Showing posts with label William the Conqueror. Show all posts
Showing posts with label William the Conqueror. Show all posts

Monday, September 15, 2025

Book Spotlight: The Price of Loyalty by Malve von Hassell

 

In a time of kingdoms and crusades, one man's heart is the battlefield.

Cerdic, a Saxon knight, serves Count Stephen-Henry of Blois with unwavering loyalty-yet his soul remains divided. Haunted by memories of England, the land of his childhood, and bound by duty to King William, the conqueror who once showed him mercy, Cerdic walks a dangerous line between past and present, longing and loyalty.

At the center of his turmoil stands Adela-daughter of a king, wife of a count, and the first to offer him friendship in a foreign land. But when a political marriage binds him to the spirited and determined Giselle, Cerdic's world turns again. Giselle, fiercely in love with her stoic husband, follows him across sea and sand to the holy land, hoping to win the heart that still lingers elsewhere.

As the clash of empires looms and a crusade threatens to tear everything apart, Cerdic must confront the deepest truth of all-where does his loyalty lie, and whom does his heart truly belong to?

Buy Link:

 Universal Buy Link: https://books2read.com/u/bpo2vg



Malve von Hassell is a freelance writer, researcher, and translator. She holds a Ph.D. in anthropology from the New School for Social Research. Working as an independent scholar, she published The Struggle for Eden: Community Gardens in New York City (Bergin & Garvey 2002) and Homesteading in New York City 1978-1993: The Divided Heart of Loisaida (Bergin & Garvey 1996). She has also edited her grandfather Ulrich von Hassell's memoirs written in prison in 1944, Der Kreis schließt sich - Aufzeichnungen aus der Haft 1944 (Propylaen Verlag 1994).

Malve has taught at Queens College, Baruch College, Pace University, and Suffolk County Community College, while continuing her work as a translator and writer. She has published two children’s picture books, Tooth Fairy (Amazon KDP 2012 / 2020), and Turtle Crossing (Amazon KDP 2023), and her translation and annotation of a German children’s classic by Tamara Ramsay, Rennefarre: Dott’s Wonderful Travels and Adventures (Two Harbors Press, 2012).

The Falconer’s Apprentice (namelos, 2015 / KDP 2024) was her first historical fiction novel for young adults. She has published Alina: A Song for the Telling (BHC Press, 2020), set in Jerusalem in the time of the crusades, and The Amber Crane (Odyssey Books, 2021), set in Germany in 1645 and 1945, as well as a biographical work about a woman coming of age in Nazi Germany, Tapestry of My Mother’s Life: Stories, Fragments, and Silences (Next Chapter Publishing, 2021), also available in German, Bildteppich Eines Lebens: Erzählungen Meiner Mutter, Fragmente Und Schweigen (Next Chapter Publishing, 2022).

Her latest publication is the historical fiction novel, The Price of Loyalty: Serving Adela of Blois (Historium Press, 2025).

Author Links:

Website: https://www.malvevonhassell.com/

Twitter / X: https://x.com/MvonHassell

Facebook: https://www.facebook.com/malvevonhassellauthor/

Instagram: https://www.instagram.com/mvonhassell/

Bluesky: https://bsky.app/profile/malvevonhassell.bsky.social

Book Bub: https://www.bookbub.com/authors/malve-von-hassell

Amazon Author Page: https://www.amazon.com/stores/Malve-von-Hassell/author/B0CTGLDQ7P/

Goodreads: https://www.goodreads.com/author/show/471746.Malve_von_Hassell

  


Tuesday, July 29, 2025

Book Spotlight: The Will of God by Julian de la Motte

 

"Deus Lo Vult!"

Gilles is the natural son of the Earl Waltheof, executed by William the Conqueror for supposed treachery. Raised in Normandy by Queen Matilda of England, Gilles is a young servant of Robert, Duke of Normandy, when the first call for a Holy War against the infidel and for the liberation of Jerusalem is raised in Christendom. Along with thousands of others, inspired by a variety of motives, intense piety mixed with a sense of adventure and the prospects of richness, Gilles becomes a key and respected follower of the Duke of Normandy and travels through France and into Italy to the point of embarkation for Constantinople and the land of the Greeks.

In this epic first phase of a long and gruelling journey, Gilles begins to discover a sense of his own strengths and weaknesses, encounters for the first time the full might and strength of the Norman war machine and achieves his much coveted aim of knighthood, as well as a sense of responsibility to the men that he must now lead into battle.

The Will of God is the literal translation of the Latin phrase "Deus Lo Vult"; a ubiquitous war cry and a commonly offered explanation of all the horrors and iniquities unleashed by the First Crusade of 1096 to 1099, when thousands of Europeans made the dangerous and terrifying journey to the Holy Land and the liberation of Jerusalem. It is the first of two books on the subject.

Praise for The Will of God:

"De la Motte has superpowers as a writer of historical fiction; he's a warhorse of a writer bred to stun and trample the literary senses. You won't stop turning the pages of The Will of God."

~ Charles McNair, Pulitzer Prize nominee and author of Land O'Goshen

 


 Buy Link:

 Universal Buy Link:  https://geni.us/uXe6u


Julian de la Motte is a Londoner. He graduated from the University of Wales with a degree in Medieval History. He was further awarded a Master of Arts qualification in Medieval English Art from the University of York.

He studied and taught in Italy for nearly four years before returning to the U.K. and a career as a teacher, teacher trainer and materials designer before taking up a new role as a Director of Foreign Languages and of English as a Foreign Language.

Married and with two grown up children, He is now extensively involved in review writing and historical research, primarily on medieval history.

''The Will of God'' [the first of two books on the subject of the First Crusade] is his third novel.

Author Links:

 Website: www.historiumpress.com/julian-de-la-motte

Facebook: https://www.facebook.com/julian.delamotteharrison.3

Amazon Author Page: https://www.amazon.com/stores/author/B08XWMRPYK

Goodreads: https://www.goodreads.com/author/list/20873400.julian_de_la_Motte

 


 

Monday, February 24, 2020

Spotlight on History Enthusiast Jon Marshall – actor, director, producer - History Roadshow




Jon Marshall has been interested in cinematography since his early years, having been a member of an 8 mm club in his home city of Sheffield, Yorkshire. His artistic expression in film and an insatiable love of history led to the creation of History Roadshow, providing video tours of English Heritage and National Trust properties showcased on YouTube.

Initially, chosen locations held personal memories of past visits, but public interest expanded his vision to include the myriad of sites throughout the United Kingdom. His membership with English Heritage and the National Trust gave him access to every location in the country, comprising a large catalog of famous and not so famous places of interest.

Recently, Jon decided to leave directing, embarking on an actor’s career to narrate the series personally. His work includes Conquest, Crown, and Charter. A trilogy of videos starting with the reign of William the Conqueror through that of King John and Magna Carta.

Jon’s latest endeavor includes another trilogy of videos, The Six Mothers in Law of Henry VIII.


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Friday, May 4, 2018

5 Bayeux Tapestry facts: what is it, why was it made and what story does it tell?

History Extra


The French president Emmanuel Macron recently announced that the Bayeux Tapestry is to go on display in the UK. But what exactly is the tapestry, how old is it, and why is it important?

 David Musgrove, publisher of BBC History Magazine, brings you five need-to-know facts about the Bayeux Tapestry…

 1 What is the Bayeux Tapestry and what story does it tell?
The Bayeux Tapestry tells one of the most famous stories in British history – that of the Norman Conquest of England in 1066, particularly the battle of Hastings, which took place on 14 October 1066.

