History Extra
Until the Enlightenment, even the most learned agreed that the dead could rise from their graves. Darren Oldridge, the author of a book on seemingly 'strange' ideas from the past, explores the origins of the belief
The corpse would not be still. It thrashed and groaned when the executioner tried to subdue it, and foam spilled from its mouth. The dead man was eventually dumped in a grave and covered with earth; but he still made “such a rumbling and tumbling in it, that the very earth was raised, and the mules were so heaved up that they could hardly keep them down”.
George Sinclair told this story in 1684. Seven years later, he became professor of mathematics at Glasgow University. He did not present his tale as an instance of peasant superstition, nor misdiagnosed death. He believed the corpse had returned to life. He noted that the account came “from a very creditable person, who being a scholar there at that time, was an eye and ear witness, who is yet alive”. Sinclair’s acceptance of such events placed him in the mainstream of European thinking. He shared his belief in the existence of “revenants”, or revitalised cadavers, with James VI and I, King of Scotland, England and Ireland as well as the esteemed Cambridge philosopher, Henry More. More wrote in 1655 that he could not “so much as imagine” how anyone could doubt the existence of these creatures, so convincing were the reports about them.
Earlier authors provided numerous accounts of the wakeful dead. Around 1170, William of Newburgh described how a roaming corpse tormented the residents of Melrose Abbey. A priest stabbed the creature and drove it back to its tomb. The German monk Caesarius of Heisterbach recorded similar tales in the 13th century. One concerned a knight who “appeared to many” after death: “He was often struck with a sword but could not be wounded, giving off the sound of a soft bed being struck”. The Bishop of Trèves eventually exorcised the creature. In the late Middle Ages, the revival of corpses was often linked to witchcraft; and Renaissance demonologists such as Martín del Rio noted that Satan could revive the dead to consort with earthly followers.
Why did educated people believe these things? The simple answer is that they had no strong reason not to. The origins of particular “eye witness” accounts will always remain obscure, but once they were in circulation, and ascribed to suitably reliable sources, nothing in the stories themselves was incredible. It was not that scientists like George Sinclair regarded tales of revenants as unremarkable: indeed, they reported them precisely because they were striking instances of the supernatural. Nonetheless, such events were consistent with the knowledge of the world shared by virtually all educated westerners in medieval and Renaissance Europe.
Three broad assumptions lent credibility to the returning dead. First of all, the idea of physical resurrection was central to Christianity. The gospels described Jesus’s resurrection of Lazarus and the daughter of Jairus, and Christ himself rose from the tomb. More generally, all Christians would leave their graves at the Last Judgment. As artists like Giotto and Signorelli made plain, this would be a physical experience: the awakening dead would uncoil their bodies and stretch their limbs, and the torments of the damned would be excruciatingly real. Bodily resurrection was an established fact. It was natural, therefore, for pre-modern scholars to take the phenomenon seriously.
Secondly, most medieval and Renaissance people assumed that the ties between this life and the next were not severed completely at death. Spirits could return to complete business left unfinished on earth. The dead sometimes returned physically to remind sinners of what awaited them in hell. In a frightful episode from 12th-century France, the body of a dead student appeared at his friend’s bedside to show him the pains he could expect if he continued his debauched life. The visitor flicked three drops of sulphurous pus into his friend’s face, “so that they pierced his skin and flesh like cauterising fire and made a hole the size of a walnut”. He changed his ways.
When Protestants abolished the doctrine of purgatory in the 16th century, they challenged traditional ideas about the traffic between living and dead. This meant sightings of ghosts were often dismissed as hoaxes or illusions in regions affected by the Reformation, though Catholic authorities were generally more sympathetic. Stories of revenants remained plausible, however, because of the third general assumption that lent credibility to the phenomenon: the existence of demons.
