Monday, March 10, 2014

4,000-year-old Dartmoor burial find rewrites British bronze age history

Stone box contains earliest examples of wood-turning and metal-working, along with Baltic amber and what may be bear skin


Dartmoor discovery
Parts of a necklace and wooden ear studs found on Dartmoor


theguardian.com,   
 
         
Some 4,000 years ago a young woman's cremated bones – charred scraps of her shroud and the wood from her funeral pyre still clinging to them – was carefully wrapped in a fur along with her most valuable possessions, packed into a basket, and carried up to one of the highest and most exposed spots on Dartmoor, where they were buried in a small stone box covered by a mound of peat.
The discovery of her remains is rewriting the history of the bronze age moor. The bundle contained a treasury of unique objects: a tin bead and 34 tin studs, which are the earliest evidence of metal-working in the south-west; textiles, including a unique nettle fibre belt with a leather fringe; jewellery, including amber from the Baltic and shale from Whitby; and wooden ear studs, which are the earliest examples of wood turning ever found in Britain.
The site chosen for her grave was no accident. At 600 metres above sea level, White Horse hill is so remote that getting there even today is a 45-minute walk across heather and bog, after a half-hour drive up a military track from the nearest road. The closest known prehistoric habitation site is far down in the valley below, near the grave of the former poet laureate Ted Hughes.
Analysing and interpreting one of the most intriguing burials ever found in Britain is now occupying scientists across several continents. A BBC documentary, Mystery of the Moor, was first intended only for local broadcast, but as the scale of the find became clear, it will now be shown nationally on BBC2 on 9 March.
Dartmoor site 
                       The site of the find on White Horse hill
Scientists in Britain, Denmark and the Smithsonian in the US have been working on the fur. It is not dog, wolf, deer, horse or sheep, but may be a bear skin, from a species that became extinct in Britain at least 1,000 years ago.
"I am consumed with excitement about this find. I never expected to see anything like it in my lifetime," Jane Marchand, chief archaeologist at the Dartmoor National Park Authority said. "The last Dartmoor burial with grave goods was back in the days of the Victorian gentleman antiquarians. This is the first scientifically excavated burial on the moor, and the most significant ever."
It has not yet been possible definitively to identify the sex of the fragmented charred bones, though they suggest a slight individual aged between 15 and 25 years.
"I shouldn't really say her – but given the nature of the objects, and the fact that there is no dagger or other weapon of any kind, such as we know were found in other burials from the period, I personally have no doubt that this was a young woman," Marchand said. "Any one of the artefacts would make the find remarkable."
Although Dartmoor is speckled with prehistoric monuments, including standing stones, stone rows, and hundreds of circular hut sites, very few prehistoric burials of any kind have been found. What gives the White Horse hill international importance is the survival of so much organic material, which usually disintegrates without trace in the acid soil.
Dartmoor woven bag 
                       A woven bag found at the site
Apart from the basket, this burial had the belt; the ear studs – identical to those on sale in many goth shops – made from spindle wood, a hard fine-grained wood often used for knitting needles, from trees which still grow on the lower slopes of Dartmoor; and the unique arm band, plaited from cowhair and originally studded with 34 tin beads that would have shone like silver. There were even charred scraps of textile that may be the remains of a shroud, and fragments of charcoal from the funeral pyre.
Although tin – essential for making bronze – from Cornwall and Devon became famous across the ancient world, there was no previous evidence of smelting from such an early date. The necklace, which included amber from the Baltic, had a large tin bead made from part of an ingot beaten flat and then rolled. Although research continues, the archaeologists are convinced it was made locally.
The cist, a stone box, was first spotted more than a decade ago by a walker on Duchy of Cornwall land, when an end slab collapsed as the peat mound that had sheltered it for 4,000 years was gradually washed away. However, it was only excavated three years ago when archaeologists realised the site was eroding so fast any possible contents would inevitably soon be lost. It was only when they lifted the top slab that the scale of the discovery became apparent. The fur and the basket were a wet blackened sludgy mess, but through it they could see beads and other objects. "As we carefully lifted the bundle a bead fell out – and I knew immediately we had something extraordinary," Marchand said. "Previously we had eight beads from Dartmoor; now we have 200."
The contents were taken to the Wiltshire conservation laboratory, where the basket alone took a year's work to clean, freeze dry, and have its contents removed. The empty cist was reconstructed on the site. However, this winter's storms have done so much damage the archaeologists are now debating whether they will have to move the stones or leave them to inevitable disintegration.
The jewellery and other conserved artefacts will feature in an exhibition later this year at Plymouth city museum, but although work continues on her bones, it is unlikely to answer the mystery of who she was, how she died, and why at such a young age she merited a burial fit for a queen.    

