follow the tour HERE

A collection of adventure stories featuring young heroines at turning points in history who use math to solve colossal problems. Smart girls take on buried secrets, villains, tanks, mysteries, codes, and economics to save their people “Stories, mystery and math go well together… a welcome addition.”

(~ Jeannine Atkins, author of “Grasping Mysteries: Girls Who Loved Math”)

 


Buy Links:

 Universal Link

.•*´¨) ¸.•*¨) ( ¸.•´

PROLOGUE: AN URGENT NEED

From the eastern sea to the western sea, the area
in between the Himalayas and the Vindhyas,
is what wise men call the land of the Aryans ...
beyond it is the country of the barbarians.
 
– Manusmriti, Second Century B.C. Book of Law

Now Third Aunt was coughing blood.

The healers, despite all their ministrations, gave up.                                                          

“A better world awaits her,” said Chikistak, one of the healers.

“And soon.”

Third Aunt squeezed Jayani’s hand with her own.

She eventually stopped coughing.

The old woman slept, but fitfully. Her breath was labored. Her bent spine kept her in a curved position. 

“What if I can get her to the clinic in Pataliputra,” asked Jayani. “The Vedic doctors …”

“Yes. They might fix this. But it costs money,” said Chikistak.

“Do you have it?”

“How much is it?” asked Jayani.

He told her.

The girl shook her head. The blood had drained from her face. 

The coughing started up again.

It was getting worse.

“I am strong, sister,” said Ganesh, when the healers had gone. “I can work harder! In the next rotation, I might be a wagon-boy.”  

“You’re eight years old,” Jayani reminded her little brother. 

Later, deep in the night, hidden among the murmurs of the night prayers and rustlings among the camels, the boy could see the silhouette of his sister out on the sands, alone, and he could hear the forlorn sound of her crying.

MORNING AT THE OVENS

The power of pure thought has shaped

our world for over two millenia.

-- Jim Al-Kahlili

“You are Jayani,” said the tall traveler the next morning.  “The Oven-Master’s apprentice.”

The Arab cast a shadow as he stood in the courtyard of the kilns compound. He was cloaked in black. A servant knelt behind him.  His speaking voice was rich with influences, syllables and vowels and cadences from other lands. 

“Aye, yaatree,” answered the oasis girl, turning to face the visitor. She might have used the term musafirin, but she was not yet sure about him.

“I am Jayani.”

This fateful exchange took place in the age of the Mughal princes, self-involved Mirza Abu Bakr and the ever-incompetent Rafi-ush-Shan, at an oasis named Ahichhatra, which lay some small distance from the northern highway known as Uttarapatha, in the Valley of the Gangee.

The watering-hole community nestled in the dusty lower hills of the Gongotri was a beehive of activities.     

Jayani stood in front of the second cylindrical oven, holding an oversized kiln paddle, in her gloved hands. 

As slight a figure as the stranger was imposing, the girl Jayani, only fourteen, stood straight and calm, even when the Arab stepped closer.

“I am Salim Abdallah al-Ayyashi.”

He signaled to his servant.

“I come lately from the Christian lands. Bound for Changsha.”

The girl squinted in the morning sunlight.

“Won’t you bake this for me,” said the traveler evenly.

The Arab’s servant unwrapped a large platter and handed it to Jayani.

“It would be a great favor.”

Jayani, hard-working apprentice of the communal ovens, removed the big leather gloves from her hands. She stuck them in the pocket of the blue apron she wore.

It was a Govindan upahaar, a ceramic platter, one of a kind.

Its ivory surface showed the outlines of carvings. Looking closely, you could see circular patterns figures, the delicate   articulation of some vision.     Those hidden painted patterns that would emerge, turning into vibrant colors if the platter was properly glazed, at the correct heat, for the correct length of time.

“This is the work of Nabil Matar,” said Jayani.

The Arab nodded. “A heavenly scene. A gift for Yikuang, the Manchu prince.  

His wife has given birth to a son.”

Jayani handed it back.

“It is a most elegant thing,” said the girl. “Rare. And I will not be the clod who ruins it.”

“Ibn Batuta recommends you,” said the Arab. “He speaks of you as an artist.”

“The Moroccan is too generous with his praise.”