The Bayeux Tapestry is not a tapestry at all, but rather an embroidery. A tapestry is something that’s woven on a loom, whereas an embroidery is thread stitched onto a cloth background. The tapestry is some 68m long and is composed of several panels that were produced separately and then eventually sewn together to form one long whole. In one case the joining of the panels is inexpertly done, as the marginal lines don’t match up precisely.

The tapestry tells the story of the Norman Conquest of England in 1066. The action actually starts a couple of years before the set-piece battle of Hastings, with a discussion between England’s King Edward, the Confessor, and his leading noble (who was also his brother-in-law), Harold Godwinson. The upshot of that conversation is that Harold sets off on a ship to France. He is shipwrecked and captured by a local nobleman there, and then is transferred into the hands of the powerful Duke William of Normandy. Curiously, they then head off together on a military adventure in Brittany, which Harold seems to enthusiastically take part in.

Harold’s time in Normandy ends with him making an oath to William on holy relics. The tapestry does not explain precisely what the nature of the oath is, but other Norman-inclined sources tell us that Harold was swearing to be William’s man in England and to uphold his bid to be king on Edward’s death.

Harold then goes back to England and has another meeting with Edward the Confessor. We don’t know what they talk about, but it’s presumably discussing his stay in Normandy. Then Edward dies, and Harold is declared king by the English nobles. A comet shoots through the sky, which is deemed to be a bad omen for Harold.

Then the action swings back to Normandy. William hears of Harold’s accession and immediately starts building a fleet. The ships cross the Channel and the Norman army establishes itself on English soil. They are shown pillaging, feasting and fortifying their position. Then we get to the battle of Hastings itself, which is portrayed in considerable detail. The upshot of course is that King Harold is slain, with the defeated Englishmen being shown fleeing the field in the last scene of the tapestry.

The ending is abrupt and many people have pondered on whether the tapestry was not actually finished, or has lost its final frames at some point over the centuries. If so, the end panels might have shown William being crowned king of England, as that was the ultimate consequence of the Conquest.

2 Who was the Bayeux Tapestry made for?
This is a question that has been much discussed by historians over the years. Given the fact that the tapestry broadly celebrates and sanctions William’s Conquest of England, for a long time it was considered to have been the work of his Queen Matilda, and the ladies of her court. That view is out of favour now, and the majority of historians would agree that the most likely patron was Odo of Bayeux, the half-brother of Duke William. Odo was a key supporter of the duke and a substantial landowner in both England and Normandy after 1066, as well as being the bishop of Bayeux.

The biggest pointer towards Odo’s likely patronage of the tapestry is that he has a disproportionally large role in the events portrayed, compared to his appearance in other historical accounts of the Conquest. It seems that the designers are going out of their way to stress the importance of Odo in the narrative. On top of that, the key oath scene in which Harold swears to William is depicted in the tapestry as having taken place in Bayeux (Odo’s bishopric), which conflicts with other documents that say the event happened elsewhere in Normandy. Plus, aside from the main historical figures, there is the curious mention of several otherwise insignificant characters in the tapestry, and their names match those of men we know to have been Odo’s retainers.

Other candidates are also in the frame, though: Edward the Confessor’s widow, Queen Edith, has been suggested. She also features in the tapestry and would have had cause to want to show herself in a good light to William after the Conquest, so what better way than commissioning a tapestry that supports his claim to the throne?

Alternatively, it might have been made on the orders of William himself. Clearly he would have been keen to have a permanent record of his victory and his right to have claimed the throne.

Whoever ordered the creation of the tapestry, the follow-up question is – who actually made it? There are a lot of indications to suggest that it was most likely produced in England by English embroiderers. The Latin textual inscriptions above the story-boards use Old English letter forms, and stylistically the work has parallels in Anglo-Saxon illuminated manuscripts. Plus, some of the vignettes in the tapestry appear to be based on designs that we know were found in manuscripts held in the library of a monastery in Canterbury, so there are those who argue that it was actually made not just in England, but more precisely in Canterbury.


The battle scenes in the Bayeux Tapestry have taught military historians about fighting techniques in the 11th century. (Photo by Walter Rawlings/Robert Harding/Getty Images)

3 When was the Bayeux Tapestry created and why is it important?
We do not have a precise date for when the Bayeux Tapestry was created but the academic consensus is that it must have been produced very soon after the events it depicts. This means that it is a key primary source for students of the Conquest period. The tapestry contains a considerable amount of information not only about the political events surrounding the Conquest story, but also about other aspects of military, social and cultural history. Historians of clothing have gleaned much about Anglo-Saxon and Anglo-Norman garment styles and fashions from the depictions shown in the tapestry, while academics interested in early medieval ship-building, sailing and carpentry have likewise learnt much from the sections dealing with the construction and voyage of William’s invasion fleet.

Military historians have studied the arms and armour shown in the tapestry and analysed the battle scenes to learn more about military techniques and practice at the time. Architectural experts have also been able to interrogate the tapestry for information about building types and materials in the 11th-century from the portrayals of the various structures shown in the story.

So the tapestry is a rich source of information on many aspects of Anglo-Norman life, society, culture and history. But more than that, it’s an astounding and amazing survival of a work of art that is almost 1,000 years old. Its significance derives as much from that as from what it tells us when we study it.

4 Is the Bayeux Tapestry a reliable source of information?
 Is any historical primary source of information entirely reliable? No – unless you understand the context of the time in which it was produced, and the motives of those producing it. That’s why the question of who had the tapestry made is critical in helping us to interpret what it tells us. As discussed above, the most likely candidate as the patron of the tapestry is the Norman nobleman Odo of Bayeux, half-brother of William the Conqueror. However, layered on top of that is the likely fact that the actual design and embroidery work was probably done in England, by English hands.

So, although the tapestry is on the face of it a work of art designed to celebrate and legitimise William’s conquest of England, there is also an undercurrent of sympathy to the defeated Anglo-Saxon cause running beneath it. In some ways, the tapestry appears to agree with the Norman narrative of events, as described in the work of writers such as William of Jumieges and William of Poitiers. However, it is also surprisingly respectful of William’s enemy, King Harold II, who is shown as a great and brave lord, rather than just a deceitful usurper.

What’s important to note is that as a source of information on the political events to the Conquest period, the tapestry actually offers very limited definitive evidence. The Latin inscriptions that run above the pictorial narrative are terse and limited in number. This ambiguity means we do not know, for instance, what Edward the Confessor and Harold are discussing in the first scene of the story. Nothing is said other than ‘King Edward’ above the frame, so we are entirely in the dark about the meeting and must infer from other sources as to what the designers are trying to tell us. That is a problem that persists throughout the tapestry, where we are constantly invited to infer what is happening from the pictures, rather than being told what is happening with words.


Maritime historians have learnt much about ship-building from the scenes in the Bayeux Tapestry depicting William’s fleet under construction. (Photo by DEA/M. Seamuller/Getty Images)

5. What was the Bayeux Tapestry used for?
This is a difficult question to answer, if we are focusing on the immediate post-Conquest period, because we have no evidence whatsoever to call upon. Assuming that the patron of the tapestry was, as is widely accepted today, Bishop Odo of Bayeux, then it may have been used to decorate the cathedral that he had constructed in Bayeux during his lifetime. It may even have been designed as an ornament for the consecration of that building in 1077, though some historians dispute that.