Vikings: Life and Legend review – a stirring tale of shock and oar

Three of the Lewis Chessmen, c.1150-1200, discovered on Lewis, Shetland, and thought to originate from Norway. Photograph: British Museum


The Observer,
 
Anyone who has even dipped a toe in the briny sagas of the Viking kings will know that the stag outing the itinerant Norsemen prized above all others always began something like this: "On Saturday the fleet-lord throws off the long tarpaulin, and splendid widows from the town gaze on the planking of the dragon ship. The young ruler steers the brand new warship west out of the Nio, and the oars of the warriors fall into the sea… " Those lines come from the 11th-century court poet Þjóðólfr Arnórsson, and they describe the characteristic actions of the fleet of Harald Hardradra (Harold the Hard Ruler), the last great Viking king, who fought unsuccessfully to extend his Norwegian monarchy to Denmark and then Britain. He died at the Battle of Stamford Bridge in 1066 along with his poet.
  1. Vikings: Life and Legend
  2. British Museum,
  3. London
  4. WC1
  1. Starts 6 March
  2. Until 22 June
  3. Details:
    020-7323 8181
  4. Venue website
For nearly three centuries prior to that, the collective skill of creating "brand new warships" in a society seemingly geared to the singular thrill of that moment of setting forth on the ocean, west or east, powered a culture that came to explore, colonise, terrify (and enslave) large parts of northern Europe and Asia, and which extended its trading reach to Constantinople, Newfoundland and beyond. The word "viking" was originally shorthand for the experience of throwing back that sealskin tarpaulin and setting oars to water, deriving from "vik", which was the name for the mouth of a river or fjord. Later, in particular in the Icelandic sagas, it became something like the catch-all term we now understand: to "fara í viking", "go on a viking" came to mean not only to set out on a voyage but to take part in anything that might follow – trade, commerce, raiding, piracy or worse.
One thing this quite austere British Museum exhibition seeks to establish is that the lines of the saga poets were secondary to the lines of the ships themselves. The legends of the exhibition's title are told very much through its objects rather than its famous verses (though the soundtrack is a looped, guttural telling of some of those legends in a language you seem to half understand from box sets of The Bridge). Empires have been built by many means, but the implication here is clear, the Vikings built their roving power on a single collective facility: they understood curves. This knowledge enabled them to build large, fast sea-going ships with shallow enough drafts to navigate far inland on rivers, and light enough to be dragged up on to beaches (Viking raiders got as far into England as Lichfield in the landlocked Midlands, and they raided and colonised far into Russian lands along the tributaries of the Volga).
viking Silver-inlaid axehead Silver-inlaid axehead in the Mammen style, AD 900s, Bjerringhoj, Mammen, Jutland, Denmark. Photograph: © National Museum of Denmark
For a quarter of a millennium no other culture in their sphere had much of an answer to that curvilinear knowledge. Like the splendid 11th-century widows marvelling at the unsheathed warship, you confront those curves immediately in the new hangar-like exhibition space of the British Museum, which is also launched with this show. The great dragon ship Roskilde 6 is reconstructed in the new hall with a good deal of its original planking laid on a steel skeleton. The ship seems likely to have been part of the fleet of Canute (or Cnut, as he is here, to which the epithet "total" remains silent); it was, like most Viking vessels, essentially a troop carrier, 36 metres long, and is the largest longship ever found. Having probably crisscrossed the North Sea 1,000 years ago before being scuttled to protect the harbour entrance to Roskilde, the ancient capital of Denmark, it was discovered and excavated in 1996, and has made the journey across the greyest of oceans once again. About a quarter of its timbers survive, but even in its hollowed and reimagined state, its aerodynamic heft, the sheer prowess of its ribs and stays, retain a good deal of the original 11th-century shock and awe.
Launch Of Vikings Exhibition At British Museum The Viking longboat Roskilde 6 at the British Museum. Photograph: Dan Kitwood/Getty Images
That ship so dominates this show that you begin, probably justifiably, to see its curves almost everywhere in the exhibits that surround it. The dominant Viking forms are obvious in the representations of the curious longhouses, often windowless and built like upturned boats, and in the shape of the graves that took notable Viking warriors on their last voyages of discovery – accompanied by valkyries in the myth, perhaps to the great hall of Valhalla to drink with the god Odin, and imagine how their stories might echo down the ages to be recast in CGI and given Hollywood endings.
Odin, who takes his place here only as a tiny silver figurine, a tactile charm, was associated with "feminine magic", and appears to be depicted in women's clothes. There is precious little else that might be described as feminine in the Viking aesthetic, beyond some of the delicate skill in carving. The investment in ships afforded chiefs and kings great wealth, traded or looted and defended with double-edged swords, of which there are many lethal looking examples.
There was, it seems, a formidable culture of bling, great rope-like chains of silver and gold; almost comically outsized buckles and brooches that became status symbols from Stockholm to Shetland. In some instances amulets and bracelets doubled as currency; the silver of some examples is scored in regular increments for the purposes of trade; cattle or silk would be purchased by chiselling off a couple of segments.
viking Hunterston Brooch Hunterston Brooch, c.700, Hunterston, Ayrshire, Scotland, made of gold, silver and amber. Photograph: © National Museums Scotland
Almost universally, jewellery and armour, as well as the many whalebone artefacts, are decorated with bold riverine and wave designs, reminders of where the money came from. When Christianity began to supersede Norse mythology – and crucifixes replaced valkyries – it is easy to see how the Vikings might have taken to a god who walked on water.
The trade that underpinned a good deal of that wealth was in slaves, or "thralls". The neck chains and manacles of Irish slaves, literally enthralled and sent off to Iceland, are grimly emblematic of what the sight of longships on the horizon might have represented to native populations. A preserved warrior's skull in which the front teeth have been filed flat for aggressive effect also makes a chilling point (though his helmet was never adorned with horns; those were a Victorian addition to the myth).
Though dues are paid here to the profound depths of Norse mythology, and to the Vikings' civilisation-changing technological expertise and sporadic efforts at diplomacy, you are unlikely to leave this exhibition with the feeling that longships were often welcome visitors on foreign beaches. In part of an excavated mass grave from Weymouth, in which the exclusively male DNA is sourced to 10th-century Scandinavian origins, each skeleton has been brutally beheaded (with in some cases protective hands sliced clean through as well). This is thought to be evidence of the manner in which the crew of a single Viking longship were repelled. For many decades, such a violent reverse was obviously an exception to the rule.
http://www.theguardian.com/artanddesign/2014/mar/09/vikings-life-legend-review-british-museum-tim-adams

