Showing posts with label Victorian. Show all posts
Showing posts with label Victorian. Show all posts

Tuesday, September 23, 2025

Book Spotlight: The Man in the Stone Cottage: a novel of the Brontë sisters by Stephanie Cowell. Audiobook by Brilliance Audio

 


“A haunting and atmospheric historical novel.” – Library Journal

In 1846 Yorkshire, the Brontë sisters— Charlotte, Anne, and Emily— navigate precarious lives marked by heartbreak and struggle.

Charlotte faces rejection from the man she loves, while their blind father and troubled brother add to their burdens. Despite their immense talent, no one will publish their poetry or novels.

Amidst this turmoil, Emily encounters a charming shepherd during her solitary walks on the moors, yet he remains unseen by anyone else.

After Emily’ s untimely death, Charlotte— now a successful author with Jane Eyre— stumbles upon hidden letters and a mysterious map. As she stands on the brink of her own marriage, Charlotte is determined to uncover the truth about her sister’ s secret relationship.

The Man in the Stone Cottage is a poignant exploration of sisterly bonds and the complexities of perception, asking whether what feels real to one person can truly be real to another.

Praise for The Man in the Stone Cottage:

“A mesmerizing and heartrending novel of sisterhood, love, and loss in Victorian England.” - Heather Webb, USA Today bestselling author of Queens of London

“Stephanie Cowell has written a masterpiece.” - Anne Easter Smith, author of This Son of York

“With The Man in the Stone Cottage, Stephanie Cowell asks what is real and what is imagined and then masterfully guides her readers on a journey of deciding for themselves.” - Cathy Marie Buchanan, author of The Painted Girls

“The Brontës come alive in this beautiful, poignant, elegant and so very readable tale. Just exquisite.” - NYT bestseller, M.J. Rose

“Cowell’s ability to take readers to time and place is truly wonderful and absorbing.” - Stephanie H. (Netgalley)

“Such a lovely, lovely book!” - Books by Dorothea (Netgalley)


 Buy Link:

 Universal Buy Link: https://books2read.com/u/mqLV2d



Stephanie Cowell has been an opera singer, balladeer, founder of Strawberry Opera and other arts venues including a Renaissance festival in NYC.

She is the author of seven novels including Marrying Mozart, Claude & Camille: a novel of Monet, The Boy in the Rain and The Man in the Stone Cottage. Her work has been translated into several languages and adapted into an opera. Stephanie is the recipient of an American Book Award. 

Author Links:

Website: https://stephaniecowell.com

Facebook: https://www.facebook.com/stephanie.cowell.14

Instagram: https://www.instagram.com/cowell.stephanie/

Amazon Author Page: https://www.amazon.com/author/stephaniecowell

Goodreads: https://www.goodreads.com/author/show/197596.Stephanie_Cowell

 


 

Friday, September 19, 2025

Book Spotlight: Tailored Truths by Nancy Jardine

 


An engrossing Victorian Scotland Saga (Silver Sampler Series Book 2)

Is self-supporting success enough for Margaret Law or will her future also include an adoring husband and children? She might secretly yearn for that though how can she avoid a repeat of relationship deceptions that disenchanted her so much during her teenage years?

Employment as a lady’s maid, and then as a private tutor in Liverpool in the 1860s bring thrilling opportunities Margaret could never have envisaged. Though when those posts end, her educational aspirations must be shelved again. Reliance on her sewing skills is paramount for survival when she returns to Dundee.

Meeting Sandy Watson means love, marriage and starting a family - though not necessarily in that order – are a striking development though it entails a move north to Peterhead. Yet, how can Margaret shed her fear of commitment and her independence and take the plunge?

Jessie, her sister-at-heart, is settled in Glasgow. Frequent letters are a life-line between them but when it all goes horribly wrong, the contents of Margaret’s correspondence don’t necessarily mirror her awful day-to-day realities.


 Buy Link:

 Universal Buy Link: https://mybook.to/TTsss 

 This title is available to read on #KindleUnlimited.

 

 


Nancy Jardine writes historical adventure fiction, historical saga, time travel historical adventure and contemporary mysteries. Research, grandchildren, gardening fill up her day in the castle country of Aberdeenshire, Scotland, when not writing or promoting her writing. Interacting with readers is a joy at Book and Craft Fairs where she signs/sells paperback versions of her novels. She enjoys giving author presentations on her books and on Ancient Roman Scotland.