Zrimat, Ovens-Master, hovered nearby, sensing an exchange of coins.

“Of course,” Salim Abdallah al-Ayyashi challenged Jayani.“If you think you are incapable of such a task …” 

Jayani turned to face the bank of ovens nestled into the rock.  She saw the impossible jumble of generations of clever bakers and smelters applying all manners of flame and heat to all manners of substances. Here stood Venetian vertical stoves, four active half-cylinder ovens which dominated the commerce, with wooden pallets hung alongside. And there were deck ovens as well, and behind them, squat, square Vulcans and clay chamber stoves, clusters of dwarf cob (mud, that is) furnaces. Along the sides of the bake-shop lay open char pits lined with coals, half-buried wood-fired roasters, columns of pottery kilns. There were dusty banks of fourneau, or chimneyed bread ovens. Two kang platform stoves towered over the left batteries.  There were kilns for pottery, some abandoned, and blazing furnaces for metal. She saw cauldron-hung fire-pits for stews and open roasters for poultry. Spits for large fish. Earthen kilns for dye and a section of domed beehive ovens, or skep, such as the long-dead butchers and bakers and culinaries used when they prepared the wedding feasts of Qasim Abdallah.

“Come back after lunch,” Jayani told Salim Abdallah al-Ayyashi.

* * *

Every particle, every brushstroke, every atom of the ceramic platter’s latent beauty had come to life. 

“This is … fine work. Very fine. It is beyond my hopes,” breathed Salim Abdallah al-Ayyashi.         

The purples and ruby reds and midnight-blue hues on the plate had emerged in lacquered glory, and the more somber ochres and ambers as well. The Arab traveler swore that Matar himself would blush to see it. One could now see the carving’s influences – Persian, Indian, even European. Winged figures carrying birds which had been invisible before were now prominent, and the symbols would please and mystify those of the Middle Kingdoms for years to come.  One of the shepherds invented a song about the platter, its fine glaze, and the iron-rich clays, and the brave young oven-keep who had brought the pigments to life.

A crowd gathered spontaneously.

He held the piece aloft.

“All the Mughal lands will hear of this!”

The Ovens-Master, Zrimat, inserted himself.  

“It took my assistant three hours’ labor,” the Ovens-Master reminded the Arab. “Plus customized details … ”

Salim Abdallah al-Ayyashi smiled and paid with a flourish that implied it would have been cheap at ten times the price.

Zrimat rolled the coins along his fingers.  He counted them twice. He placed the bag of coins in his jacket pocket. None did he pass on to his apprentice, Jayani. 

Tom Durwood

Tom Durwood is a teacher, writer and editor with an interest in history. Tom most recently taught English Composition and Empire and Literature at Valley Forge Military College, where he won the Teacher of the Year Award five times. Tom has taught Public Speaking and Basic Communications as guest lecturer for the Naval Special Warfare Development Group at the Dam’s Neck Annex of the Naval War College.

Tom’s ebook Empire and Literature matches global works of film and fiction to specific quadrants of empire, finding surprising parallels. Literature, film, art and architecture are viewed against the rise and fall of empire. In a foreword to Empire and Literature, postcolonial scholar Dipesh Chakrabarty of the University of Chicago calls it “imaginative and innovative.” Prof. Chakrabarty writes that “Durwood has given us a thought-provoking introduction to the humanities.” His subsequent book “Kid Lit: An Introduction to Literary Criticism” has been well-reviewed. “My favorite nonfiction book of the year,” writes The Literary Apothecary (Goodreads).

Early reader response to Tom’s historical fiction adventures has been promising. “A true pleasure … the richness of the layers of Tom’s novel is compelling,” writes Fatima Sharrafedine in her foreword to “The Illustrated Boatman’s Daughter.” The Midwest Book Review calls that same adventure “uniformly gripping and educational … pairing action and adventure with social issues.” Adds Prairie Review, “A deeply intriguing, ambitious historical fiction series.”

Tom briefly ran his own children’s book imprint, Calico Books (Contemporary Books, Chicago). Tom’s newspaper column “Shelter” appeared in the North County Times for seven years. Tom earned a Masters in English Literature in San Diego, where he also served as Executive Director of San Diego Habitat for Humanity.