As well as describing the miracles of God, the New Testament provided copious evidence of the power and intentions of Satan. The gospels recorded his ability to enter human bodies and the soulless flesh of animals. For medieval and Renaissance scholars, this facility offered a simple explanation for reports of reanimated corpses: demons possessed and moved them like puppets, without truly rejoining the spirit to the body. Such “fake resurrections” also confirmed the Devil’s desire to ape the miracles of God. It was one consequence of this belief that learned descriptions of revenants stressed the lifelessness of their bodies, which were little more than playthings for the unclean spirits within. Their flesh remained pale, rank and cold, noted Martín del Rio in 1600. Others recorded how revenants collapsed into dust once demons departed. In 1751, the Benedictine Abbot Augustine Calmet described the false resurrection of a young boy: “the demon that had animated him quitted him with a great noise; the youth fell backwards, and his body – which was fetid and stank unsupportably – was dragged with a hook… and buried in a field without any ceremony”.
The involvement of demons explains why Renaissance thinkers associated the revival of the dead with witchcraft. As disembodied spirits, demons needed fake bodies to make physical contact with humans. Following St Augustine, most writers assumed that they normally crafted these bodies from air: possessed corpses provided a gruesome alternative. As “they are foul and unclean spirits”, Nicholas Rémy suggested in 1595, they “find their favourite habitation… in stinking corpses”. A few years later, Henri Boguet confirmed that Satan has “sometimes borrowed the body of a man who has been hanged, and this he does chiefly when he wishes to associate with a witch”.
Since revenants demonstrated the activity of demons, they supported the wider belief in an “invisible world” of spirits. When natural science began to challenge this belief in the late 17th century, those who wished to preserve traditional religion used tales of the returning dead to prove the existence of this other realm. This was George Sinclair’s purpose in 1684. In the words of Henry More, belief in revenants was “an antidote to atheism”. This rearguard action was ultimately unsuccessful. Enlightenment scientists banished the invisible world of demons to the realm of “superstition”. It is one measure of their achievement that revived corpses now belong exclusively to fiction: they are simply incredible in the “real world”. But for orthodox Christians from the Middle Ages to the 1700s, it was equally absurd to believe that the dead could never stir.
Dr Darren Oldridge, a senior lecturer in history at the University of Worcester, has published extensively on early modern religion and witchcraft. His latest book is Strange Histories (Routledge, 2005)
Showing posts with label haunted. Show all posts
Showing posts with label haunted. Show all posts
Monday, March 5, 2018
Thursday, November 17, 2016
Ancient Passage Tomb Discovered Beneath “Haunted” Hellfire Club of Dublin
Ancient Origins
Sitting almost exposed in the hollow of the curious hill behind the Hellfire Club in Dublin, a dark chunk of blazing rock served as a convenient border to many bonfires over the centuries. Ironically, the people who probably enjoyed the warmth of the fire while lying up against the comfortably curved bank of the mound probably never understood the significance of the mound they rested upon. After thousands of years going unnoticed, the archaeologists who carried out the first-ever excavation of a passage tomb site at the notorious Hellfire Club in Dublin, eventually announced that the mound that offered rest to many people throughout the centuries, was the remains of an ancient tomb, and that ordinary looking dark stone was carved with symbols and designs that are over 5,000 years old.
Things would get completely out of control, when an often drunken “member” of the club named Lord Santry, would murder an ill and bedridden servant in the lodge by burning him alive. The lodge was soon after abandoned after a mysterious fire took place, while the unfortunate victim’s body would be found almost 250 years later, during the 1970's, buried with a statue of The Devil.
“The surface of the stone had been damaged by fires and weathering, so the artwork is almost completely imperceptible to the naked eye. Had we dug our trenches anywhere else on site we would not have discovered it, and had we excavated during the summer, the higher flatter sunlight may not have revealed the faint trace of the artwork. As the stone was sitting in a disturbed modern layer of material relating to picnics and parties, it was outside of its original context. We removed it quite early in the dig, though due to the many fires that had been lit upon it, it fractured into four large fragments as we began to lift it from the trench. As we did not originally notice anything particularly unusual about the stone, we (with some difficulty) lifted it out of the trench and set it on the side, so it would be close at hand for when we began to backfill the trenches.”