Memberships include: Historical Novel Society; Scottish Association of Writers, Federation of Writers Scotland, Romantic Novelists’ Association and the Alliance of Independent Authors. She’s self-published with Ocelot Press.

 Author Links:

 Website: https://www.nancyjardine.com/

Twitter / X: https://x.com/nansjar

Facebook: https://www.facebook.com/NancyJardinewrites/

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Amazon Author Page: viewauthor.at/findmybookshere

Goodreads:  https://www.goodreads.com/author/show/5139590.Nancy_Jardine

 


Monday, December 2, 2024

Book Spotlight and Snippet: A Woman Scorned by Marcia Clayton

 

1886 North Devon, England

Lady Lilliana Grantley has been seriously ill with typhoid, a disease that recently claimed her husband Edgar’s life and that of his long-time lover, Rosemary Gibbs. Now recovering at last, the lady wastes no tears on her husband but is determined to wreak revenge on his two illegitimate children.

Embarrassed for years by his affair with Rosemary, a childhood sweetheart living nearby, she has falsely accused Sir Edgar’s daughter, Millicent, of the theft of a precious brooch and wants to see her jailed or hung.

Fortunately for Millie and her little brother, Jonathan, their granny, Emily, insisted they leave home as soon as she heard of Sir Edgar’s death, for she knew his widow would seek revenge. The old lady was soon proved right, and Lady Lilliana, furious the two youngsters were nowhere to be found, evicted the old woman despite the fact she, too, was dangerously ill.

After a long and hazardous journey to North Devon, Millie and Jonathan were united with some long-lost family members who made them welcome and gave them a home. However, aware that Lady Lilliana has put a price on Millie’s head, they know they are not yet out of danger. Despite this, they are determined to find their granny, Emily, who seems to have disappeared.

Aided by her long-time lover, Sir Clive Robinson, Lady Lilliana is determined to find Millie and Jonnie and get them out of her life once and for all, but how far will the embittered woman go?

 


 Buy Link:

 Universal Buy Link: https://mybook.to/AWomanScorned

 All the books in The Hartford Manor Series can be ordered from any bookshop.

 ***

Snippet

Brampford Speke, a peaceful little village situated only a few miles from the bustling city of Exeter, would probably not have existed at all, but for the position of Grantley Manor, for farm labourers were always in demand on the large and prosperous estate. The village was surrounded by green rolling hills and picturesque scenery, and despite the bitter temperature that morning, the vicar was content with his lot.

Gregory Swann was an elderly man, born in the village some seventy years earlier and raised to follow in his father’s footsteps as a man of the cloth. Indeed, he still lived in the same house he had been born in and knew the only way he would ever want to leave would be carried out feet first. Kissing Edith, his wife of more than fifty years, goodbye, he crossed the icy yard to the stable, where he saddled his pony and set off to visit his parishioners.

Despite his warm hat, scarf, and gloves, the portly man shivered violently in the sub-zero temperatures, and his breath hung in the air. The grass and hedgerows glistened with a hard frost, and ice covered the village pond where a couple of ducks skidded on the surface, futilely seeking a morsel to eat.

He planned to visit several needy folk that day, some physically unwell, others depressed with their daily struggle for survival, and a few simply lonely and who would benefit from seeing a friendly face. He decided his first port of call would be to Ollie and Agnes Darch.  Shortly before Christmas, the Darches had suffered from typhoid, a disease which had carried many to their graves, causing him and the local undertaker much work over the festive period. Thankfully, the couple had recovered, and the epidemic appeared to be over, but he had heard that Ollie was now suffering from lumbago. 


Marcia Clayton writes historical fiction with a sprinkling of romance and mystery in a heart-warming family saga that stretches from the Regency period through to Victorian times.

A farmer’s daughter, Marcia was born in North Devon, a rural and picturesque area in the far South West of England. When she left school at sixteen, Marcia worked in a bank for several years until she married her husband, Bryan, and then stayed at home for a few years to care for her three sons, Stuart, Paul and David.