Presumably whoever did have the tapestry made would have wanted others to come view it and share in the story it tells, as well as be impressed by the magnificence of both the patron (for being the benefactor of such a great work), and of Duke William himself for orchestrating his victory. How that would have happened is not clear – if it was displayed in a cathedral, illumination would have been dim to say the least.

The tapestry could perhaps instead have been displayed in a secular building, or it could have been displayed temporarily and then stored away, maybe being brought out for particular gatherings, when there was someone on hand to tell the story in person as well.

What we do know is that from at least 1476 onwards, the tapestry was held in Bayeux Cathedral (we don’t know where it was prior to that) because it’s detailed in an inventory of that date. It was traditionally brought out for display in the cathedral at a certain point in the year, and then stored away. This helps to explain why the tapestry survived at all – it wasn’t on permanent view and thus not subject to the risks of being regularly exposed to the elements.

As we move forward into more recent times, the tapestry has continued to have a propaganda purpose. Napoleon considered it important when he was readying his plans to invade Britain at the start of the 19th century and had it brought to Paris for display. In the Second World War it was again deemed a useful tool by the Nazis, where it was studied as part of a research project to demonstrate the Germanic origins of European culture (and moved to Paris for safe-keeping).

David Musgrove is the publisher and former editor of BBC History Magazine.

Wednesday, October 26, 2016

Occupation, resistance, subjugation: the bloody aftermath of 1066

History Extra


The Harrying of the North. Gouache on paper, by Patrick Nicolle (1907–95). Private collection. (© Look and Learn/Bridgeman Images)

For several years after the battle of Hastings, England was riven by conflict as the invaders fought to extend and consolidate their rule in the face of native resistance and incursions from outside the kingdom.
In the weeks immediately following the battle, William ravaged the southern shires before marching on London. Having secured the city’s submission that December, he was crowned king of the English on Christmas Day, ushering in a new French-speaking ruling dynasty.
Over the winter of 1069–70, the conflict reached its climax with brutal attacks on the civilian population of England – among the worst atrocities ever to take place on British soil. In a campaign that became known as the Harrying of the North, William’s knights comprehensively laid waste to Yorkshire and the neighbouring shires, razing entire villages and putting their inhabitants to the sword, slaughtering livestock and destroying stores of food.
This ‘scorched-earth’ operation was one of the defining episodes of the Conquest, not just from a military-political perspective but also because it shaped modern perceptions of the Normans as a tyrannical and merciless warrior class. But how had it reached the point that such brutal measures were considered necessary, and why was the north targeted?

Early difficulties

When William set sail from Normandy in 1066, he could not have dreamed of a more complete and decisive victory than that he won at Hastings. Harold lay dead, along with his brothers, Gyrth and Leofwine, and many other influential noblemen who might otherwise have helped continue the resistance struggle against William.
Yet in those early months of the Conquest, the invaders’ position was precarious. There may have been only 20,000 Normans in England – possibly fewer – attempting to control a country with a population of about two million. Outnumbered in a foreign land, it was perhaps to be anticipated that the conquerors’ paranoia should soon spill over into violence.
Some of this stemmed from misunderstanding. At William’s coronation, Norman guards stationed outside Westminster Abbey misconstrued the shouts of acclamation by Englishmen inside as hostile yells. Panicking, the guards set fire to neighbouring houses and called to those inside the church to flee to fight the flames. Only the clergy and William himself – trembling violently, we’re told – remained within to continue the ceremony.
The coronation of William the Conqueror in Westminster Abbey on Christmas Day 1066. Produced by a Flemish artist in the 15th century. From ‘The Island Race’, a 20th-century book that covers the history of the British Isles from the pre-Roman times to the Victorian era. Written by Sir Winston Churchill and abridged by Timothy Baker. (Photo by Universal History Archive/UIG via Getty Images)
It wasn’t long, however, before the first sparks of genuine insurrection flared. In the summer of 1067, while William was absent from England, a thegn named Eadric (known as se wilda – ‘the Wild’) joined forces with King Bleddyn of Gwynedd and King Rhiwallon of Powys to launch raids on the Normans in Herefordshire. Also that year the men of Kent, who had taken up arms against the invaders, joined forces with Eustace, count of Boulogne, who sailed across the Channel and attacked Dover but was swiftly repelled.
The unrest continued into the following year. In the early weeks of 1068 the citizens of Exeter – including Harold’s mother, Gytha – rose up, and sent letters to other towns in the south-west exhorting them to do the same. In response William laid siege to the city, which held out for just 18 days before surrendering. A few months later, Harold’s sons launched raids on Somerset, Devon and Cornwall with a fleet of 52 ships. They pillaged widely but failed to establish a foothold – if, indeed, that was ever their intention – and withdrew to Ireland with their plunder.

 

Co-ordinated resistance

Up to that point, the risings had been local in nature and were swiftly suppressed before any significant damage could be done. Concerted and widespread rebellion against Norman rule was slow to develop, perhaps due to a lack of clear leadership in the aftermath of Hastings. However, in the summer of 1068 at last a more cohesive resistance began to take shape.
The principal instigators were Edwin and Morcar, the titular earls of Mercia and Northumbria respectively, whose authority had been severely curbed since 1066. Under the new regime they exercised little real power, and William had handed over parts of their earldoms to his supporters.
Several Northumbrian nobles rallied to Edwin and Morcar’s cause, as did Bishop Æthelwine of Durham and King Bleddyn of Gwynedd. One of our principal sources for this period, Orderic Vitalis, wrote that the leading men of both England and Wales came together and sent out messengers across Britain to foment insurgency. “A general outcry arose against the injustice and tyranny which the Normans and their comrades-in-arms had inflicted on the English,” he wrote. “All were ready to conspire together to recover their former liberty.”
Despite such efforts, the rebellion proved to be short-lived; resistance quickly crumbled as William swept through the English Midlands. In an effort to impose control, the Conqueror established castles in major English towns: Warwick, Nottingham, York, Lincoln, Huntingdon and Cambridge.
Nevertheless, it was the first large-scale coordinated resistance the Normans had faced, and a sign of things to come. Even by early 1069, William’s hold on England was not assured; indeed, he was still not master of the entire kingdom – his authority extended no farther north than York. Beyond lay the vast and troublesome region of Northumbria, which had thus far resisted his attempts to bring it under his control – and it was from there that the greatest threat to his rule would emerge.
Warwick Castle. The first castle to appear on the site was a wooden motte and bailey constructed in 1068 at the command of William the Conqueror. (© David Steele/Dreamstime.com)

 