Jackman sent initial images to megalithic art experts Professor Muiris O’Sullivan of UCD and Dr Elizabeth Shee Twohig, who visited the site with specialist photographer Ken Williams to use photogrammetry to expose the extent of the designs on the portions of slab which could not be seen by the naked eye. Ecstatic by the exciting news and results, a team from the Discovery Programme of archaeological innovation visited the site the next day to scan the stone and record all details. The valuable lump is now at the National Museum of Ireland for further examination, while an impressive 3-D model can be viewed by visiting sketchfab.com
Top image: Main: Hell Fire Club, Dublin (CC by SA 3.0 / Joe King). Inset: The newly discovered megalithic stone with symbol. Credit: Arbata Heritage
By Theodoros II
The “Haunted” Mysteries of the Hellfire Club
The mystery surrounding the location takes us a few centuries back, way before the team of archaeologists excavated the site to learn more about the prehistoric pagan tombs which line the foundations of the house. Throughout its nearly three-century long existence, the home has been the subject of many hauntings and other speculated supernatural events. The old hunting lodge on Montpelier Hill was built for Irish Parliamentary Speaker William Connolly in 1725. Connolly’s workmen used stones from the old passage tombs underneath the structure to build the lodge – marking the beginning of the site’s association with the supernatural. According to local legend, Satan was not happy with the desecration and blew the lodge’s roof off in a rage. Following the roof collapse, the lodge on Montpelier Hill became known by locals as a “place of evil”. Soon after the death of Connolly the place was taken over by a group of young aristocrats who held drunken orgies there, as well as, it is said, practicing the Occult and worshiping Satan.Things would get completely out of control, when an often drunken “member” of the club named Lord Santry, would murder an ill and bedridden servant in the lodge by burning him alive. The lodge was soon after abandoned after a mysterious fire took place, while the unfortunate victim’s body would be found almost 250 years later, during the 1970's, buried with a statue of The Devil.
Back to 2016
The spooky history of the location, however, never discouraged the team of archaeologists who were in search of the facts behind the myth and urban legends. As Neil Jackman, an experienced and licensed archaeologist who has excavated sites all over Ireland and has authored many articles and publications to help promote Irish heritage, reports in Abarta Heritage, the discovery of the artwork was the result of incredible serendipity,“The surface of the stone had been damaged by fires and weathering, so the artwork is almost completely imperceptible to the naked eye. Had we dug our trenches anywhere else on site we would not have discovered it, and had we excavated during the summer, the higher flatter sunlight may not have revealed the faint trace of the artwork. As the stone was sitting in a disturbed modern layer of material relating to picnics and parties, it was outside of its original context. We removed it quite early in the dig, though due to the many fires that had been lit upon it, it fractured into four large fragments as we began to lift it from the trench. As we did not originally notice anything particularly unusual about the stone, we (with some difficulty) lifted it out of the trench and set it on the side, so it would be close at hand for when we began to backfill the trenches.”
Jackman sent initial images to megalithic art experts Professor Muiris O’Sullivan of UCD and Dr Elizabeth Shee Twohig, who visited the site with specialist photographer Ken Williams to use photogrammetry to expose the extent of the designs on the portions of slab which could not be seen by the naked eye. Ecstatic by the exciting news and results, a team from the Discovery Programme of archaeological innovation visited the site the next day to scan the stone and record all details. The valuable lump is now at the National Museum of Ireland for further examination, while an impressive 3-D model can be viewed by visiting sketchfab.com
Possibly More Stones Are “Hiding” There
Although, nobody can be sure at this moment if more stones of the same archaeological significance and art are now lying under a road through the mountains Jackman calls this find “a tantalizing glimpse of that the original tomb may have looked like,” and remains optimistic about the future findings. He told TheJournal.ie, “Unfortunately, these stones appear to have been largely plundered for building material for the Hellfire Club and the Old Military Road. However, perhaps more art remains to be discovered in the future.”Top image: Main: Hell Fire Club, Dublin (CC by SA 3.0 / Joe King). Inset: The newly discovered megalithic stone with symbol. Credit: Arbata Heritage
By Theodoros II
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