As the children grew older, Marcia enrolled in a secretarial course, which led to an administrative post at the local college. Marcia progressed through various jobs at the college and, when working as a Transport Project Coordinator, was invited to 10 Downing Street to meet Tony Blair, the then Prime Minister. Marcia later worked for the local authority as the Education Transport Manager for Devon County Council and remained there until her retirement.

Now a grandmother, Marcia enjoys spending time with her family and friends. She’s a keen researcher of family history, and this hobby inspired some of the characters in her books. A keen gardener, Marcia grows many of her own vegetables. She is also an avid reader and enjoys historical fiction, romance, and crime books.

Marcia has written six books in the historical family saga, "The Hartford Manor Series". You can also read her free short story, "Amelia", a spin-off tale from the first book, "The Mazzard Tree", by downloading the story here: https://marciaclayton.co.uk/amelia-free-download/

In addition to writing books, Marcia produces blogs to share with her readers in a monthly newsletter. If you would like to join Marcia’s mailing list, you can subscribe here: https://marciaclayton.co.uk/

 Author Links:

 Website: https://marciaclayton.co.uk/

Twitter: https://twitter.com/MarciaC89111861

Facebook: https://www.facebook.com/marciaclaytonauthor

Instagram: https://www.instagram.com/marciaclayton97/

Bluesky: https://bsky.app/profile/marciaclayton.bsky.social

Book Bub: https://www.bookbub.com/authors/marcia-clayton

Amazon Author Page: http://viewauthor.at/MarciaClayton

Goodreads: https://www.goodreads.com/author/show/20429025.Marcia_Clayton




 

Thursday, November 18, 2021

Book Spotlight and Excerpt: Christmas at Hembry Castle by Meredith Allard

 


You are cordially invited to Christmas at Hembry Castle.

 An unlikely earl struggles with his new place. A young couple’s love is tested. What is a meddling ghost to do?

In the tradition of A Christmas Carol, travel back to Victorian England and enjoy a lighthearted, festive holiday celebration.

 

Buy Links:

  Meredith Allard Website   Amazon UK   Amazon US   Amazon CA   Amazon AU

 Barnes and Noble   Kobo   iBooks

¸.•*´¨) ¸.•*¨) ( ¸.•´

 Excerpt

Finally, and not a moment too soon, he saw a checkerboard of properties that looked gray under the stormy nighttime sky. Then, with a bang! rain fell from what must have been upside down buckets in the sky. Soaked to his very bones, Frederick arrived at the door of Poppy Farm and knocked.

Mrs. Clayton’s open eyes and wide mouth betrayed her shock. “Your lordship? Whatever brings you here?”

“I came straight away, Mrs. Clayton. Have you heard from your husband? I had a suspicion he was up to no good, though I never could have guessed it was something as dreadful as this. Are you well? And what of your children?”

“But how did you know?”

“I received your note this evening.”

Mrs. Clayton’s open eyes closed in confusion.

“Did you not send for me?” Frederick asked.

“I haven’t sent for anyone, your lordship. I certainly never sent for you. I would never trouble you with such a thing.”

“With such a thing? When you’re so in need of assistance?”

Frederick pulled his overcoat closer in an attempt to keep the water away but it was too late. He could feel his blood shivering in his veins.

“Come in, your lordship. You’re soaked through.” Mrs. Clayton pulled a simple chair before the hearth. “Please, dry yourself. You’ll freeze to your death in this weather.” Frederick nodded his appreciation and sat before the high, hot fire. “Forgive the mess, your lordship.” Mrs. Clayton gestured at the home that looked perfectly tidy to Frederick’s eyes, but he nodded, wishing to make the woman at ease in his presence, which she clearly was not.  

“Would you like some tea, your lordship? It might help to warm the wet away.”

“Only if it’s no trouble, Mrs. Clayton.”

She was a small woman, Mrs. Clayton, plump and pretty in her simple gingham dress under a homespun woolen jumper. As she busied herself with the tea things, Frederick held his hands out to the fire. It was quiet, too quiet for a house with five young children.

“And the children are…?” Frederick asked.

“With my neighbors,” Mrs. Clayton said. “I asked them to take the children for a bit so I could pull myself together. I don’t want to fall to pieces in front of them. I can’t…” She exhaled loudly. “I don’t want the children to know. I won’t say anything bad about their father in front of them.”