The Phil Naessens Show How to Make a Living as a Fantasy Sports Writer

 
On this edition of the Phil Naessens Show  Kevin Lipe joins Phil to take a closer look at the Memphis Grizzlies, Kyle McKeown joins Phil to give advice to would be Fantasy Sports writers and Tom Lewis joins Phil to take a closer look at the Indiana Pacers and much more NBA and Fantasy Basketball talk.

http://phillipnaessens.wordpress.com/2014/03/10/the-phil-naessens-show-how-to-make-a-living-as-a-fantasy-sports-writer/

History Trivia - Julius Caesar crosses the Rubicon and invaded Italy

March 10

241 BC A crushing Roman naval victory over the Carthaginians in the Battle of Aegus ended the First Punic War.

49 BC Julius Caesar crossed the Rubicon and invaded Italy.

 418 Jews were excluded from public office in the Roman Empire.

1452 Ferdinand II of Aragon was born. The marriage of Ferdinand to Isabella of Castile eventually resulted in a united Spain.

 1624 England declared war on Spain.

1629 Charles I began the Eleven Years Tyranny when he dissolved parliament.

Sunday, March 9, 2014

My review of My Nature Friends by Ngaire Elder

       
          
          

       


Ms. Elder has created a delightful teaching aid with Nature’s Friends. Children will enjoy learning the alphabet as they identify the various creatures living in their environment. There is a Field Notes section in the back of the book (printed editions only) where the child can record their sightings. Nature’s Friends is an excellent visual educational tool, which I highly recommend.
 

Is this the World's Oldest Crown?

Mar. 07, 2014 - 3:43 - Trove of Israeli artifacts on display in New York City

 
 
This Crown from the Copper Age is believed to be the oldest in existence. The artifact will be on display at The Institute for the Study of the Ancient World in Manhattan until June. (Collection of Israel Antiquities AuthorityPhoto © The Israel Museum, by Ardon Bar Hama)

http://video.foxnews.com/v/3308980896001/is-this-the-worlds-oldest-crown/

The world’s oldest crown will be taking on Manhattan when it goes on display at a new exhibit on the city's Upper East Side.

The crown is a relic of the Copper Age, dating back some 6,000 years, and will be on display with 150 other artifacts from the era as part of the “Masters of Fire: Copper Age Art from Israel” exhibit opening this week at Institute for the Study of the Ancient World at New York University

“To the modern eye, it is stunning to see how these groups of people, already mastering so many new social systems and technologies, still had the ability to create objects of enduring artistic interest,” said Jennifer Y. Chi, ISAW Exhibitions Director and Chief Curator in a statement.

The Copper Age was when people discovered how to make implements and ritual objects out of copper and organize and glean products like milk and wool.

The show is considered to be the most comprehensive collection of artifacts from the era to be seen outside of Israel, according to local news site DNAinfo New York

The black-colored crown is shaped like a thick ring and adorned with vultures and doors protruding from the top.

It is believed to have played a part in burial ceremonies and its adornments are believed a model of a structure where bodies were allowed to decompose before burial.

Many of the objects are part of the Nahal Mishmar Hoard, which is a collection of over 400 objects that were found in a remote cave near the Dead Sea in 1961. The pieces include two clay statues of the Lady of Gilat and The Ram of Gilat and a full array of Copper Age figurines made from stone, ivory, bone, and clay as well as a scepter decorated with horned animals, a copper container designed to look like a woven basket, and clay goblets and bowls.

“The fascinating thing about this period is that a burst of innovation defined the technologies of the ancient world for thousands of years,” Daniel M. Master, Professor of Archaeology at Wheaton College and a member of the curatorial team, said in a statement. “People experimented with new ways to use not just copper, but also leather, ceramics, and textiles—sometimes successfully, sometimes not.”
http://www.foxnews.com/science/2014/02/13/copper-age-crown-world-oldest-to-be-on-display-in-manhattan/

History Trivia - David Riccio, secretary and advisor to Mary, Queen of Scots, murdered

March 9

1074 Reforming Pope Gregory VII excommunicated all married Roman Catholic priests.

1440 Saint Frances of Rome, founder of the Oblates of Mary, died. 

1497 Nicolaus Copernicus 1st recorded astronomical observation. 

1566 David Riccio, secretary and advisor to Mary, Queen of Scots, was murdered in the Palace of Holyroodhouse, Edinburgh, Scotland.