The crisis of 1069

William’s early attempts to assert control over the Northumbrians had seen him appoint native English earls – first Copsig, then Gospatric – to govern them. Both appointments had been dismal failures: Copsic was assassinated by a rival in 1067, while Gospatric defected in 1068 to support Edwin and Morcar. Finally, in January 1069, William sent one of his own men, Robert Cumin, at the head of an army to take the region by force – only for the Norman troops to be ambushed and slaughtered at Durham.
Worse was to come. In the summer of 1069 the Normans found themselves at the centre of a perfect storm as their many enemies all began marching at once. Foremost among those foes was a coalition of Northumbrian noblemen, including Gospatric but headed by Edgar Ætheling, grandson of the short-reigning King Edmund Ironside (r1016). Edgar, still only around 17 years old in 1069, Edgar had bid for the crown before: in 1066, after Harold’s death, he had been briefly acclaimed king by Archbishop Ealdred of York, backed by Edwin, Morcar and the men of London.
The Northumbrian threat was compounded in August when a Danish invasion fleet numbering some 240 or 300 ships (depending on which source we believe) arrived in the Humber, from where Vikings had previously launched several invasion attempts. The Northumbrians and Danes swiftly formed an alliance, and together attacked York.
Meanwhile there was further trouble on the Welsh border, where Eadric the Wild had once more allied himself with the Welsh kings, and also this time with the men of Chester. The men of Devon and Cornwall were in revolt at the same time, though it’s unlikely that these risings were all co-ordinated; rather, the impression given by the sources is that their timing was coincidental. Nonetheless, the crisis tested the Normans to the limit and marked a crucial turning point in the Conquest.
Leaving his deputies to tackle the insurrection in the south-west, William first confronted Eadric and his allies, crushing them at Stafford, before marching north. He reached York a little before Christmas only to find that, on hearing of his approach, the Northumbrians and their Danish allies had strategically withdrawn, the former to hiding places in the hills and woods, the latter to their ships on the Humber.
Frustrated by his failure to meet his principal enemies in battle, William was forced to adopt a new strategy. First, he secretly approached the Danes, promising them a vast amount of silver and gold if they would leave England in the spring, to which they readily agreed. William then turned his attention to the recalcitrant Northumbrians. Shortly after Christmas 1069 he divided his army into raiding parties, which he dispatched to carry out the now infamous Harrying of the North.

William the Conqueror. (Photo by Culture Club/Getty Images)

Shock and awe

The objective of the campaign was twofold. First, William sought to flush out and eliminate the Northumbrian rebels. More importantly, by comprehensively destroying the region’s resources, he sought to put an end to the cycle of rebellions in the north by ensuring that any future insurgents – or invading Viking armies – would lack the means to support themselves.
In a way, it was an admission that his previous policies regarding the northerners had failed. On two occasions he had installed one of their own to govern them – both times without success – and his single attempt to take the region by force had proved a costly disaster. In the end, William seems to have decided on a destructive strategy: if Northumbria could not be his, he would leave nothing there for his enemies.
The Harrying was as efficient as it was effective. William’s armies, we’re told, spread out over a territory that spanned 100 miles, reaching as far north even as the River Tyne. The 12th-century chronicler John of Worcester wrote that food was so scarce in the aftermath that people were reduced to eating not just horses, dogs and cats but also human flesh.
Orderic Vitalis, a contemporary of John, claims that as many as 100,000 people perished as a result of famine in the following months – a significant proportion of the total population of England. Though we might be rightly suspicious of Orderic’s round total, a figure somewhere in the tens of thousands is not hard to believe – which would make the death toll of the Harrying comparable in magnitude to that of the dropping of the atomic bomb on Hiroshima in 1945.
While Yorkshire and the north-east bore the brunt of William’s wrath, parts of Lincolnshire, Cheshire, Staffordshire and Shropshire also suffered. The resulting refugee crisis saw survivors fleeing as far south as Evesham Abbey in Worcestershire, where a camp was established by Abbot Æthelwig, who ensured that food was distributed to the survivors. The abbey’s chronicle relates, though, that many of those starving folk died not long after their arrival “through eating the food too ravenously”, and that the monks had to bury five or six people every day.
The affected region took a long time to recover. Symeon of Durham, another 12th-century author, wrote that for nine years after the Harrying no village between York and Durham was inhabited, and that the countryside remained empty and uncultivated. Even 16 years after the event, in 1086, when the great systematic survey of England known as Domesday Book was compiled, one-third of the available land in Yorkshire was still listed as vasta (waste).
Over the course of just a few weeks, then, William not only clearly demonstrated the punishment awaiting those who rose against him, but also snuffed out any remaining hopes the rebels might still have of someday driving out the invaders. It’s true that there were further risings in the years to come, but William never again faced a crisis of the same magnitude as he did in 1069.
What Hastings had heralded, the Harrying confirmed. The Normans were here to stay.
James Aitcheson studied history at Emmanuel College, Cambridge. He is the author of four novels set during the Norman conquest; the latest, The Harrowing (Heron, 2016), follows five English refugees fleeing the Normans during the Harrying of the North.
To listen to our podcast on the story and legacy of the Norman Conquest, click here.

Tuesday, October 25, 2016

The 1016 Danish Conquest that led to the battle of Hastings

History Extra

Following the battle of Maldon in AD 991, Æthelred’s court paid the Vikings to leave in the form of Danegeld. (Chronicle/Alamy Stock Photo)

Everyone’s heard of 1066: Harold of England (allegedly) got an arrow in the eye and William the Conqueror became king of England. England was dragged out of the northern, Germanic world, into the orbit of France and a different culture of arts and architecture and social organisation. It was the last time, so folklore goes, that England was invaded. But what most people haven’t heard about is the other time England was conquered and had a foreign king sit on the throne. It is that conquest, the Danish Conquest of 1016, that brought about the end of Anglo-Saxon England and, more importantly, put into motion the events of 1066.

Setting the scene

Let us go back to the world that brought about the Danish Conquest – the end of the reign of that other well-remembered figure, Æthelred the Unready. Æthelred’s name was the compound of ‘Æthel’ and ‘raed’, which meant ‘noble-counsel’. His nickname was ‘Un-read’, meaning ‘bad council’ and was a polite way of describing how inept he was.
Æthelred was the son of Edgar the Peaceable and his second wife, a Game of Thrones’ Cersei Lannister of the Anglo-Saxon period: beautiful, ruthless and prepared to risk all for her child. Ælfthryth was the result of a marriage between the ealdorman of Devon and her mother, a member of the Wessex royal family. The Wessex kings had long built up both patronage and familial links throughout their old heartland of Wessex through long friendships and marriages like this.
A story, written by William of Malmesbury, said that when King Edgar was looking for a wife he sent someone from his court, a man named Æthelwald, to see if Ælfthryth was as beautiful as she was rumoured to be. But Æthelwald was so struck by the beauty of this young girl that he lied to the king and ended up marrying her himself. But rumours could not be silenced, and when King Edgar decided to see the girl for himself, Æthelwald, in panic, insisted that his wife try to appear as unattractive as possible. But Ælfthryth did the opposite and turned herself out in all her finery. King Edgar was smitten; Æthelwald was killed hunting, and with his death Ælfthryth’s route to the queen was open. Æthelred was the product of that union.

Silver penny of Æthelred the Unready. (Photo by Werner Forman/Universal Images Group/Getty Images)
Edgar died in 975 leaving two sons: Edward (born from a previous marriage) and the minor Æthelred. Edward was clearly the best choice and ruled for nearly three years, until a fateful day at Corfe Castle when, while visiting his young brother, he was dragged from his horse and murdered by retainers of the queen. Æthelred would reign for the next 38 years, and so started one of the longest – and most disastrous – reigns of medieval England.
The poem ‘The Battle of Maldon’ talks of the battle in 991, when Ealdorman Bryhtnoth, a leading figure in the Æthelred court, was killed in battle against a Viking army. The poem speaks eloquently of the military ethos that Bryhtnoth’s retainer Brythwold felt, declaring that he would die at his lord’s side rather than run from the battle. But many other men, who would be faced with the same choice, would find their resolution less ironclad.