“That’s very good of you, Mrs. Clayton. You and your children are our first priority right now.”

Mrs. Clayton pulled a coarse woolen sleeve to her eyes to wipe the streaks away. “It’s good of you to inquire after us, your lordship, but we’re not any of your concern, surely.”

“If you are not my concern, then whose concern might you be? You are my tenant. Your husband, when he was worthy of the title, farmed my land. As the Earl of Staton, I’m responsible for the well being of those who live here. It’s what my father believed, and his father believed, back to the time of Her Majesty Queen Elizabeth who created the title for my forebear.”

Mrs. Clayton wept freely now. Her hands clasped the wood table before her as if it were the only thing holding her up.

“There there, Mrs. Clayton. All will be well. After we’re certain that you and your children are cared for, our next job is to find that scoundrel husband of yours and get him to divorce you.”

“Don’t call him a scoundrel, your lordship. He’s waylaid is all.”

“Waylaid? I would use another word, but as you wish. Now.” Frederick sipped his tea and studied the simply furnished room. “What do you need?”

“What I need, your lordship, is to return to my mother’s. I don’t want to live here any more. There are too many painful memories with my husband gone. This house is my nightmare now. It feels like a prison. I don’t mean to offend your lordship.”

“No offense taken, Mrs. Clayton. I understand you perfectly. I remember when Hembry Castle felt like a prison to me.” Frederick stopped himself. He had to focus on Mrs. Clayton. “Where does your mother live?”

“In Yorkshire, but with my husband gone…” She turned red, but Frederick nodded, encouraging her. “I haven’t any money, your lordship. Not even enough to buy bread to feed my children.”

“You needn’t worry about a thing, Mrs. Clayton. You’ll have plenty to eat and I’ll take care of the passage for you and your children whenever you’re ready. If you want to be with your mother in Yorkshire then in Yorkshire with your mother you shall be. When would you like to leave?”

“As soon as possible, my lord.”

“Tomorrow is Christmas day. How about in three days? Will that give you enough time to prepare yourself and the children?”

“If it can be managed, your lordship, us leaving so soon.”

“Very well then. In three days you’ll be on the train to Yorkshire if that is your wish.” Frederick thought of Clayton’s apple face and sighed. “I am sorry it’s ending this way, Mrs. Clayton. My greatest wish for you is for things to become easier as soon as possible. I believe they will, with time and healing. And even if you don’t want to call him a scoundrel, what he did to you, abandoning you and your children as he has, well, I know it doesn’t feel like it now, but in time I hope you’ll see that you’re better off without him.”


 Meredith Allard

Meredith Allard is the author of the bestselling paranormal historical Loving Husband Trilogy. Her sweet Victorian romance, When It Rained at Hembry Castle, was named a best historical novel by IndieReader. Her latest book, Painting the Past: A Guide for Writing Historical Fiction, was named a #1 new release in Authorship and Creativity Self-Help on Amazon. When she isn’t writing she’s teaching writing, and she has taught writing to students ages five to 75. She loves books, cats, and coffee, though not always in that order. She lives in Las Vegas, Nevada. Visit Meredith online at www.meredithallard.com.

 Social Media Links:

 Website   Facebook   Pinterest   Book Bub   Amazon Author Page   Goodreads





Thursday, February 22, 2018

The 18th-century craze for gin


history extra


Gin Lane, a print issued in 1751 by painter and printmaker William Hogarth. It depicts the perceived evils of the consumption of gin. (Photo by Universal History Archive/Getty Images)

 Gin causes women to spontaneously combust. Or, at least, that was the theory. There are two documented cases of British ladies downing gin and going up in smoke, and a few more of European women doing the same with brandy. The matter was taken seriously enough to be discussed by the Royal Society in 1745.

We don’t take stories of spontaneous human combustion that seriously any more (for reasons I’ll get back to), but for a historian, the stories are fascinating because they’re part of the great Gin Panic. This was the moralising and serious counterpart to the great Gin Craze that swept London and much of England in the first half of the 18th century and produced (aside from the ignited ladies) mass public nudity, burning babies, and a mechanical gin-selling cat.