Saturday, March 8, 2014

Congratulations K. Meador - Authorsdb Top Ten

 
http://authorsdb.com/authors-directory/4488-k-meador



Pen Name
kmeador
Twitter
@authorkmeador
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Bio
Born in Jacksonville, Florida and raised in Texas since she was four years old, K-Trina Meador is the youngest of five children. Growing up in Cross Plains, Texas and being raised on a seventy acre farm gives her an appreciation for country life and the small town community. She has two grown sons.

She enjoys hiking, snorkeling, scuba diving, photography and aviation. She is currently traveling from state to state working as an aircraft mechanic and author. Current locations include: Hawaii, Georgia, South Carolina and currently, Oklahoma.

Her first novel, Journey to Freedom, was published in April 2012. Followed by Their Journey Begins in November 2012 and Transcendence in December 2012. Most recent publication is The Knight of the Dixie Wilds in May 2013.
Where I Live
Yukon, Oklahoma

Authorsdb Book Cover Contest - The Briton and the Dane Timeline cover featured



Steven Novak, illustrator - Novakillustration.com
Category:  Action and Adventure
Book Cover Contest
 
I appreciate your support
 

New Release - My Nature Friends: A-Z Rhyming Picture Book

 
 
My Nature Friends is a superbly illustrated A-Z alphabet book, all about stimulating imagination, inspiring learning and encouraging a lifelong thirst for natural knowledge in 5-10 year old boys and girls. Inside, there is stacks to do. Enchanting rhymes, sprightly illustrations to be coloured in, and a splendid, interactive, ‘Field Note’ section for those discoveries your child makes while out-and-about. Parents will encounter all sorts of crazy animals they can learn about too! A charming addition to your child’s library, My Nature Friends is full of ingenious fun and will provide hours and hours of amusement for the whole family.

Amazon US
http://www.amazon.com/My-Nature-Friends-Rhyming-Picture/dp/1493711172/ref=sr_1_1?ie=UTF8&qid=1394230591&sr=8-1&keywords=My+Nature+Friends+by+Ngaire+Elder


Amazon UK
http://www.amazon.co.uk/My-Nature-Friends-Rhyming-Picture/dp/1493711172/ref=sr_1_1?ie=UTF8&qid=1394230918&sr=8-1&keywords=my+nature+friends+by+ngaire+elder

History Trivia - Anne Stuart becomes regnant of England, Scotland, and Ireland.

March 8

1144 Pope Celestine III, whose pontificate lasted six months, died.

1495 Saint John of God, patron of hospitals and the dying, was born.

1702 Anne Stuart, sister of Mary II, became Queen regnant of England, Scotland, and Ireland.

Friday, March 7, 2014

Stonehenge holds a 'sonic secret,' says study

The Stonehenge monument in England is seen, early Monday, June 21, 2010. (AP Photo/Lefteris Pitarakis)


By Kate Seamons

There are no shortage of theories about Stonehenge, but few are so melodious as this: A recent study carried out by the Royal College of Art in London suggests that the monument holds a "sonic secret." The researchers' theory surrounds Stonehenge's bluestones, some of which hail from 200 miles away in Wales' Preseli Hills.

While archaeologists are still working to establish whether man or, perhaps, glacier carried them to Wiltshire, the Royal College of Art researchers suggest the rocks were intentionally brought to Stonehenge because of their "unique acoustic properties." As part of a larger study of the acoustic elements of the Pembrokeshire landscape where the bluestones hail from, it was discovered that many of the rocks in the area issue a metallic sound (akin to a bell or gong) where hit with a hammerstone.
In fact, the study notes that one Preseli village used bluestones as its church bells through the 1700s. The BBC reports that the researchers tested thousands of rocks, and that a high percentage rang "just like a bell," says a lead researcher.

"And there's lots of different tones, you could play a tune," he adds. In July, the team was granted permission to acoustically test Stonehenge's bluestones, and found that a number of them did indeed return a sound, though a slightly muted one, perhaps in part because some of the rocks have been shored up using concrete.

They also saw indications that some of the bluestones featured what could be strike marks; more study is needed on that front.

http://www.foxnews.com/science/2014/03/06/stonehenge-holds-sonic-secret-says-study/?intcmp=obinsite
 

Remains of Europe's largest predatory dinosaur discovered in Portugal

A Torvosaurus gurneyi dinosaur is seen in an undated artist's rendering. (REUTERS/SERGEY KRASOVSKIY)

Scientists in Portugal have discovered a new species of dinosaur -- possibly the largest land predator of any kind ever found in Europe.
Paleontologists Christophe Hendrickx and Octávio Mateus of Universidade Nova de Lisboa and Museu da Lourinhã in Portugal say the 33-foot-long dinosaur called Torvosaurus gurneyi was the scourge of Jurassic Europe, Reuters reported.
"It was indeed better not to cross the way of this large, carnivorous dinosaur," Hendrickx said. "Torvosaurus gurneyi was obviously a super predator feeding on large prey like herbivorous dinosaurs."
Remains of the species were unearthed by an amateur fossil hunter in 2003 in rock cliffs near Lisbon, Hendrickx told Reuters. He said fossilized embryos possibly belonging to the same species were identified last year in Portugal.
The predator, which roamed Europe 150 million years ago, weighed four to five tons, had a nearly 4-foot-long skull, possessed powerful jaws lined with blade-shaped teeth four inches long, and may have been covered with an early type of feather, Hendrickx said.
The scientists said this is the second species of the genus Torvosaurus. The Torvosaurus tanneri, which lived at the same time in North America, was identified in 1979.
The newly-identified predator is not only is the largest known meat-eating dinosaur from Europe, but is the biggest land predator of any kind ever found on the continent, according to Reuters.
"This is not the largest predatory dinosaur we know. Tyrannosaurus, Carcharodontosaurus, and Giganotosaurus from the Cretaceous were bigger animals," Hendrickx said in a news release referring to predators that appeared on Earth after the Jurassic period.
Carnivorous dinosaurs of the Jurassic period were typically medium-sized, with an average length of about 7 to 16 feet. Larger ones like Torvosaurus gurneyi lived in the late Jurassic period, according to Reuters.
"This animal, Torvosaurus, was already a fossil for 80 million years before the (Tyrannosaurus rex) ever walked the Earth," Mateus said.