Two of Tom’s books, “Kid Lit” and “The Illustrated Boatman’s Daughter,” were selected “Best of the New” by Julie Sara Porter’s Bookworm  Book Alert

Social Media Links:

 Website   Newsletter   Twitter   Facebook   Linked-in   Pinterest   Amazon Author Page   Goodreads





Tuesday, June 22, 2021

Spotlight on Tom Durwood, author of The Pact (The Illustrated Colonials, Book One)

 

Six international teens join the American Revolution.

Coming of age and making history. 

They went into 1776 looking for a fight. Little did they know how much it would cost them…

Six rich kids from around the globe join the Bostonian cause, finding love and treachery along the path to liberty.

A new perspective on one of history’s most fascinating moments.

An amply illustrated edition of a young-adult historical fiction novel.

 


 Buy Links:

 This novel is available on #KindleUnlimited

 Universal Link

¸.•*´¨) ¸.*¨) ( ¸.•´

 Tom Durwood

 Fun Facts
(Stuff you may or may not already know!)

 I taught English at Valley Forge Military College for eight years and really enjoyed it. I tried to surprise the cadets every day with unexpected in-class assignments on a wide range of critical-thinking challenges, from Frank Lloyd Wright to a case study on the Lego company to the Battle of the Aleutians.  If I could engage their interest, they would write for hours.

 

I write at a painfully slow pace. Stories from what is now the collection “Ulysses S. Grant in China” were written and revised over the course of twenty years. The mission is always to ground the big vision in characters who earn the readers’ loyalty in small ways.  

 


 

A single word set me on a quest.  

I wrote my master’s thesis on Teddy Roosevelt’s biggest mistake: his 1906 dismissal of 167 members of the all-black 25th Infantry Regiment. When I asked Professor John David Smith of the University of North Carolina to explain that series of events, the answer came back in one word: “Empire.” 

He was right (!!) Ever since, the processes of empire have become a fascination for me. I designed and taught a course on “Empire and Literature” at Valley Forge and have now posted over fifty features in my online journal, “Empire Studies.”  


I once edited my own imprint of children’s books, Calico Books with Contemporary Press of Chicago. The Calico line included works by Scott Gustafson, Winslow Pels, Russ Shorto, and Gary Gianni.

 

In college, I published three editions of an undergraduate arts journal. References from these self-important features still crop up the in footnotes of certain obscure scholarly works.



¸.•*´¨) ¸.•*¨) ( ¸.•´

Tom Durwood

Tom Durwood is a teacher, writer, and editor with an interest in history. Tom most recently taught English Composition and Empire and Literature at Valley Forge Military College, where he won the Teacher of the Year Award five times. Tom has taught Public Speaking and Basic Communications as a guest lecturer for the Naval Special Warfare Development Group at the Dam’s Neck Annex of the Naval War College.

Toms ebook Empire and Literature matches global works of film and fiction to specific quadrants of empire, finding surprising parallels. Literature, film, art, and architecture are viewed against the rise and fall of empire. In a foreword to Empire and Literature, postcolonial scholar Dipesh Chakrabarty of the University of Chicago calls it “imaginative and innovative.” Prof. Chakrabarty writes that “Durwood has given us a thought-provoking introduction to the humanities.” His subsequent book “Kid Lit: An Introduction to Literary Criticism” has been well-reviewed. “My favorite nonfiction book of the year” writes The Literary Apothecary (Goodreads).

Early reader response to Tom’s historical fiction adventures have been promising. “A true pleasure … the richness of the layers of Tom’s novel is compelling,” writes Fatima Sharrafedine in her foreword to “The Illustrated Boatman’s Daughter.” The Midwest Book Review calls that same adventure “uniformly gripping and educational … pairing action and adventure with social issues.” Adds Prairie Review, “A deeply intriguing, ambitious historical fiction series.”

Tom briefly ran his own children’s book imprint, Calico Books (Contemporary Books, Chicago). Tom’s newspaper column “Shelter” appeared in the North County Times for seven years. Tom earned a Masters in English Literature in San Diego, where he also served as Executive Director of San Diego Habitat for Humanity.

 Connect with Tom 

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Amazon Author Page   Goodreads