Alcoholic spirits were a pretty new commodity in 18th-century society, though they had actually been around for a long time. They started as a chemical curiosity in about the 10th century AD. They were being drunk by the very, very rich for pleasure by about 1500, as shown when James IV of Scotland bought several barrels of whisky. But even a hundred years later, in 1600, there was only one recorded bar in England that sold spirits to the curious (just outside London, towards Barking).


James IV of Scotland. We know that alcoholic spirits were drunk by the very rich since 1500, as the king is known to have purchased several barrels of whisky. (Photo by National Galleries Of Scotland/Getty Images)

Then in about 1700, spirits hit. The reasons are complicated and involve taxation of grain and the relations with the Dutch, but the important thing is that gin suddenly became widely available to Londoners, which was a good thing for the gin-sellers as Londoners needed a drink. The turn of the 18th century was a great period of urbanisation, when the poor of England flocked to London in search of streets paved with gold and Bubbles from South Sea [the South Sea Bubble was a speculation boom in the early 1710s], only to find that the streets were paved with mud and there was no work to be had. London’s population was around 600,000. There were only two other towns in England with populations of 20,000. London was the first grand, anonymous city. There were none of the social constraints of a village where everybody knew everybody’s business. And there were none of the financial safeguards either, with a parish that would support its native poor, or the family and friends who might have looked after you at home. Instead, there was gin.

A craze among the poor
It’s very hard to say which was bigger – the craze for drinking gin that swept the lower classes, or the moral panic at the sight of so many gin drinkers that engulfed the ruling classes. Anonymous hordes of poor, often homeless people wandered the city drinking away their sorrows, and often their clothes, as they readily exchanged their garments for the spirit.

Before the industrial revolution and the rash of cotton mills that would fill the north of England a century later, cloth was very expensive. Beggars really did dress in rags, if at all, and the obvious thing to sell if you really needed money fast was, literally, the shirt on your back. The descriptions left to us by the ‘Gin Panickers’ would be funny – if they weren’t so tragic.


A print of an 18th-century liquor seller. (Photo by: Universal History Archive/UIG via Getty Images)

Indeed, the most notorious single incident of the gin craze was the case of Judith Defour, a young woman with a daughter and no obvious husband. The daughter, Mary, had been taken into care by the parish workhouse and provided with a nice new set of clothes. One Sunday, in January 1734, Judith Defour came to take Mary out for the day and didn’t return her. Instead, she strangled her own child and sold the new clothes to buy gin.

 Judith Defour was probably mentally unwell anyway, but her case became a public sensation, because it summed up everything that people thought about the new craze for drinking gin: she was poor; she was a woman and she was a mother. Judith was selling clothes for alcohol and as the clothes had been provided by the workhouse, she was therefore taking advantage of the rudimentary social security system, combining benefits fraud with infanticide.

The arrival of gin
Before gin had come on the scene, Englishmen had drunk beer. English women had drunk it too – up to a point – but beer and the alehouses where it was served had always been seen as basically male domains. Gin, which was new and exotic and metropolitan, didn’t have any of these old associations. There were no rules around gin. There were no social norms about who could drink it, or when you could drink it, or how much of it you could drink. A lot of places served it in pints because, well… that’s what you drank. A country boy newly arrived in the city wasn’t going to drink a thimbleful of something.

This was, quite literally, put to the test in 1741, when a group of Londoners offered a farm labourer a shilling for each pint of gin he could sink. He managed three, and then dropped down dead. It’s amazing he got that far, as gin, in those days, was about twice as strong as it is now and contained some interesting flavourings. Some distillers used to add sulphuric acid, just to give it some bite.

And so the efforts to ban drinking among the lower classes began. And they didn’t work very well. When authorities decided to ban the sale of gin, there were fully fledged riots. The poor didn’t want their drug of choice taken away. They loved ‘Madam Geneva’, as they called the spirit.


A satirical cartoon relating to the Gin Act, depicting a mock funeral procession for ‘Madam Geneva’ in St Giles, London, 1751. (Photo by Guildhall Library & Art Gallery/Heritage Images/Getty Images)

In any case, the government decided to tax the living daylights out of it. But people simply didn’t pay the tax, so government tried to pay informants to hand in unlicensed gin-sellers. This attempt turned ugly as a number of mobs formed to attack even suspected informants, and several people were beaten to death. Not that the informants were necessarily that nice; they could, and some did, run the whole thing as a protection racket – “pay me or I’ll claim the reward from the government”. And into this chaos it’s almost unsurprising that a mechanical cat should make an entry.