http://www.foxnews.com/science/2014/03/06/remains-europe-largest-predatory-dinosaur-discovered-in-portugal/?intcmp=obinsite

Team of European archaeologists find alabaster statue of Egyptian pharoanic princess in Luxor

March 7, 2014: (AP Photo/Egypt's Antiquities Ministry)

Egypt has announced that a team of European archaeologists have found a nearly 6 ½-foot-tall alabaster statue of a pharoanic princess, dating from approximately 1350 B.C., outside the southern city of Luxor.

Minister of Antiquities Mohammed Ibrahim said in in a statement Friday that the statue was once part of a larger statue that was nearly 456 feet tall and guarded the entrance to a temple.
Ibrahim says the statue is of Iset, the daughter of Amenhotep III, and is the first found that depicts her without her siblings. Archaeologists uncovered the statue next to the funerary temple of Amenhotep III, who was worshipped as a deity after his death.

http://www.foxnews.com/science/2014/03/07/archaeologists-find-alabaster-statue-egyptian-princess/

Lost first world war training battlefield discovered in Hampshire

 
Soldiers march along the front line trench of a newly discovered first world war mock battlefield in Gosport, Hampshire. Photograph: Ben Mitchell/PA


 
A few suspiciously straight lines in a corner of a 1951 aerial photograph showing acres of featureless scrubby heath have led archaeologists to a lost first world war landscape.
The mock battlefield, used for training soldiers before they were shipped across the Channel to confront the real thing, is complete with zig-zags of frontline, communication and reserve trenches, the enemy's front line, terrifyingly visible less than 200 yards away – and, a little further on, a holiday camp in Gosport, Hampshire.
Browndown is still owned by the Ministry of Defence, but well used by local dog walkers, who knew there were humps, bumps and hollows into which a dog could annoyingly vanish – but had no idea what they were.
Rob Harper, conservation officer at Gosport council, was originally studying the photograph looking for second world war pillboxes, and had to wait several weeks after he spotted the telltale marks – until the head-high bracken and gorse died back – before he could investigate the site.
He thought it was likely the earthworks had been destroyed since the photograph was taken, since Google Earth just showed a confusing jumble of tracks. But when he finally put on his boots and scrambled around the land, he found himself in a perfectly preserved complex covering acres of land.
The front trench was jagged so that even if the Germans broke through, they didn't get a clear line of fire along its entire length, and the communication trenches were wider so more men could be rushed up to the front – or carried back injured. Although very overgrown, the distinctive profile of the trenches is instantly familiar from countless wartime photographs.
"I was completely astonished at what I was seeing," Harper said. "It was quite personal to me too – I have seven relatives buried in war graves on the front, who could well have trained here."
The historian Dan Snow, who is also president of the Council for British Archaeology, which is working to record the site with English Heritage, said: "This is where archaeology and history dovetail perfectly. In a way this is where we have to side with Michael Gove and against the Blackadder view of history.
"This is where you can see on the ground that it wasn't just about rounding up young men and hurling them at the machine guns: they were being incredibly well trained."
Here military tacticians were also trying to invent a new form of warfare, desperate to break the terrible stalemate that the trenches represented. But according to Wayne Cocroft, an English Heritage expert on wartime archaeology, although 20 other trench training sites have been recorded across Britain, many have been damaged by later development, and both the scale and the state of preservation of the Gosport complex is exceptional.
So far no records have been found of the complex, but thousands of soldiers were trained, shipped out, and repatriated to Gosport throughout the war. The peninsula on the Solent is spattered with centuries of military relics, including barracks blocks, airstrips, naval bases, supply depots and a submarine base, which is now a museum.
Graham Burgess, deputy leader of the council – who graciously said that if the MoD would like to present them the land, after checking first for live ordnance, the council would be pleased to accept it – was not surprised, as an ex-navy man, that the site had kept its secrets for so long.
"Gosport was full of things happening behind high walls and barbed wire fences that nobody outside knew anything about – still has a few. You could live next door to one of these places and not have any idea what was going on inside."
Stephen Fisher, one of the archaeologists recording the site, says digging the trenches would also have been training for the men, who would soon have to do it for real, and the little slit trenches scattered across the site, just big enough for one man to cower in, might represent their first efforts.
Volunteers including armed forces members based in the area, including many for whom the site has a personal poignancy since they have just returned safely from active service overseas, will be helping record the site in detail.
The Council for British Archaeology and English Heritage are combining to encourage many more volunteers for the Home Front Legacy – a campaign to identify and record vulnerable sites including camps, drill halls and factories. The information will loaded onto a database to create a map of the social history of wartime Britain.
Cocroft said that records were better for a Tudor house than a 1914 site: one site recently identified, in Newcastle under Lyme, was a hall used as a sewing circle where women gathered to make bandages and knit and sew garments for soldiers on the front.
"There were so many charities for Belgian and Serbian refugees – where were they based, where did they meet? There were factories taken over to make things like wooden boxes for shells. These things aren't recorded on any maps – only local knowledge can help us find them, before the memory is lost forever. The Great War affected everybody in Britain – down to the children who were asked to gather conkers from which a chemical used in making cordite could be extracted – but there is so much of its social history which was never written down anywhere."
Culture secretary Maria Miller said she hoped local and family history groups, schools and parish centenary projects would get involved in the project: "Discovery, preserving and identifying for the public sites and buildings from that era will help bring that part of our national history alive for generations to come."
http://www.theguardian.com/world/2014/mar/07/lost-first-world-war-battlefield-discovered