Money matters

Following the battle of Maldon in AD 991 [in which Earl Byrhtnoth and his thegns led the English against a Viking invasion, ending in an Anglo-Saxon defeat], Æthelred’s court turned to a policy that had worked before, paying the Vikings to leave in the form of Danegeld, which was paid in silver coin and bullion. That first Danegeld was 10,000 pounds of silver. By 1002 the sum was 24,000 pounds, but while Viking sea-kinds swore oaths not to return to England, many of their followers did not feel similarly bound, and instead clustered around the country like wolves around a wounded beast.
The attacks on England came almost yearly, with Viking armies living parasitically in England for most of the next 10 years, and the sums of silver paid to them began to spiral out of control. By 1009, 48,000 pounds of silver was paid to Thorkell the Tall to leave England.
Normandy had been a haven for the Viking fleets, which would take their slaves and silver across the Channel to sell it off. In an effort to close off the seaports, Æthelred married Emma, daughter of Richard I, Duke of Normandy, as his second wife. It was the son of this union, Edward the Confessor, who would end up as king of England in 1042.
Statue to Byrhtnoth, leader at the battle of Maldon in AD 991. (Les polders/Alamy Stock Photo)
The thousands of pounds of silver paid to the Vikings were also having a profound effect on the places where the Vikings were coming from; giving young Viking aspirants so much wealth that they could return home and, through gift-giving and patronage, make themselves kings. Both Olaf Tryggvason and Saint Olaf were young sea kings who benefited from the events of this period.
But the wealth and power that such amounts of silver gave chieftains threatened established kings. At the same time the kings of Denmark were building an aggressive, powerful and Christian new state, and the ambitious Swein Forkbeard, who like Philip II of Macedon had fashioned his fledgling country into an aggressive and powerful military power, seems to have decided that if others could shear the fat English sheep, then he could do one better, and take over the whole flock. So, in 1013 Swein Forkbeard sailed into the Humber, the old heart of the Danelaw, and declared himself king. Æthelred was unable to respond, and the country, it seemed, was finished with the House of Wessex.
Archbishop Wulfstan’s 11th-century work ‘Sermon of the Wolf’ lists the social ills that he saw throughout Anglo-Saxon England: theft, slavery, perjury, fornication, murder, worshipping false gods and other misdeeds. The fabric of English society had been stretched to the point of tearing and now the country seemed barely able to resist.
While the fighting had taken a toll on the traditional aristocracy, continual taxes had a much more profound affect. Anglo-Saxon taxes were levied on manorial estates. If you were unable to pay the taxes for your land then your land was forfeit: if someone else paid the tax for you then the land became theirs. The repeated imposition of these taxes and new ones (such as the 1008 taxes used to build a fleet of ships), combined with Viking raiding and pillaging across large swathes of the country, saw the heartlands of Wessex power reduced to penury. The social breakdown of this period cannot be exaggerated. It went on for so long that faith in the House of Wessex began to erode. Nothing, it seemed, would solve the problem.

Changing tides

But chance gave Æthelred a second shot. On the day after Candlemas, 3 February 1014, Swein Forkbeard died and his second son, Cnut, returned to Denmark rather than fight. Æthelred had fled to the Duchy of Normandy, where his wife, Emma, was from, and he was brought back to England “saying that he would be their faithful lord – would better each of those things that they disliked – and that each of the things should be forgiven which had been either done or said against him; provided they all unanimously, without treachery, turned to him”.
But just as Philip II of Macedon had been followed by a keener and more ambitious son, so it was with Swein, whose son, Cnut, returned two years later determined to finish the war his father had started. The Wessex heartlands gave up on Æthelred in 1015. The Anglo-Saxon Chronicle notes, laconically, “The West-Saxons also submitted, and gave hostages, and horsed the army”.
Æthelred died on St George’s Day 1016, too late, it seemed, to do anything but allow Cnut to take all of England. But Æthelred’s eldest living son, Edmund Ironside, had not got the memo, and set about raising forces to throw the Danes out. He fought six battles that summer and seemed set to stage a great revival, until he was betrayed in battle by Eadric, the Ealdorman of Mercia. Edmund and Cnut agreed to split the country into two, but Edmund died shortly after, either from wounds from battle or assassination. It is Edmund Ironside who is really the last Anglo-Saxon king because what followed after was an Anglo-Danish state in which Earl Godwin, father of Harold Godwinson, rose to power.

Stained glass image of King Cnut from Canterbury Cathedral. (Photo by CM Dixon/Print Collector/Getty Images)
Godwin was probably the son of a minor but successful thane in Sussex named Wulfnoth Cild. Sussex was outside the traditional Wessex heartland, and his rise to power seems to have put out of joint the noses of older and more prestigious houses – scandalous stories arose of his humble background.
Godwin was a skilled politician with a keen nose for the direction of the wind. You can trace this in the names of his children: his first sons were all named after Danish kings – Swein, Harold, Tostig, Gyrth; but after Cnut’s death he switched to Anglo-Saxon names, Leofwine and Wulfnoth. But despite the names the facts remained: Godwin had married a member of the Danish royal circle and his children were half Danish. Like their cousin, Beorn Estridson, they were part of an international aristocracy that looked across the North Sea and saw it as part of their own world.

Fractures

The fracture of 1016 ran through the next 50 years of English history. When Edward the Confessor was king he seemed an unhappy prisoner of his earls, unable to impose his royal will without their support. When the showdown came between him and Earl Godwin, the only remaining heir of the House of Wessex had to rely not on his family’s heartland, but on the earls of Mercia and Northumbria. The deep connections between king and country that allowed Æthelred to stagger on for so long had gone. The political climate of England had changed. Power was now vested more in the earls than the throne.
So while the struggles with the Danes brought Queen Emma to the court and a Norman bloodline that would be used as a screen of legitimacy by William the Conqueror, it was really 1016 that set the stage for 1066. Wessex, which had been old when Alfred took the throne, had over the centuries shown itself to be the most resilient of fighters. It had an uncanny ability to be knocked down and to stand back up again, and with Edmund Ironside’s brilliant campaign of 1016 it showed a last, final, brilliant display of resilience.
But with Edmund’s death, pugnacious Wessex was gone. What rose from the ashes was an Anglo-Danish state with new men in charge who did not have long lines of lineage and links with the Wessex royal family. Despite the wealth and the power, there was a fragility to the England of 1066, which was apparent in the months after Hastings, when England was riven by conflict.
Harold Godwinson might have been a member of the Danish royal family, but he was not of royal English blood, and even though he left grown sons, it seems that they could not command the same bloody-minded resolve from the men of England that Edmund Ironside had. Rather than dubbing him the last Anglo-Saxon King, Harold Godwinson should be thought of as the last Anglo-Danish king.
Justin Hill is the author of Viking Fire (Little, Brown 2016), which tells the true story of Harald Hardrada, the last Viking. Hill is also the author of Shieldwall (2011) about the Danish Conquest in 1016, a Sunday Times Book of the Year.
To listen to our podcast on the story and legacy of the Norman Conquest, click here

Monday, October 24, 2016

Reassessing William the Conqueror

History Extra



William the Conqueror. Unknown artist, c1590-1610, National Portrait Gallery, London. (Photo by VCG Wilson/Corbis via Getty Images)

To be asked to write about William the Conqueror is to be offered a wonderful opportunity to present some of the fruits of new research, but also to challenge some of the deeply entrenched assumptions about the man and his times.
Serious politics, with complex roots in England’s and northern Europe’s past were involved, and at the heart of everything was England’s relationship with Europe (a topical subject, of course, in 2016). When we take this broader perspective, 1066 becomes a succession crisis with Europe-wide ramifications, where we can think in terms of ‘European change’, rather than using the simplistic label ‘Norman’ to describe the changes that occurred. Indeed, we must abandon the notion that William’s conquest was the cause of these changes, and leave behind simplified notions of nationalism and national identity – while at the same time recognising that England is indeed distinctive in many ways.
After 1066, the cross-Channel empire that William’s conquest created lasted until 1204, both continuing this distinctiveness and radically changing it and England’s relationship with Europe. Because of all this, we can only reach a full understanding of William’s place in history if we locate him within a period that lasts from around 900 to around 1300.