The Puss-and-Mew machine
The contraption known as the ‘Puss-and-Mew machine’ was simple. The gin-seller found a window in alleyway that was nowhere near the building’s front door. The window was covered boarded over with a wooden cat. The gin-buyer would approach and say to the cat: “Puss, give me two pennyworth of gin,” and then place the coins in the cat’s mouth. These would slide inwards to the gin-seller who would pour the gin down a lead pipe that emerged under the cat’s paw. The crowds loved it and the inventor, Dudley Bradstreet, made three or four pounds a day, which was a lot of money. As nobody witnessed both sides of the transaction, no charges could be brought.


A display featuring a ‘Puss-and-Mew machine’ at the Beefeater Gin Distillery in Kennington, London. (Image used with permission from Beefeater Gin Distillery in Kennington, London)

 The Gin Craze was a classic example of a drug without social norms. Every society on earth has had its narcotics (and almost every society has chosen alcohol). But those narcotics have come with social rules about when, where, how and why you ‘get blasted’. Every age and every society is different. Today, young adults tend to get drunk on a Friday evening, while in medieval England, the preferred time was Sunday morning. In ancient Egypt, it was the Festival of Hathor and in ancient China, it was during the rites that honoured the family dead.

Nowadays, gin is just another spirit, but in the 18th century, gin had no norms, no rules, no mythology and no associations. It was anyone’s, and that was its danger: a danger that in the popular imagination was easily transmuted into spontaneous female combustion.

 A final note on these combustible ladies: they were all reasonably old and reasonably well off. The strange thing about spontaneous human combustion is that in all cases the body is reduced to a small pile of ashes, whilst nearby objects – however burnable – are not even singed. A human body actually burns at around 1,200 degrees Celsius. A burning house rarely gets above about 800 degrees. So, while the stories don’t stand up scientifically, a society that believes such stories is very good for those who stand to inherit the victim’s fortune.

Mark Forsyth is the author of A Short History of Drunkenness: How, why, where and when humankind has got merry from the Stone Age to the present (Viking, November 2017).

Wednesday, January 31, 2018

The history of middle-class wine drinking


History Extra


Should politicians tell people what and how much to drink? Recent government decisions to try and impose a minimum price for alcohol sales in England and Wales have taken the campaign against what is seen as excessive consumption into intriguing new territory. (Scotland and Northern Ireland have been having their own debates about how far the law can intervene). The focus now is not only on places where people go out to drink but also on domestic consumption. And middle-class consumption of wine is receiving much more attention too.

Ironically it has been attempts to increase rather than decrease wine consumption in Britain that have figured more prominently in the past – at least since the 19th century. Prior to that, wine, as the imported tipple of the mainly well-to-do, had seen some regulation and had at times been caught up in trade disputes, especially with France. Increased duties were imposed on imported French wine to try and harm French commerce. Spanish and Portuguese wines, by contrast, were generally favoured as these countries were more consistently allies of Britain.

But by the mid-19th century, British champions of free trade challenged such use of tariffs as diplomatic weapons. Good trade relations – sealed amicably, no doubt, over bottles of good vintage – helped prevent future wars, it was argued.

James Nicholls of Bath Spa University, a specialist on the history of alcohol consumption, hails the 1860 Treaty of Commerce – in which import duties were reduced on all wine – as a turning point. William Gladstone, the treaty’s chief architect, spoke openly of what he hoped would be a change in British drinking habits – away from an obsession with beer – so that wine would no longer be a “rich man’s luxury”.

At the same time he was sensitive to the fears of Victorian temperance campaigners that cheaper wine would encourage drunkenness. More wine drinking was meant to civilise British drinkers, claimed Gladstone. His measures were intended for the “promotion of temperance and sobriety as opposed to drunken and demoralised habits”. Other changes – forerunners of the modern ‘off licence’ system – allowed grocers and restaurateurs, rather than just pubs, to sell alcohol. They were intended to weaken the “unnatural divorce between eating and drinking”.