The Phil Naessens Show: The San Antonio Spurs Signature Win of the Season.

http://phillipnaessens.wordpress.com/2014/03/07/the-phil-naessens-show-the-san-antonio-spurs-signature-win-of-the-season/


On this edition of the Phil Naessens Show J.A. Sherman joins Phil to discuss the injury to OKC Thunder SG Thabo Sefalosha, the newly acquired Caron Butler, Phil takes his “Kiwi” test and much more Thunder talk. Mr. Brewtown joins Phil to discuss the potential starting lineup of the 2014 Milwaukee Brewers and J.R. Wilco joins Phil to disuss the San Antonio Spurs signature win over the Miami Heat and discuss Coach Greg Popovich’s coaching philosophy. --

25 NEW Paperbacks to be given away FREE...

http://greenwizardpublishing.blogspot.co.uk/2014/03/25-new-paperbacks-to-be-given-away-free.html?view=classic

THE OFFER

Did I mention the word FREE? 
Have I emphasised that enough?

This is The Night Porter.



It is the first complete piece of work from Green Wizard/Mark Barry for a year. 

It is approximately 250 pages long.

Those who have read the book so far - four people, my most trusted confidantes and allies - have described it as my best written work so far. 

They don't bulls**t me either. They give it me good and proper if they think I need it, which is often.

Readers who have read my books, whether they like the stories I come up with or not, universally say I know my way around a keyboard. So that assessment means a lot.



The book is completely accessible. 

It doesn't have the dark humour and shocking stories of Carla nor the cynical relationship monologues in Hollywood Shakedown. 

It has none of the violence of the two football books - UV and BBVD -  and none of the blood-curdling horror of The Ritual. 

It is a puzzle, an experiment, an innovation. One of those lithographs of impossible design renaissance tricksters sold on Florence Market.

Every book I write, I try to do something different, something no-one else is doing. 

Here's a big (unlike me) boast:

I don't think you will see an Indie published book like this anywhere in Cyberspace. Probably not a tradpubbed one either.

THE STORY

It's set in a hotel, in November, in the fictional town of Wheatley Fields, (based on Southwell, near Nottinghamshire, deep in Sherwood Forest). It is set over two weeks, underneath steel grey clouds of icy rain.

Four writers, all nominated for an upcoming awards ceremony, come to stay. One mega successful romance author, a top US thriller writer who sells in seven figures, a beautiful young YA tyro on the brink of world wide stardom...

...and a degenerate, nasty, bitter, jealous, trollish, drunken (but brilliant), self-published contemporary fiction author.

The eponymous, pseudonymous and anonymous Night Porter is instructed by a secretive and powerful awards committee to look after their EVERY need, to ensure they make it through the two weeks to attend the ceremony. 

At the same time as keeping an eye on their wishes, antics, fights, relationships and never-ending ego explosions. And trying desperately to avoid getting involved himself.

It's a comedy drama about writers (and Night Porters!) with twists and turns, nooks and crannies, shadows and mirrors, alongside some of my bizarre preoccupations and obsessions. 

It casts a sometimes shadowy light on modern publishing, the writing business - and the people in it.

Writers who like to read about writers and writing will enjoy the book. 

They may not AGREE with the comments. In fact, I can think of two comments in there which are going to get us all in serious trouble, but it will make a writer think and react.



__________________________________________

THE DEAL

I (will) have 25 The Night Porters  to give away in PAPERBACK. If you want an e-book instead, let me know. I prefer paperbacks so naturally I assume everyone else does (I'm just kidding, e-pop kids!).

Contact me on any media - FB, Twitter, Comments here - and when it is published, in approximately three weeks, I will POD the first 25 people to respond a copy and send it to your place. 

I suggest that this will be in the UK and/or America as I will be doing this through Createspace. 

Sorry - I had some trouble before with sending a book to Nepal and it left a lovely reader disappointed.



All I ask in return is that you review it on Amazon US/UK and any blog you have. If you can lend it to a pal after, then all the better. Not arsed about Goodreads.

Incidentally. If you HATE the book and my characters drive you mad, if you don't get past page thirty, if my comments and analyses leave you raging, or you don't think its very well organised, written etc, THEN GIVE ME A 1*. 

Did you hear that bit?