Childhood

In trying to understand William’s personality at a distance of nine-and-a-half centuries, it’s important to challenge the notion that his childhood and adolescence were profoundly disturbed times and that this was the result of his ‘illegitimate’ birth. Although his parents – Robert, duke of Normandy, and Herleva – were not married, theirs was a long-term and presumably stable relationship; just like the often-romanticised relationship between Harold and Edith ‘Swan-Neck’, who were also not married. William was certainly always intended for the life of an aristocrat and was trained for that role.
There were two short periods of turbulence during his mid- and late-teens during a struggle for influence at court, out of which he was already resilient enough to emerge victorious. The survival in the literature of what are often termed ‘Victorian values’ in relation to the subject of ‘William the Bastard’ is therefore quite astonishing to me. The influences that we might identify as crucial are the early death (on pilgrimage) of a capable father and the culture of medieval warrior rulership, of which there were some formidable practitioners in northern France, such as the counts of Anjou, Fulk Nerra (count from 987 to 1040) and Geoffrey Martel (count from 1040 to 1060), to which William had to measure up. William had a strong sense of personal entitlement that sometimes translated into quite exceptional ruthlessness; the ‘Harrying of the North’, of which more later, will forever be the benchmark against which he is assessed.

William the Conqueror. (Photo by Hulton Archive/Getty Images)

 

Generosity

There is a puritanical quality about William that was expressed in many ways. One of these was that, one probably false story notwithstanding, he was faithful to his wife, Matilda, and gave her a notably extensive share in his authority as king of the English and duke of the Normans. Another is that he was an extremely generous patron of churches, becoming so on a European scale after 1066; his son-in-law, stopping off at Constantinople on the First Crusade, wrote back to his wife in France that he had seen nothing as grand as the buildings and religious communities supported by William’s and Matilda’s generosity until his visit to the great imperial city.
When it comes to the exercise of power, however, it looks as if William never truly forgave anyone who opposed him, with consequences for England after 1066 that were devastating for many. Such figures are pretty common throughout history, however, and not just in the history of medieval kings.
My own work, discovering and editing unpublished charters in France, has had a significant effect on aspects of the narrative of William’s life and introduced new or neglected material into it. Evidence scarcely utilised since the 19th century can also make a significant difference. To select one example from many, a Flemish charter dating to the year 1056 shows that Guy, count of Ponthieu, Harold’s supposed captor when he landed in France in 1064 on the journey that culminated in his swearing his fateful oath to William, had met the future king before.
A second is the story of William’s prostration in 1069 before Archbishop Ealdred of York, the man who had crowned him king of the English, to beg his forgiveness for the conduct of some royal officials. This has seemingly scarcely been noticed throughout the whole of the 20th century.
In relation to the first story, the statement by the major early 12th-century historian William of Malmesbury that Harold had a secret agenda when he went to France has led to a lot of speculation in some recent publications. Conspiracy theories abound! Suffice to say that there was one man who it was in both Harold’s and William’s interests to portray as a villain. And that was Guy.
William’s capacity to attract support in 1066 for a very risky enterprise is striking. This – returning to medieval warrior rulership – must have been because he was seen as a good soldier likely to win battles, but also as someone who would distribute appropriate rewards and sustain morale by conveying a sense of legitimacy; in this scenario the dedication in June 1066, as the invasion fleet was assembling, of Matilda’s monastic foundation of La Trinité of Caen assumes great importance. As also does their handing-over during the ceremony of their approximately seven-year-old daughter Cecilia as a child oblate destined in adulthood to become a nun.

Matilda of Flanders, wife of William the Conqueror, c1053. (Photo by Hulton Archive/Getty Images)

The Harrying of the North

These qualities associated with effective warrior rulership, expressed in William’s case through a combination of rectitude and extreme violence, are evident in England after 1066. When it comes to the Harrying of the North of 1069–70, an innovative combination of environmental history and Domesday Book evidence holds the key. Land recovers rapidly from deliberate devastation, but people and the animals required to cultivate it do not. Sixteen years later, in 1086, Yorkshire still had a huge deficit of people and oxen.
Oxen, if they can be bred in sufficient numbers, are unruly animals that take around five years to grow and to be trained to pull a plough. They are also crucial to the provision of manure. What William did in Yorkshire was to systematically destroy long-term livelihoods. Yet, as always, there is scope for debate. The result brought England closer to peace and deterred invaders.
Indeed, violence against non-combatants, including women and children, was an aspect of the political and military culture of the Middle Ages. Was what William did worse than the many other examples we know about? And finally we must be aware that, earlier in 1069, a revolt in Maine, the region around the great city of Le Mans over which William had taken control in 1063, had overthrown his rule there. It must perhaps have seemed that all William had accomplished was falling apart. Yet we should be aware that the scale of the violence he employed was a source of controversy and debate among his contemporaries across Western Europe.

William’s kingdom

The English kingdom that William conquered has justifiably acquired the reputation of having developed into a precocious and well-organised state from the time of King Æthelstan in the middle of the 10th century onwards. But, in terms of England’s relationship with Europe, the crucial point is that the English state drew heavily on the legacy of the Carolingian Empire. In other words, while the relationship with Europe produced invasions, at this time mostly from Scandinavia, it also provided cultural resources that were central to the English kingdom’s exceptional qualities, this time from the heartlands of the Carolingian Empire in France and Germany, and of course from the papacy and great monasteries such as Fleury-sur-Loire.
This precocity also provided structures that enabled kings such as Æthelred and Cnut to raise quite extraordinary sums in taxation. But this was also a time of extensive immigration, some of it associated with conquest. Although study of this period nowadays generally rejects simplified labels such as ‘Scandinavian’ and ‘English’, it does acknowledge diversity and multiculturalism. It is also the case that it produced Cnut’s conquest of 1016, an event inextricably linked to William’s conquest, since it drove the young Edward the Confessor into exile in Normandy and northern France, eventually making William a player in the drama.

Stained glass window of King Cnut from Canterbury Cathedral. (Photo by CM Dixon/Print Collector/Getty Images)

What if…

What would have happened if Harold had won the battle of Hastings is of course unknowable. However, since Romanesque architecture and variants on the style of aristocratic residence known as the castle reached parts of Europe that were not conquered by anyone, they would surely have arrived in England; the former was already doing so with Edward the Confessor’s Westminster Abbey and the residences of pre-1066 English aristocrats may have resembled the ring-works of the early post-Conquest period more than was once thought.
Major developments such as the growth of parish churches had begun in around 1030 and so-called planned villages were also evolving long before 1066. William’s insistence on grandeur and display did make a great difference after 1066 in ways that were very influential. But the labels ‘Norman’ and ‘English’ often do not fit. A great building such as the new Winchester cathedral was greatly influenced by the cathedral of Speyer in Germany. The surviving west front of Lincoln cathedral was modelled on the Arch of Constantine in Rome. Meanwhile, a smaller building such as the Rougemont gatehouse of Exeter castle has Anglo-Saxon features; an example of cooperation between victors and defeated. And so on.
It was as if it was William’s new status as a king that made the difference, not his status as a Norman. And the sources of inspiration were not based in Normandy. It was as if recognition of a new status and human resilience created much that was new in the crucible of triumph, trauma and catastrophe. The long-term links with Normandy and territories beyond then provided the basis for evolutionary change that emphasised further influences from Europe, and especially France.
A speculative thought is that Magna Carta would not have happened if Harold had won. The tradition of royal promises to rule well did indeed have a past in England before 1066. But the circumstances that produced Magna Carta derived from King John’s loss of the cross-Channel empire created by William the Conqueror. These events would surely not have occurred if England’s kings had continued to be only England-based. England’s multi-faceted relationship with Europe is central to this. Many must have debated the pros and cons of England’s multi-faceted relationship with Europe in the period from around 900 until around 1300. Just like in 2016 – again. In the end, however, the commemoration of the 950th anniversary of 1066 must be marked by a remembrance of the thousands of unnamed victims of violence deployed by William, Harold and others in what was believed to be a legitimate cause.
David Bates is professorial fellow at the University of East Anglia. His latest book is William the Conqueror (Yale University Press, 2016).
To listen to our podcast on the story and legacy of the Norman Conquest, click here.
  