 Behind all this lay cultural assumptions about alcohol consumption that always lurk in these debates. We have tended, says James Nicholls, to “imbue different drinks with different ethical values”. Whereas some have been linked to the bad habits of the lower orders – think of Hogarth’s image of social catastrophe in Gin Lane, or modern debates about lager louts – wine was never associated with boorish drunkenness in this way.

Though there was an initial increase in wine drinking (what’s been called ‘the era of cheap Gladstone claret’), British café society, combining wine-drinking with eating, never took off as Gladstone might have hoped. It was only in the 1960s that there was, as Nicholls puts it, a “greater democratisation of wine drinking”. More wines became available from around the world, and supermarkets added competition. As a result, wine sales have steadily increased, while beer consumption has declined.

So Gladstone might have been pleased by today’s spread of wine into British drinking culture. It is no longer the reserve of the rich. But he would have worried about the evidence that consumption – for some individuals – is rising rapidly. Health professionals, today’s equivalent of 19th‑century temperance campaigners, no longer seem to share the old assumption that wine-drinking is inherently less harmful than other kinds of alcohol.

Extra But reversing this trend will not be easy. Policing what goes on in pubs has been far easier than controlling what people do in their own homes. The long contest between political and moral control and Britain’s ‘drinking culture’ is entering a fascinating new phase.

Chris Bowlby is a presenter on BBC radio, specialising in history

This series is produced with History & Policy.

Saturday, October 14, 2017

Revealed: how the Georgians taught us to diet 300 years ago


History Extra



It’s that time of year again, when we vow to ditch the sugar, take out a gym membership, and follow religiously the latest weight loss guides. But while you might assume dieting to be a modern phenomenon, new research suggests it originates in an earlier century.

As early as the 18th century, diet doctors began to recommend strict, low fat meals, and newspapers featured adverts for tonic and diet pills.

Research carried out by Dr Corinna Wagner from the University of Exeter reveals how the perceived decadence of the Georgian period gave way to a more moderate and austere approach adopted by the Victorians.

 In her new book, Pathological Bodies, Wagner demonstrates that by the mid-Victorian period, fighting fat had become a pastime for a large part of the population. Attitudes towards over-indulgence, obesity and body shape were hotly debated, and there developed a pressure to demonstrate self-restraint.

A greater emphasis was placed on the value of self-discipline – to be fat was to be immoral, irresponsible, and out of control.

Wagner told History Extra: “We associate the Georgians with being pleasure-seeking, and enjoying a lot of booze. Gout was almost a badge of honour – a sign you could eat and relax; that you had a ‘lust for life’.

“But a turning point came when a certain Scottish physician named George Cheyne decided to go on a diet. This was something people just did not do at the time.

“He cut out alcohol and even meat, and lost a huge amount of weight (from 32 stone to a ‘normal’ size). He published news of his weight loss success in a 1740 book called The Natural Method of Cureing [sic] the Diseases of the Body, and the Disorders of the Mind.

“He saw an opportunity to make money, so snapped up wealthy clients and showed them how to lose weight. He was, in effect, the first modern diet doctor.

“Due largely to his influence, there emerged a fashion for ‘diet doctors’ among the well-to-do.

“Newspapers started featuring adverts for tonic and even diet pills, and suddenly weight loss became fashionable.”

Wagner told History Extra that this change in attitude resulted from medical advances and political turmoil.

“An emphasis on health emerged at the same time as the radicalisation of the working class and the French Revolution across the channel.

 “Diet was linked with Britain’s role as a world force – people began to worry about whether Britain could maintain its empire and global power.

“It was a time of social anxiety, and in response, people pointed to individuals and said ‘you are part of the problem’.”

This attitude was also used to political ends, Wagner explained. For example, King George IV’s extravagant lifestyle led to vitriolic public condemnation. His obesity became the focus of press and public ridicule.


His weight was seen as a sign of his unfitness to rule, and politicians agitated for a transfer of power from the monarchy to government,” said Wagner.

“George IV was known to consume Persian and French delicacies, and his political enemies exploited that to incredible ends. It inspired an emphasis on British food such as roast beef and beer.

 “George IV was used as a cautionary tale to eat local food. There developed the idea that you should be supporting your local community, and that it was bad to be dependent on foreign countries such as China or India.