A 1* is welcome if you think it is necessary. I won't troll you or comment. I'll just scratch my head like a man in a warm hat.

That is MUCH better than a no review. I am not swapping a book for a 5* review - I am swapping it for a review  OF ANY KIND. I firmly believe it is quantity of reviews that is key rather than quality. 

There you go, look, an opinion.

Believe me, it'll take you four or five hours to read. It is 250 pages long (ish) and has a magnificent sixties-retro matte Imperial Purple cover designed with Dawn of Dark Dawn Creations and it has been properly edited by Mary Ann Bernal.

It's the most readable and accessible book I have created. Hence the investment (I've been saving).

So. Contact me on FB, Twitter, my e-mail if you have it, or carrier pigeon. 

I think you will enjoy the book. I'm hoping so and so are all the characters in the book.

Cheers, Mark/Wiz

Incidentally, if I am overwhelmed with applicants, which has happened before, I'll just put names in a hat. Ta!

Elise VanCise novels - 50% off on Smashwords - limited time only

 
 
Don't Touch and Half On sale this week only on Smashwords for 50% off! Use coupon code REW50 at checkout. https://www.smashwords.com/profile/view/elisevancise

Elise VanCise, award winning author has been published in both print and digital media. Elise is a Florida Cracker, with a love for adventure and historic places. NaNoWriMo Municipal Liaison for Lake County, Florida, Founder of Lake Writers of Lake County, Florida.

History Trivia - Henry VIII's divorce request denied

March 7

 322 BC The Greek philosopher Aristotle died.

161, the emperor Antoninus Pius died peacefully of fever and was succeeded by his adopted sons Marcus Aurelius and Lucius Verus.

238 Roman subjects in Africa revolted against Maximinus Thrax and elected Gordian I as emperor.

321 Emperor Constantine I decreed that the dies Solis Invicti (sun-day) was the day of rest in the Empire.

1111 Bohemond I of Tarente, leader of the First Crusade and a prince of Antioch, died.

1274 Thomas Aquinas died.

1530 King Henry VIII's divorce request was denied by the Pope, which prompted Henry to declare himself as supreme head of England's church.

Thursday, March 6, 2014

Remembering Nicholas Brooks - Historian, archaeologist and authority on the Anglo-Saxons

 
Items from the Staffordshire hoard unearthed in 2009, which were researched and interpreted by Nicholas Brooks, emeritus professor of medieval history at Birmingham University. Photograph: AP


theguardian.com,
 
The Anglo-Saxons retain a powerful grip on English imaginations. The discovery in 2009, just south of Watling Street, the ancient trackway paved by the Romans, of gold and silver artefacts that became known as the Staffordshire hoard attracted much attention but raised many questions. One of the few people equipped to propose solutions was Nicholas Brooks, emeritus professor of medieval history at Birmingham University, who was soon appointed to the panel co-ordinating research into the finds.
His was the kind of scholarship that reaches out to the public. Among his special interests were Anglo-Saxon kingdoms and warfare, and the payments, in the form of weapons and armour, owed by the elite as death duties to the king and recycled in the form of gifts to warriors. Nicholas convincingly explained the hoard's apparently odd composition – only the hilts and pommels of swords, for instance, not the blades – in terms of its being the working capital of one department of a royal armoury near Lichfield, the bishopric of the Anglo-Saxon kingdom of Mercia. The hoard was found south-west of Lichfield, and nearby is Tamworth, site of the chief Mercian royal residence.
Nicholas, who has died aged 73 of pancreatic cancer, was not only a historian. As a young archaeologist, he identified one of King Alfred's forts, and discovered the structure of another's ramparts. An early paper, co-authored with his former school history master Harold Walker and published in Anglo-Norman Studies Vol 1 in 1978, found unsuspected evidential value in the arms and armour depicted in the Bayeux Tapestry. But his greatest achievements lay in the study of documents.
nicholas brooks Anglo-Saxon Canterbury was central to Nicholas Brooks's work. Photograph: Chris Robinson
Born in Virginia Water, Surrey, Nicholas was the son of WDW Brooks, a consultant physician at St Mary's hospital, Paddington, London, and Phyllis (nee Juler), a physician's daughter and talented pianist and figure-skater. The third of their four children, he was educated at Winchester college, and graduated in history from Magdalen College, Oxford, in 1961.
His interests and imagination had been fired originally by stays at the family's holiday cottage in Kent, which lay on the continuation of Watling Street south of Canterbury. He became fascinated by Kent's historic landscape. As a mature scholar, he showed, in a brilliant foray into the 14th century, the effectiveness of the communication strategies used by Kentishmen in the Peasants' Revolt of 1381.
A series of path-breaking earlier medieval studies proved that works ordained by medieval kings to maintain the bridge over the river Medway at Rochester, and persisting in various administrative incarnations until the Bridge Trust of the present day, originated in late Roman arrangements. Nicholas's view was long, and never insular.
Anglo-Saxon Canterbury was central to Nicholas's life's work. His Oxford DPhil on the Canterbury charters, supervised by Professor Dorothy Whitelock at Cambridge, was finished in 1969 and published as The Early History of the Church of Canterbury (1984). The charters record donations of property to the church, nearly all by lay benefactors, giving details of where estates lay and how valuable they were, when they were received, on what terms leases were granted, and disputes arising later. What makes Canterbury's charters special is their large number, the fact that they mostly survive as originals, and that through them can be traced the workings of lay piety, and the buildup of Canterbury's lands through the Anglo-Saxon period, which explains its importance as a great institutional landowner with huge political clout.
The full edition of the 185 charters, completed through 30 years' further editorial labours, shared between Nicholas and his colleague Susan Kelly, with unstinting support from the British Academy, was published in the two bulky volumes of Charters of Christ Church Canterbury (2013). Canterbury's archival hoard brings to light earlier medieval English history in all its guises: religion, language (many are in Old English), law and politics, landscape and economy, and connections with continental Europe.
While still working on his DPhil, Nicholas was appointed in 1964 to his first academic post, at the University of St Andrews. There he met Chlöe Willis, whom he married in 1967, and there they stayed until 1985.
In 1978, when Nicholas became general editor of the series Studies in the Early History of Britain (later, Studies in Early Medieval Britain), he gave a memorable paper to the Royal Historical Society on King Alfred mobilising his people against Viking attacks. Thirty volumes of studies were published under his guidance, and four under his personal editorship or co-editorship: Latin and the Vernacular Languages in Early Medieval Britain (1982), St Oswald of Worcester (1996), St Wulfstan and his World (2005) and Early Medieval Studies in Memory of Patrick Wormald (2009). These publications were important in establishing an approach to Anglo-Saxon England that understood it in the context of the whole of the British Isles and contacts with continental Europe.
In 1985, Nicholas was appointed to the chair of medieval history at Birmingham University. There, history prospered under his wise and supportive headship, as did the faculty of arts during his stint as dean. He was elected a fellow of the British Academy in 1989. After his retirement in 2004, a group including several of his former students, now academics themselves, produced a festschrift, Myth, Rulership, Church and Charters (2008), testimony to Nicholas's personal warmth and kindness as well as to his academic distinction.
There are two stories of Nicholas's retirement, both true. One is that he spent more time with Chlöe and the family, that he continued to enjoy gardening and walking, that he and Chlöe found new enjoyment in choral singing, and that he spent more time on bridge playing than bridge archaeology. The other is that the Canterbury charters were published, as were several substantial papers, including two of his most original on the Anglo-Saxon Chronicle, that he continued to supervise research students, that he presided as he had since 1991 over the British Academy's Anglo-Saxon charters project, and that he continued to sit on the fabric advisory committees of two great cathedrals, Canterbury and Worcester. King Alfred left his memory in good works; Nicholas followed suit.
He is survived by Chlöe, a daughter, Ebba, and a son, Crispin, and three grandchildren.
• Nicholas Peter Brooks, medieval historian, born 14 January 1941; died 2 February 2014

http://www.theguardian.com/education/2014/mar/06/nicholas-brooks

16th-century artillery manual shows illustration of 'rocket cat' weaponry

 
You're a 16th century German prince plotting to crush a peasant rebellion, or perhaps you're leading an army against the Ottoman Empire or looking to settle the score with a rival nobleman. What's a guy looking for a tactical edge to do?

Bring on the rocket cats!

Fanciful illustrations from a circa-1530 manual on artillery and siege warfare seem to show jet packs strapped to the backs of cats and doves, with the German-language text helpfully advising military commanders to use them to "set fire to a castle or city which you can't get at otherwise."
'It clearly looks like there's some sort of jet of fire coming out of a device strapped to these animals.'
- Mitch Fraas, a historian and digital humanities expert at the University of Pennsylvania library
Digitized by the University of Pennsylvania, the unusual, full-color illustrations recently caught the attention of an Australian book blog and then found their way to Penn researcher Mitch Fraas, who set out to unravel the mystery.

"I really didn't know what to make of it," said Fraas, a historian and digital humanities expert at the Penn library. "It clearly looks like there's some sort of jet of fire coming out of a device strapped to these animals."

So were these unfortunate animals from the 1500s really wearing 20th-century technology?
Fraas' conclusion: No. Obviously.

The treatise in question was written by artillery master Franz Helm of Cologne, who was believed to have fought in several skirmishes against the Turks in south-central Europe at a time when gunpowder was changing warfare.

Circulated widely and illustrated by multiple artists, Helm's manual is filled with all sorts of strange and terrible imagery, from bombs packed with shrapnel to missile-like explosive devices studded with spikes -- and those weaponized cats and birds.

According to Fraas' translation, Helm explained how animals could be used to deliver incendiary devices: "Create a small sack like a fire-arrow. If you would like to get at a town or castle, seek to obtain a cat from that place. And bind the sack to the back of the cat, ignite it, let it glow well and thereafter let the cat go, so it runs to the nearest castle or town, and out of fear it thinks to hide itself where it ends up in barn hay or straw it will be ignited."

In other words, capture a cat from enemy territory, attach a bomb to its back, light the fuse and then hope it runs back home and starts a raging fire.

Fraas said he could find no evidence that cats and birds were used in early modern warfare in the way prescribed by Helm.

A good thing, too.

"Sort of a harebrained scheme," Fraas said. "It seems like a really terrible idea, and very unlikely the animals would run back to where they came from. More likely they'd set your own camp on fire."

http://www.foxnews.com/science/2014/03/06/16th-century-artillery-manual-rocket-cat-weaponry/