Sunday, October 23, 2016

10 surprising facts about William the Conqueror and the Norman conquest

History Extra

William I the Conqueror, king of England from 1066–87. (Photo by Hulton Archive/Getty Images)

1) No one at the time called William ‘the Conqueror’

The earliest recorded use of that nickname occurs in the 1120s, and it didn’t really take off until the 13th century. At the time of his death in 1087, William was called ‘the Great’ by his admirers, and ‘the Bastard’ by his detractors; the latter a mocking reference to his illegitimate birth (he was the son of Robert I, Duke of Normandy, and his mistress Herleva).

2) Every major church in England was rebuilt as a result of the Norman conquest

The Anglo-Saxons were not famed for building in stone, and during the first half of the 11th century had not embraced the new architectural style, now known as ‘Romanesque’, that had become fashionable on the continent. Before 1066, the only major Romanesque church in England was Edward the Confessor’s new abbey at Westminster, still not quite finished at the time of the king’s death on 5 January that year.
Normandy, by contrast, had experienced a church-building boom during the rule of William the Conqueror, with dozens of new abbeys founded and ancient cathedrals rebuilt. After the Conquest, this revolution was extended to England, beginning with the rebuilding of Canterbury Cathedral from 1070. England had 15 cathedrals in the 11th-century. By the time of William’s death in 1087 nine of them had been rebuilt, and by the time of the death of his son Henry I, in 1135, so too had the remaining six. The same was true of every major abbey. It was the single greatest revolution in the history of English ecclesiastical architecture.
Canterbury Cathedral. (© Claudiodivizia/Dreamstime.com)

3) The Norman conquest introduced castles to Britain

Castles were a French invention – the earliest examples were built around the turn of the first millennium along the Loire valley. There were plenty in Normandy before 1066, but only a tiny handful in England, built in the previous generation by French friends of the English king, Edward the Confessor. The Norman conquest changed all that. “They built castles far and wide, oppressing the unhappy people”, wept the Anglo-Saxon Chronicle for 1066.
By the time of William’s death in 1087, around 500 castles had been built across England and Wales. Most were constructed from earth and timber, but work had also begun on great stone towers in London, Colchester and Chepstow.

 

4) The battle of Hastings was fought at Battle, near Hastings

This may perhaps seem unsurprising, but it is worth emphatically re-stating, given the various alternatives that have attracted media attention in recent years.
It is generally very difficult to pinpoint the location of medieval battles with any accuracy. People often suppose that archaeology can solve the problem, but this is seldom the case. Metal rusts and wood rots, and battlefields were picked clean of valuables by scavengers and bodies were carted away to be buried in grave pits. The battle of Falkirk, fought between Edward I and William Wallace in 1298, was one of the largest engagements in medieval Britain, with almost 30,000 men on the English side alone, but not so much as a single arrowhead has ever been unearthed.
Happily, however, the case for Battle is well grounded, because William built an abbey to mark the site, which still stands today. The tradition that states he did this was not, as conspiracy theorists assert, invented by the monks of Battle in the late 12th century, but stretches right back to the time of the Conqueror himself. In its obituary of William, the contemporary Anglo-Saxon Chronicle says: “on the very spot where God granted him the victory, he caused a great abbey to be built”.

 

5) More than 100,000 people died as a result of the Norman conquest

The size of the armies on both sides at Hastings is unknown, but neither is likely to have exceeded 10,000 men. Many were killed during the battle, but thousands more would die in the years that followed, as English resistance led to Norman repression. In the winter of 1069–70, after a combined English rebellion and Danish invasion, William laid waste to England north of the Humber, destroying crops and livestock so that the region could not support human life. Famine followed, and, according to a later chronicler, 100,000 people perished as a result. Modern analysis of the data in Domesday Book suggests that a drop in population of this magnitude did indeed occur.
The death of Harold at the battle of Hastings, 1066. Detail from the Bayeux Tapestry. (Photo by Culture Club/Getty Images)

6) The Normans introduced chivalry to Britain

Savage in their warfare, William and the Normans were more civilised in their politics. Before 1066, the English political elite had routinely resorted to murdering their political rivals, as they would do again in the later Middle Ages. But for more than two centuries after the Conquest, chivalry prevailed, and political killing became taboo. “No man dared slay another, no matter what wrong he had done him”, said the Anglo-Saxon Chronicle in its summary of the plus points of William’s reign. Waltheof of Northumbria, beheaded in 1076, was the only earl to be executed after the Norman takeover. The next execution of an earl in England occurred in 1306, some 230 years later.

7) William banned the English slave trade

In pre-Conquest England, at least 10 per cent of the population – and perhaps as much as 30 per cent – were slaves. Slaves were treated as human chattels, and could be sold, beaten and branded as their masters saw fit. It was a sin to kill a slave, but not a crime. The Norman Conquest hastened the demise of this system.
William banned the slave trade and in some cases freed slaves, to the extent that by the end of his reign their number had fallen by 25 per cent. By the early 12th century, slavery in England was no more. “After England had began to have Norman lords”, wrote Lawrence of Durham in the 1130s, “the English no longer suffered from outsiders that which they had suffered at their own hands; in this respect they found foreigners treated them better than they had themselves”.

8) William also invaded Scotland and Wales

Although he was king of England, William inherited the claim of the Anglo-Saxon kings to be overlord of the whole of the British Isles, and pursued it aggressively. When the king of Scots sheltered English rebels and sponsored the last surviving member of the Old English royal house, William responded by invading Scotland in 1072, travelling as far north as the River Tay.
Similarly, when in 1081 fighting among the various native rulers of south Wales upset the balance of power, William led an army into the region, stopping only when he reached the Irish Sea at St David’s. “Had he lived two years longer,” said the Anglo-Saxon Chronicle, “he would have subdued Ireland by his prowess, and that without a battle”.

 

9) Both William and his queen, Matilda, were of normal height

It is still common to hear it said that William was unusually tall, and his wife, Matilda, was exceptionally short. There is no evidence to support either assertion, and plenty to contradict it. Contemporaries described William as being strong, certainly, but described his height only as “proper”. In Matilda’s case, they noted only that she was beautiful, and said nothing at all about her stature.
William and Matilda were both buried in Caen, he in the abbey of St Etienne that he had founded in 1063, she in the nunnery of Holy Trinity, founded in 1059. Their tombs were destroyed in the 16th century, so only fragments of their skeletons survive – in William’s case a single bone. In 1959 these remains were examined by French archaeologists and it was widely reported that Matilda had been a diminutive 127cm (4’2”), William a strapping 178cm (5’10”).
Widely, but not accurately. The experts in 1959 had actually concluded that Matilda was 152cm (5’) tall, making her just 5cm shorter than the average medieval adult female – a height, as the royal gynaecologist Sir Jack Dewhurst observed, far more compatible with her nine successful pregnancies. William’s single surviving thighbone, meanwhile, was re-examined in 1983 and the estimate of his height reduced to 173cm, just 2cm greater than that of the average medieval adult male.

Matilda of Flanders, wife of William the Conqueror. From ‘Costume & Fashion, Volume Two, Senlac to Bosworth 1066–1485’ by Herbert Norris. (Photo by The Print Collector/Getty Images)

 

10) William’s reign began and ended with inglorious scenes

The high point of William’s career was his coronation as king of England at Westminster Abbey on Christmas Day 1066, but things did not go according to plan. The ceremony took place in an atmosphere of high tension, the Normans surrounded by thousands of disgruntled Englishmen from nearby London. When the congregation shouted their assent to William’s rule, the Normans on guard outside the church mistook the noise for treachery and began setting fire to the surrounding buildings, at which those inside ran out to protect their property or join in the looting.
Similar embarrassing scenes attended William’s death in 1087. He died at the priory of St Gervais near Rouen, and as soon as he was dead his attendants looted his belongings and left his body almost naked. Eventually his body was taken by boat for burial in Caen, but as he was being led through the town a fire broke out, leading to scenes of chaos. His funeral ceremony in St Stephen’s Abbey was interrupted by an irate heckler, who complained that the church had been built on his father’s property without compensation.
Finally, William’s body proved to be too fat to fit into his stone sarcophagus, and when the monks tried to force the issue his swollen bowels burst, filling the abbey with such a stench that everyone apart from the officiating clergy fled.
Marc Morris is a historian who specialises in the Middle Ages. His publications include William I: England’s Conqueror (Penguin Books, 2016); King John: Treachery, Tyranny and the Road to Magna Carta (Penguin Books, 2016) and The Norman Conquest (Windmill Books, 2013).
You can follow him on Twitter @Longshanks1307.
To listen to our podcast interview with Marc on the story and legacy of the Norman Conquest, click here

Wednesday, October 19, 2016

Cnut's invasion of England: setting the scene for the Norman conquest

History Extra

King Cnut (Canute) failing to hold back the waves, early 11th century (c1900). Artist: Trelleek. © Heritage Image Partnership Ltd / Alamy

In the summer of 1013, the Danish king Svein, accompanied by his son Cnut, launched an invasion of England – the first of the two successful conquests England would witness in the 11th century, but by far the less well known.
Scandinavian armies had been raiding in England on and off for more than 30 years, extracting huge sums of money from the country and putting King Æthelred under ever-increasing pressure, but Svein’s arrival in 1013 seems to have been something different – a carefully-planned, full-scale invasion. After years of raiding England, Svein knew enough about the English political situation to exploit its weaknesses: Æthelred's court was fractured by internal rivalries, a poisonous atmosphere attributed to the influence of his untrustworthy advisor Eadric, and Svein was able to make a strategic alliance with some of those who had fallen from the king's favour.
The invasion progressed with devastating speed: within a few weeks all the country north of Watling Street – the ancient dividing-line between the north and south of England – had submitted to the Danish king. Next the south was subdued by violence, and before the end of the year Æthelred and his family had been forced to flee to Normandy.
Svein, now king of England and Denmark, ruled from Christmas to Candlemas, but died suddenly on 3 February 1014. The Danish fleet chose Cnut to succeed him, but the English nobles had other ideas: they contacted Æthelred, still in refuge in Normandy, and invited him to come back as king. They said, the Anglo-Saxon Chronicle tells us, “that no lord could be dearer to them than their natural lord, if he would govern more justly than he had done before”. In response, Æthelred promised to be a better king, to forgive those who had deserted him, and to “remedy all the things of which they disapproved”. On these terms the agreement was made, and Æthelred returned to England. This time he managed to drive out Cnut, and the fleet went back to Denmark.
But a year later the young Danish king was back, hoping to repeat his father’s conquest. Despite his promises, Æthelred did not forgive those who had sided with the Danes: he viciously punished the northern leaders who had made an alliance with Svein, and in doing so caused his son, Edmund Ironside, to rebel against him. When Cnut returned in 1015, Æthelred was ill and England was divided: large parts of the country submitted to the Danes, while Edmund struggled to put an army together.
Only after Æthelred died in April 1016 did southern England finally unite behind Edmund, and six months of war followed, with the two armies fighting battles all over the south. The last was fought at a place called Assandun in Essex on 18 October 1016 – by strange coincidence, 50 years almost to the day before the battle of Hastings – and there the Danes were victorious. Edmund died six weeks later (likely by wounds received in battle or by disease, but some sources say he was murdered), and Cnut was finally sole king of England.
The immediate aftermath of Cnut's conquest was violent, although not much more so than the last years of Æthelred's reign. Potential opponents were summarily killed, and the remaining members of the royal family were driven into exile. Cnut married Æthelred's widow, Emma, sister of the duke of Normandy, and between them they founded a new dynasty – part Danish, part Norman, but presenting itself as English. There had been Danish kings ruling in England before, some of them famous Vikings whose names were still something to conjure with in the 11th century: Cnut's poets, extolling his conquest in Old Norse verse, compared him to the fearsome Ivar the Boneless and the sons of Ragnar Lothbrok, and in one sense, Cnut was heir to the conquests of these larger-than-life Danish kings.
But at the same time Cnut presented himself as a conciliatory conqueror, eager to learn from the land he had captured: by gifts to churches and monasteries he made amends for the damage his father and previous Danish kings had done, and he ruled in English and through English laws – even as his poets praised him for driving Æthelred's family out of England. When he made a diplomatic visit to Rome in 1027, he was welcomed as the Christian ruler of a new North Sea empire. Almost the only thing many people know about Cnut is that he made a grand display of his inability to control the tide, and this story – first recorded in the 12th century – is not quite as silly as it is sometimes assumed to be: power over the sea was the very basis of Cnut's authority, and a story in which Cnut yields that sea-power to God might have helped to explain the remarkable transformation of a Viking king into a Christian monarch.
When Cnut died in 1035, after ruling for nearly 20 years, he was buried in Winchester, the traditional seat of power of the kings of Wessex. His empire did not long survive him. After the early death of Harthacnut, Cnut’s son by Emma, Æthelred's son Edward regained the English throne – “as was his natural right”, the Anglo-Saxon Chronicle says. During his reign Edward had to deal with those, like Earl Godwine and his sons, who had risen to power under Cnut, but before long the impact of the Danish Conquest was to be overshadowed by the second, more famous conquest of the 11th century.
Compared to the Norman victory in 1066 – perhaps the single most famous date in medieval English history – the Danish Conquest has always seemed less important, with few enduring consequences. But the story of Svein’s well-planned invasion and Cnut’s successful reign tells us some interesting things about regional divisions within England, and England’s relationship with Scandinavia and the rest of Europe in the 11th century: in many ways – not least by destabilising the English monarchy and driving Edward into exile in Normandy – the Danish Conquest set the stage for much of what happened in 1066.
Dr Eleanor Parker is Mellon Postdoctoral Fellow in Anglo-Norman England at the University of Oxford.