 “By the Victorian era, there were important medical advances in the area of obesity – and along with it, an emphasis in seeing into the body. Anatomy and dissection showed us the body’s physiology and functions.

“As a result, Victorian diet doctors like Thomas King Chambers, author of a book entitled Corpulence, prescribed strict regimens such as sea-biscuit for breakfast, and boiled macaroni and a piece of lean meat for dinner.

“There was also an interest in reading the body and face, and linking physical appearance to personal values. The Victorians were keenly interested in the idea that external features were linked to internal emotions, personality and intelligence.

 “As today, demonstrating bodily self management was central to demonstrating status and social position, as well as values like self-respect and responsibility.

 “Today, for example, being fat and on benefits is seen to indicate that you are selfish and irresponsible. Partially, we owe that perception to the Victorians.

“In Victorian society, individuals felt a pressure to demonstrate that they were not just consuming, but contributing. It’s amazing how that remains the same today.

“Then, as now, a fat body was a sign of a failing nation and community.”

Tuesday, May 23, 2017

Sam’s historical recipe corner: Brown Windsor soup

History Extra


In every issue of BBC History Magazine, picture editor Sam Nott brings you a recipe from the past. In this article, Sam recreates a hearty meat soup that was popular in the 19th century.

 The origins of Brown Windsor soup are unclear. No one is quite sure where the recipe originates, but it is said to be have been one of Queen Victoria’s favourite soups, and was often served at palace banquets.

 The soup seems to have been viewed in a comedic light in the second half of the 20th century, and was featured in television and radio comedy shows such as Fawlty Towers and The Goon Show. But despite this (or maybe because of it) and because I am a big fan of robust, meaty soups and stews, I was intrigued to see what Brown Windsor soup would taste like.

 I have to admit, sadly, I was a bit underwhelmed by the result. Perhaps with some tweaks to the recipe (less butter – lamb is quite fatty as it is – more seasoning and lots more fresh herbs, like thyme) the dish would be a bit more exciting. As it is, it seemed like a lot of effort for something that tasted rather plain and a bit fatty – and that looked very brown!

 Ingredients

• 2 tbsp butter
 • ¼ lb stewing beef
 • ¼ lb lamb steak or mutton
 • 4 cups of beef stock
 • 1 onion, sliced
 • 1 carrot, sliced
 • 1 parsnip, sliced
 • 2 tbsp flour
 • 1 bouquet garni (bunch of herbs)
 • Salt and pepper to taste
 • ¼ tsp chilli powder
 • ½ cup cooked rice (optional)
 • ¼ cup Madeira wine (optional)

 Method
Cut the lamb
 and beef into 1-inch cubes and roll in the flour.

 Place the butter in a large saucepan over a low- medium heat. Fry the meat off for three minutes and then add the rest of the flour. Fry for a minute longer until the butter and flour mix is a golden brown colour.

 Add the sliced vegetables and stir in the stock. Add the bouquet garni, partially cover the saucepan and simmer for two hours.

 Add the rice (if using). Stir in the Madeira wine (if using). Serve piping hot.

 Difficulty: 2/10

 Time: 2 hours, 15 mins

 Recipe based on Food.com This article was first published in the May 2015 issue of BBC History Magazine.

Saturday, April 22, 2017

7 Victorian jokes have been given a modern twist - and they're hilarious

History Extra


A team led by Dr Bob Nicholson from Edge Hill University is creating a new extensive database of Victorian jokes, which will analyse gags and semi-automatically pair them with an appropriate image (or series of images) drawn from the British Library’s digital collections and other archives.

 Historians, researchers and members of the public alike will be able to re-generate the pairings until they discover a good match (or a humorously bizarre one), to create their own meme that can then be shared on social media.

 Nicholson’s team will trawl thousands of Victorian newspapers in order to build up the joke database. The jokes will then be revived and brought up-to-date by the meme machine.

 “It will convert [Victorian] jokes into new forms of humour, inspired by the kinds of humour that do the rounds on the internet… We’re imagining Victorian jokes in new ways,” said Nicholson.

 Here we reveal seven of the Victorian jokes brought to life by the meme machine, which will be developed over the coming months: